Visual Arts Reviews
Rodin and the Art of Ancient Greece, British Museum review - magnificence of form across the millenniaFriday, 04 May 2018
In bronze, marble, stone and plaster, as far as the eye can see, powerful figures and fragments – divine and human, mythological and real; athletes, soldiers and horses alongside otherworldly creatures like Centaurs – stride out. Read more... |
Shape of Light, Tate Modern review - a wasted opportunityThursday, 03 May 2018
"From today painting is dead" was the pessimistic outcry of Paul Delaroche on first seeing a photograph. Ever since its inception, photography has had a vexed but fruitful relationship with painting. Read more... |
Leaving Home, Coming Home: A Portrait of Robert Frank review - the artist puts himself in the frameMonday, 30 April 2018
Shot in 2004 when photographer Robert Frank was 80 (main picture), this award-winning film was aired on The South Bank Show the following year, but is only now on release. Read more... |
Taryn Simon: An Occupation of Loss, Islington Green review - divine lamentationTuesday, 24 April 2018
What a superb location for a performance! The flats on the north-east corner of Islington Green back onto a crummy atrium from which a staircase leads down to a vaulted, concrete pit (pictured below). Read more... |
Monet and Architecture, National Gallery review - a revelation in paintTuesday, 17 April 2018
Art historians can so easily get carried away looking for a thesis, a scaffolding on which to hang theories which can sometimes obscure as much as reveal. Not so here: as near perfect as might be imagined, this is a beautifully laid out, fresh look at a master painter, that lights up the National Gallery's basement exhibition space. Read more... |
Michael Rakowitz: The Invisible Enemy Should Not Exist, Fourth Plinth review - London's new guardianSaturday, 31 March 2018
Fifteen years ago on a cold grey Saturday in mid-February, Trafalgar Square was filled with people marching to Hyde Park in opposition to the proposed invasion of Iraq. A million people gathered in London. Three times that number turned out in Rome. Read more... |
America's Cool Modernism, Ashmolean Museum review - faces of the new cityThursday, 29 March 2018
Hie thee to Oxford, for it is doubtful that we will see the like of this exhibition again this side of the Atlantic. Read more... |
Picasso 1932: Love Fame Tragedy, Tate Modern review - a diary in paint?Thursday, 22 March 2018
Painted in ice-cream shades punctuated with vivid red, the series of portraits made by Picasso in the early weeks of 1932 are as dreamy as love letters. His mistress Marie-Thérèse Walther – we assume it is she – lies adrift in post-coital languor, her body spread before us as a delicious and endlessly fascinating confection. Read more... |
Joan Jonas, Tate Modern review - work as elusive as it is beautifulWednesday, 21 March 2018
The American artist, Joan Jonas is one of the pioneers of performance art. Now 82, she is being honoured with a Tate Modern retrospective and Ten Days Six Nights, a festival of live art in which many of her performances are being recreated. Read more... |
Tacita Dean: Portrait, National Portrait Gallery / Still Life, National Gallery review - film as a fine artFriday, 16 March 2018
Sometimes you come across an artwork that changes the way you see the world. Tacita Dean’s film portrait of the American choreographer Merce Cunningham (main picture) is one such encounter. Read more... |
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