thu 21/11/2024

Theatre Features

Actress Lisa Dillon on taming the Shrew

Lisa Dillon

I have never seen another Kate so I didn’t have any preconceived ideas about the role. I was incredibly excited to play this woman in a play which is regarded as so heavily misogynistic and very much a battle of the sexes - to make this Kate very specific and individual and not just a sweeping generalisation of what it is to be a “woman” living in a patriarchal society.

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New Year Brantub - Free Tickets Competition

theartsdesk

Competition alert! Start 2012 with a surprise arts trip. On theartsdesk we love crossing the borders - "Surprise me," was the edict of the great impresario of theatre, music, art and dance, Serge Diaghilev, and it's one we hold to here, because we believe in the pleasure of surprises. So please enter our competition, and a pair of tickets to one of the splendid events listed below could be coming your way, but you will take pot luck with which one you win, and who knows?

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theartsdesk Christmas Quiz

Ismene Brown

You're going to test your stomach and sweet temper to the maximum today - test your brain and memory too with our monster quiz about the arts covered by theartsdesk in 2011. Every artform is represented here in 12 dozen questions. Settle down between courses, films and presents and see how many you and your near and dear can do.

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theartsdesk Christmas Quiz - Answers

theartsdesk

Here are the answers to our monster Christmas arts quiz of 12 dozen questions on the year past, as seen by theartsdesk writers. There are clues in all the questions in the main quiz page. If you don't want to know the answers just yet till you've grappled with them, close this page now.

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Christmas on theartsdesk: Brainteasers, Bran Tub, and the Best of 2011

theartsdesk

Any day now most of us will be hunkering down and for the most part drawing a curtain about the world outside. Before that happens, we’d like to tell you about theartsdesk’s plans for Christmas and the New Year.

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Václav Havel, 1936-2011

Jasper Rees

In Rock’n’Roll, the play by Tom Stoppard, two characters haunt the stage without actually appearing on it. One of them, Syd Barrett, absconded from Pink Floyd to lead the life of a hermit. The other, Václav Havel, gave up the life of an internationally acclaimed, domestically banned playwright to become a head of state. Only one of them was in the audience for the premiere at the Royal Court. And it wasn’t the hermit.

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Interview: Pantomime Dame Berwick Kaler

Jasper Rees

To just about everyone, the name will mean absolutely nothing. "I'm a jobbing actor," he says, and for most of the year it is true. He does little bits of telly, the odd tiny film role, a certain amount of provincial theatre. Every Christmas, though, Berwick Kaler strides forward into the spotlight of the ravishing, intimate York Theatre Royal and bids welcome to a fanatical army of devotees.

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Jamila Gavin: Writing Coram Boy

Jamila Gavin

Someone told me that the highways and byways of England were littered with the bones of little children. It was a shocking statement and of course I asked, “What do you mean?” I was told that abandoned children were a common feature of the past, but that in the 18th century someone called a “Coram Man” used to wander about from village to village and town to town – a bit like a tinker – picking up unwanted children.

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Opinion: There's more to children's theatre than panto

Mike Kenny

So, Christmas again then. Ho ho ho. It comes around every year. Cards, crackers, baubles, TV specials. And panto. I am a playwright. I write mostly for children and their families. I tend not to say I'm a children's writer because it's rare that a child has made the decision to come to one of my plays. A parent, teacher or loving adult has made that decision and forked out the money. Children can't access my work by turning on the telly or going to the library.

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Gillian Slovo: Writing The Riots

Gillian Slovo

I was shocked by the riots. I think everybody was shocked by the riots. It’s not just the scale of the rioting that was shocking. It’s the failure of the police and the fire services to take control of the situation. During my research for The Riots I interviewed a man who had his flat burned down and he told me that he couldn’t believe this could happen in a democracy.

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Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


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