Theatre Reviews
The Angry Brigade, Bush TheatreFriday, 08 May 2015
Today, terrorism means killing as many innocent people as possible. Fear is created by completely random attacks, so that no one feels safe. But there was a time, in the past, when political anarchists would focus their attacks on selected targets and avoid civilian casualties. For a year, begining in August 1970, the Angry Brigade brought armed struggle to Britain, setting off some 25 bombs, mainly aimed at the property of the rich and powerful (although one person was slightly injured). Read more... |
The Vote, Donmar WarehouseFriday, 08 May 2015
Thank fuck, it’s over. I mean the General Election. No more campaigning, no more leader debates, no more anti-Miliband hysteria. But there’s still no end to theatre gimmicks that exploit public interest in what is clearly one of the tightest elections in living memory. Read more... |
The Audience, Apollo TheatreWednesday, 06 May 2015
As The Queen gains an audience with the latest royal addition, her theatrical alter ego returns to the West End, with Kristin Scott Thomas inheriting Tony-nominated Helen Mirren’s role in Peter Morgan’s updated revival. Callaghan is out; au courant gags about election battle buses and Thursday’s result are in. Ed Miliband lookalikes must be lining up at the stage door. Read more... |
The Lads In Their Hundreds, Theatre Royal, BrightonWednesday, 06 May 2015
World War One poems can become too familiar. So can the war itself, its five years of centenary commemorations so far suffering from excessive patriotism, a sense of uncomprehending disconnection from the gone generation which lived it, and a politically expedient veil drawn over its holocaust, the Armenian genocide. The Lads In Their Hundreds combines contemporary English music and French war poetry unknown here to more intimately recall the time’s voices. Read more... |
The Apple Family Plays, Brighton DomeWednesday, 06 May 2015
"I hear America singing," wrote Walt Whitman, the American poet whose language playwright Richard Nelson has co-opted for the title of the second (Sweet and Sad) of his remarkable quartet of Apple Family Plays. Read more... |
Beyond Caring, National TheatreTuesday, 05 May 2015
Recent plays with the verb “to care” in their titles – another is Michael Wynne’s Who Cares – suggests that the inequalities of life in Britain today can no longer be treated with our habitual indifference. Read more... |
Lungs, Roundabout at Regency Square, BrightonTuesday, 05 May 2015
A couple stand on the stage, squaring up to each other. They are in the middle of an argument. The Man has just, out of the blue, suggested they have a baby. The Woman, understandably, needs time to adjust to the idea. Particularly as they are in IKEA. In the checkout queue. So starts Duncan Macmillan's very funny and touching two-hander about the disintegration of a relationship. Read more... |
The Merchant of Venice, Shakespeare's GlobeFriday, 01 May 2015
There’s a certainty, a reassurance that comes with attending a Globe show. You know that however bad things get, however bloodied the stage at final curtain, however bruised the relationships on stage, everyone – corpses and all – will rise and come together for a spirited closing jig. Julius Caesar and Cassius have done it, the tragic Duchess of Malfi has returned to life for a final Pavane, and even Lear and his daughters have joined hands in the dance. Read more... |
Everyman, National TheatreThursday, 30 April 2015
As we stagger towards electoral chaos, isn’t it comforting to think there might be a master plan at work? That Russell Brand’s meddling is preordained, or Cameron’s "brain fade" an act of divine intervention? Read more... |
Blood, Soho TheatreThursday, 30 April 2015
Tamasha is a new writing theatre company which specialises in plays — often adaptations or reimaginings of classics — written from an Asian perspective. As the company celebrates its 25th anniversary, it is touring this, the latest play by Emteaz Hussain, who worked with them on her debut, Sweet Cider, in 2008. Blood is a co-production with the Belgrade Theatre, Coventry, where the play opened in March. Read more... |
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Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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