thu 10/07/2025

Film Interviews

theartsdesk Q&A: Anna Bogutskaya on her new book about the past decade of horror cinema

Harry Thorfinn-

You may have heard the phrase “elevated horror” being used to describe horror films that lean more toward arthouse cinema, favouring tension and psychological turmoil over jump-scares and gore.

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theartsdesk Q&A: Alice Lowe on 'Timestalker' and what women rue through the ages

Justine Elias

Before Alice Lowe wrote her first short film scripts, she was, despite success in television and theater, “terrified” of making a full-length feature. “I thought it was some untouchable Holy Grail. That you have to be somehow inducted before you’re allowed to breathe the word ‘film'." She's not terrified these days. Timestalker, Lowe’s second feature as director, writer, and star, is a fully realised passion project in every sense.

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The Third Man rides again - 75th anniversary of Carol Reed's noir classic

Adam Sweeting

It was originally released in Britain 75 years ago this month, making its debut in a small cinema in Hastings on 1 September 1949, and quite a few people will tell you that The Third Man is their all-time favourite film.

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theartsdesk Q&A: David Morrissey on (among other things) the return of 'Sherwood' and 'Daddy Issues'

Adam Sweeting

Without ever getting embroiled in tabloid mayhem, even if he has confessed that he’d like to have a go on Strictly, David Morrissey has patiently turned himself into a quiet superstar.

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theartsdesk Q&A: Viggo Mortensen on 'The Dead Don't Hurt', Westerns and the dangers of patriotism

Nick Hasted

Viggo Mortensen has parlayed film stardom into the life of a hard-working, bohemian-minded gentleman scholar. His Lord of the Rings fees financed Perceval Press, which publishes books of poetry, photography and anthropology by himself and others, and Mortensen’s extensive discography as a musician.

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theartsdesk Q&A: Matthew Modine on 'Hard Miles', 40 years in showbusiness and safer cycling

Adam Sweeting

Maybe California-born Matthew Modine caught the movie bug courtesy of his father Mark, who used to manage drive-in theatres, but after bagging his first film role in John Sayles’s Baby It’s You (1983) he never looked back. Blessed with a gift of employability that must make many of his fellow-actors green with envy, Modine has been clocking up a stream of memorable performances for 40 years on both the small and big screens.

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'I think of her as a proto-punk': documentarist Svetlana Zill on Anita Pallenberg

Nick Hasted

Anita Pallenberg was a vital presence in the Stones’ most vital years. Her bright eyes and hungry mouth betrayed a ferocious appetite for pleasure and adventure, taking her from a nun-schooled Rome childhood to New York’s downtown art crowd, then modelling in Munich, where in 1965 she engineered an encounter with “shy” Keith Richards, a similarly callow Mick Jagger and her first, violent Stones lover Brian Jones.

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theartsdesk Q&A: Eddie Marsan and the American Revolution, posh boys and East End gangsters

Adam Sweeting

He’s not the kind of actor who has paparazzi following him around Beverly Hills or staking out his yacht in St Barts, but Eddie Marsan, born into a working class family in Stepney in 1968, has amassed a list of acting credits that your average superstar will never be able to match.

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theartsdesk Q&A: Marco Bellocchio - the last maestro

Nick Hasted

The last of the old maestros is standing tall. Marco Bellocchio was a Marxist firebrand when he made his iconoclastic debut with Fists in the Pocket (1965). Now aged 84, he makes intellectually and emotionally muscular, hit epics about abused Italian power.

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theartsdesk Q&A: Wim Wenders on 'Perfect Days'

Graham Fuller

Wim Wenders’ latest narrative film Perfect Days might seem an uncommonly mellow work by the maker of Alice in the Cities (1974), The American Friend (1977), Paris, Texas (1984), and Wings of Desire (1987), but it still finds the 78-year-old German director in existentially questing mode.

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10 Questions for 'The Settlers' film director Felipe Gálvez Haberle

Graham Fuller

Felipe Gálvez Haberle’s Chilean Western The Settlers traces the roles played in the genocide of the country’s indigenous Selk’nam people by the Spanish businessman José Menéndez (1846-1918) and his brutal Scottish sheep station manager Alexander McLennan (1871-1917).

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Scala!!! interview with documentary co-directors Jane Giles and Ali Catterall

Saskia Baron

There’s no shortage of documentaries about movie stars, film directors and production studios in their heydays, but very little attention has been paid to the cinemas that showed the movies they made or the diverse audiences they attracted.

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32 Sounds: Interview with innovative documentarian Sam Green about his audio and visual feast

Saskia Baron

Sam Green’s film 32 Sounds has been described as the greatest documentary you’ve ever heard, which is a pretty noisy claim – how does anyone know all the documentaries you’ve experienced? What is certainly true is that the way Green presents his films as immersive events, where musicians play the soundtrack live, the audience wear headphones and the director narrates, makes for a very unusual cinema experience.    

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Composer and conductor Carl Davis, 1936-2023

graham Rickson

May 2021 should have seen the appearance on Netflix of a new restoration of Abel Gance’s silent epic Napoleon, lasting nearly seven hours and timed to coincide with the 200th anniversary of Napoleon’s death. The release was delayed, but, in anticipation, theartsdesk spoke to the composer and conductor Carl Davis, who has died aged 86.

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Isabelle Huppert and director Jean-Paul Salomé: 'Cinema is about a little trade, a little business'

Nick Hasted

Isabelle Huppert is French cinema’s icon of icy transgression, from Bertrand Blier’s outrageous Les Valseuses (1974) to Paul Verhhoeven’s Elle (2017), in which her character Michéle denies rape’s trauma, instead seeking out her rapist for sadomasochistic sex and mind-games. Huppert was Oscar-nominated for the latter, though she was ultimately too much for Hollywood.

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Filmmaker Tarik Saleh: ‘A director is at heart an immigrant’

Nick Hasted

Tarik Saleh was born between two worlds, with a Swedish mum and Egyptian dad. His Egyptian side has inspired his two highest-profile releases.

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