tv
The Luminaries, BBC One review - one of the most visually arresting dramas of the yearMonday, 22 June 2020
Alarm bells start ringing whenever you discover an author is adapting their own work for a screenplay. In the case of New Zealand novelist Eleanor Catton, the alarm proves to be false. Read more...
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Tutankhamun in Colour, BBC Four review - amazing enhanced images bring fabled Pharaoh to lifeFriday, 19 June 2020
Tut in colour, and he is! Read more... |
The Woods, Netflix review - missing-person mystery reveals a heart of darknessThursday, 18 June 2020
After the success of the sci-fi crime drama 1983 (2018), another Polish original series has landed at Netflix. The Woods, directed by Leszek Dawid and Bartosz Konopka, is a six-part mystery thriller adapted from Harlan Coben’s novel, set in two main time spans: 1994 and 2019. Read more... |
The Salisbury Poisonings, BBC One review - the Cold War comes to WiltshireWednesday, 17 June 2020
The poisoning of Sergei and Yulia Skripal with the nerve agent novichok in 2018 was one of the more bizarre episodes in recent memory, a kind of delayed-action echo of the Cold War. Read more... |
A House Through Time, Series Finale, BBC Two review - timely series reaches uneven conclusionWednesday, 17 June 2020
Setting his third series of A House Through Time in Bristol (BBC One) was a stroke of inspired prescience for historian and presenter David Olusoga. Read more... |
Hillary, Sky Documentaries review - facing the fire and furyFriday, 12 June 2020
“Never get rattled”. For some, it might sound like a trite self-help mantra. For Hillary Rodham Clinton, it was an essential daily memo and a practical self-affirmation. In recent public memory, she is the political figure who has been rattled the most, often with sinister intent. Read more... |
What We Do in the Shadows, BBC Two review - the vampires of Staten Island are backFriday, 12 June 2020
The first series of What We Do in the Shadows, Jemaine Clement and Taika Waititi’s mockumentary about vampires in Staten Island (a TV spin-off from their cult New Zealand-located film) was a joy, and although it’s a hard act to follow, it’s delicious to be reacquainted with these timeless Transylvanian transplants and their mission to conquer the Americas. At least, that’s what their master, a crumbling vampire baron, has told them to do. Read more... |
Freud, Netflix review - hysteria and horrorThursday, 11 June 2020
Anyone expecting, as I was, a reverend and slightly earnest miniseries about Sigmund Freud's early professional years will be in for a surprise, and mostly in a good way. Read more... |
Das Boot, Series 2, Sky Atlantic review - multi-layered war drama goes from strength to strengthWednesday, 10 June 2020
Das Boot made an impressive debut early last year with its entwined narratives of war by land and sea. Read more... |
The World's Greatest Paintings, Channel 5 review - enthusiastic presenter but no dazzling revelationsSunday, 07 June 2020
Andrew Marr’s art show is a lot of fun, although engulfed in almost overwhelming banality and cliché. Our enthusiastic presenter is a self-confessed addict of art. Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Ghosts, Lyric Hammersmith Theatre - turns out, they do fuck...
A single sofa is all we have on stage to attract our eye - the signifier of intimate family evenings, chummy breakfast TV and,...
Blue Road: The Edna O'Brien Story - compelling portrait...
“I was born with the ability and the demon to write. I have been punished for it constantly.” Written and directed by Sinéad O’Shea, this...
Album: Ronny Graupe's Szelest - Newfoundland Tristesse
In this new album, three top-flight musicians based in Berlin, guitarist Ronny Graupe, Lucia Cadotsch (voice) and Kit Downes (piano) work...
Donohoe, RPO, Brabbins, Cadogan Hall review - rarely heard B...
The name Arthur Bliss always summoned up for me the image of a fuddy-duddy old buffer writing boring music. But as I’ve discovered his work over...
Album: Gigspanner Big Band - Turnstone
For lovers of British folk from the 1970s on, Peter Knight is a potent force – renowned for his years with Steeleye Span, in their 1970s heyday...
All the Happy Things, Soho Theatre review - deep feelings, b...
The mind is its own place, and in itself can make a heaven of hell, a hell of heaven. Or words to that effect. This quote from Milton’s ...
London Choral Sinfonia, Waldron, Smith Square Hall review -...
The London Choral Sinfonia are a very impressive group, a professional choir who are churning out terrific recordings at a breakneck pace – I...
The Forsythe Programme, English National Ballet review - bra...
It’s hard to think of anyone even half as persistent as William Forsythe in changing the conversation around ballet. The American...