Film Interviews
Clio Barnard: 'We need to talk about sexual abuse' - interviewTuesday, 20 February 2018
Clio Barnard has quietly been building a reputation as one of Britain’s most human storytellers. Read more... |
Daniel Day-Lewis: 'I'm quite good at mending things'Tuesday, 30 January 2018
Daniel Day-Lewis doesn’t look like a 60-year-old retiree. He’s wearing a striped T-shirt under a dark blue shirt, light brown trousers which descend no further than mid-calf and boots laced high above the ankle he could easily have worn as a young actor in My Beautiful Laundrette. Ditto the earring. He remains as thin and sleek as a whippet. Read more... |
Jeremy Irons: 'I was never very beautiful' - interviewMonday, 22 January 2018
In 2016 the Bristol Old Vic turned 250. To blow out the candles, England’s oldest continually running theatre summoned home one of its most splendid alumni. Read more... |
'It was appealing to make a thriller about mental illness': Gareth Tunley and Alice Lowe on 'The Ghoul'Saturday, 05 August 2017
Gareth Tunley, director of the psychological drama The Ghoul, and Alice Lowe, one of its stars, are a duo with eclectic tastes. They share a background in comedy, but cite everything from punk to surrealism and the occult as influences on Tunley’s directorial debut, which was produced by Ben Wheatley. Read more... |
Olivia Williams interview: 'Are you on drugs?' 'No I've just spent the day acting'Monday, 24 July 2017
Olivia Williams’s first film was, (in)famously, seen by almost no one. The Postman, Kevin Costner’s expensive futuristic misfire, may have summoned her from the depths of chronic unemployment, but the first time anyone actually clapped eyes on her was in Wes Anderson’s Rushmore, in which Bill Murray most understandably falls in love with her peachy reserved English rose. Then came The Sixth Sense, in which with great subtlety she in effect gave two performances as... Read more... |
10 Questions for Adeel Akhtar: 'The first form of defiance is to laugh'Saturday, 15 July 2017
Earlier this year Adeel Akhtar won the BAFTA for best actor. In Murdered By My Father, he gave a heartbreaking performance as the widowed father of a daughter who goes against his desire to arrange an advantageous marriage for her. In a nuanced domestic tragedy, he revealed fresh depths of agony, fear and rage that will have surprised those who mainly knew him as Faisal, the dimwitted terrorist in... Read more... |
10 Questions for film director Roger Donaldson – 'motor racing in the 1960s was incredibly dangerous'Tuesday, 23 May 2017
An Australian who emigrated to New Zealand in 1965, Roger Donaldson cut his teeth in documentaries and TV before launching into a career in feature films. His first feature, Sleeping Dogs (1976), on the unlikely theme of a New Zealand plunged into totalitarianism, immediately attracted attention, and after he made Smash Palace (1982) Hollywood came calling. Read more... |
Charlotte Rampling: 'I had to survive!' - interviewTuesday, 11 April 2017
The seizième arrondissement, the Paris equivalent of Kensington and Chelsea, or Manhattan’s Upper East Side. Haussmann’s Paris par excellence. Here, in a gated complex where American heiress Florence Gould hosted lavish wartime salons, indulging in conduct which, come the liberation, she was required to explain, lives Charlotte Rampling. The marble foyer is vast, the lift small and cranky, like something out of a movie. Read more... |
Brighton Festival 2017: 12 Free EventsThursday, 06 April 2017
The Brighton Festival, which takes place every May, is renowned for its plethora of free events. The 2017 Festival is curated by Guest Director Kate Tempest, the poet, writer and performer, alongside Festival CEO Andrew Comben who’s been the event's overall manager since 2008 (also overseeing the Brighton Dome venues all year round). This year the Festival’s theme is “Everyday Epic”. Read more... |
theartsdesk Q&A: Writer David Storey, pt 1Monday, 27 March 2017
David Storey, who has died at the age of 83, was the last of the Angry Young Men who, in fiction and drama, made a hero of the working-class Northerner. Read more... |
theartsdesk Q&A: Writer David Storey, pt 2Monday, 27 March 2017
In Radcliffe, an early novel by David Storey, one character murders another with a telling blow from a hammer. The author was later advised that Kenneth Halliwell was reading Radcliffe on the night in 1967 before he killed his lover Joe Orton, also with a hammer. But however many Orton plays Storey indirectly lost, he pulped many more of his own. Read more... |
10 Questions for Director Olivier AssayasMonday, 20 March 2017
Olivier Assayas was born into French cinema, as the son of screenwriter Jacques Remy, but his three acclaimed decades as a director have followed a mazy course. Read more... |
10 Questions for Director Gurinder ChadhaMonday, 27 February 2017
Gurinder Chadha is still best-known for directing a low-budget comedy set in Hounslow about two girls who just want to play football. Bend It Like Beckham (2002) introduced Keira Knightley and in 2015 became a stage musical that lured Asian audiences to the West End. While she also explored British Asian culture in Bride and Prejudice (2004) and It’s a Wonderful... Read more... |
10 Minutes with Director Paolo SorrentinoSaturday, 11 February 2017
Two Neapolitans are wrestling for Italian cinema’s crown. Paolo Sorrentino and Matteo Garrone’s rivalry was for a time so personal that, though they were neighbours, they didn’t speak for years. Read more... |
theartsdesk Q&A: Actress Emily WatsonTuesday, 07 February 2017
Emily Watson made her remarkable debut in Breaking the Waves (1996). In Lars von Trier’s grim parable, Watson plays Bess, an ingénue from a remote religious Scottish community who, when her husband is paralysed on an oil rig, perpetuates their romantic life by seeking out liaisons with other men and telling him about it. Read more... |
10 Questions for Barry Jenkins, director of MoonlightMonday, 30 January 2017
Twelve months ago the Academy of Motion Picture Arts and Sciences was the focus of an intense campaign on social media. The hashtag #OscarsSoWhite protested the lack of recognition for black talent at the 2016 Oscars. This year the picture looks a little different, mainly because Barry Jenkins's quietly remarkable film Moonlight has deservedly scooped eight nominations. ... Read more... |
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