Theatre Reviews
Sunset Boulevard, London ColiseumTuesday, 05 April 2016
Could the fascination of Glenn Close's Norma Desmond transcend the frequent bathos of Lloyd Webber? Would they have sorted out the miking which wrecked last year's first choice of semi-ENO musical, the infinitely superior Sweeney Todd? Yes, to varying degrees. Read more...
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How the Other Half Loves, Theatre Royal HaymarketMonday, 04 April 2016
Alan Ayckbourn's How the Other Half Loves – first performed in 1969, in the round at the Library Theatre in Scarborough – was only his second play. Already, though, it has a few Ayckbourn tropes – warring couples and interconnecting sets – and concerns infidelity and the lies that couples tell each other (and themselves) to keep marriages alive. Read more... |
Les Blancs, National TheatreFriday, 01 April 2016
Lorraine Hansberry’s career as a playwright proved tragically short. A Raisin in the Sun is by some distance her best-known work, a key piece about the African American post-war experience. But she thought Les Blancs (The Whites) was potentially her most important play, although it remained unfinished at her death in 1965, aged only 34; it was assembled from drafts by her ex-husband and executor Robert Nemiroff, finally reaching Broadway in 1970. Read more... |
Long Day's Journey Into Night, Bristol Old VicThursday, 31 March 2016
Lesley Manville’s performance as Mary, the tortured morphine addict, wife and mother in Eugene O’Neill’s dark masterpiece Long Day’s Journey Into Night, directed by Richard Eyre, is breathtaking, from the moment she first steps on stage until her last sombre soliloquy. Read more... |
The Fifth Column, Southwark PlayhouseThursday, 31 March 2016
Ernest Hemingway was one of the most influential writers of the 20th century. But although his 1940 novel, For Whom the Bells Tolls, is familiar as a classic account of the Spanish Civil War, his play – which is set in Madrid at the height of the conflict – is, to put it mildly, less well known. Read more... |
Bug, Found111Wednesday, 30 March 2016
My skin is still tingling with the presence of imaginary critters. Never mind I’m A Celebrity… or Bear Grylls’s latest expedition – Tracy Letts has got them beat when it comes to nightmarish creepy-crawlies. But it’s not just a creature feature: this starry 20th anniversary revival at London’s newest pop-up theatre offers an eerie mirror to contemporary paranoia. Read more... |
Right Now, Bush TheatreWednesday, 30 March 2016
Poor Alice. She’s alone all day, with a six-month baby boy, while her husband Ben – a doctor – is out at work. Working all hours. She sleeps at odd times of the day, and at first seems to have just suffered some kind of catastrophic loss. Ben seems to be working too much, so the couple never see each other. Read more... |
I Am Thomas, Royal Lyceum Theatre, EdinburghSaturday, 26 March 2016
"Thomas Aikenhead – who the fuck are you?" So goes the refrain to the opening number of I Am Thomas, a boisterous co-production between London’s Told by an Idiot, and the National Theatre of Scotland and Edinburgh’s Lyceum Theatre north of the border. It’s a good question, one that acknowledges few in the audience will be familiar with the show’s central figure. And also one that raises the issue of why we should even care about some guy we’ve never heard of. Read more... |
Reasons to Be Happy, Hampstead TheatreFriday, 25 March 2016
Sequel-itis has spread to the stage. There’s no caped crusader, but the troubled quartet of Neil LaBute’s latest will be familiar to anyone who caught Reasons to be Pretty at the Almeida in 2011 – as will Soutra Gilmour’s industrial crate set. We even begin the same way: in the middle of a foul-mouthed shouting match between relentlessly combative Steph and sometime-paramour Greg. But nostalgia value aside, this melancholic reprise is generally a case of diminishing returns. Read more... |
Twelfth Night, French Protestant Church, SohoFriday, 25 March 2016
This is set in “a world midway between Elizabethan pageant and haute-couture catwalk”, a programme note for Scena Mundi's production says, and the initial signs certainly point to that. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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