Film Reviews
Star Trek BeyondThursday, 21 July 2016
This is the third of the rebooted new generation Star Treks, and ultimately leaves you with the feeling that the intrepid crew of the starship Enterprise continue to boldly go, but still haven't quite arrived. On the other hand, the fact that a sprawling high-tech movie like this can manage to recapture some of the friendly intimacy of the old TV series gives it an undeniable charm. The opening sequence, where Captain James T Kirk is on a diplomatic mission to deliver... Read more... |
ChevalierTuesday, 19 July 2016
The opening shot of Chevalier trains the camera on a rocky beach surmounted by overcast skies. A dark form emerges from the water, then another and another. They're like creatures from the primordial soup making land all those millions of years ago, but actually they're scuba divers who happily pose with their catches before clubbing them to death. Read more... |
SummertimeFriday, 15 July 2016
Set at the beginning of the 1970s, Catherine Corsini’s Summertime (La belle saison) is a story of love in a political climate, one in which the post-1968 assertions of a changing society have infused the public context in theory but do not ultimately translate into liberation for the film’s two lead women characters. Read more... |
Men and ChickenWednesday, 13 July 2016
Half Man Half Biscuit have nothing on this. Splicing The Three Stooges and Island of Dr Moreau, this strange Danish film finds both slapstick and pathos in its grotesque premise. Part of the micro-genre in which adopted children search for biological parents, it takes its protagonists on some especially twisted country back-roads to get to where they’re going. Read more... |
GhostbustersMonday, 11 July 2016
Ghostbusters 2016 has suffered from dire predictions on the internet from fans of the 1984 original. Scorn has been poured on the trailers, the all-female cast and the very notion of rebooting the much-loved 1984 comedy. In the end, it’s an enjoyable blockbuster, not great, but not disastrous either. Read more... |
WeinerSaturday, 09 July 2016
Weiner is the story of a rapid ride from comeback to meltdown. It’s an enthralling journey to witness, even if you sometimes feel like averting your eyes. What can be more inexorable than a political life – not to mention a private one – imploding on screen in a documentary where the subject has promised full access to the filmmakers, and sticks to that pledge regardless? Read more... |
The Neon DemonThursday, 07 July 2016
Her babyface spangled with tiny jewels and her lips painted fuschia, an adolescent with elaborately woven blonde hair lies on a silver velvet couch – round her neck and running onto her breast and down her right arm is a scarf of sticky blood as shiny as her blue vinyl (or cellophane) dress. Read more... |
The Legend of TarzanWednesday, 06 July 2016
Accustomed as we now are to superheroes who can change size and shape, fly at nuclear speeds, levitate ships and vibrate themselves through walls, a bloke wearing pedal-pushers and jumping out of trees might be considered a bit of an under-achiever. Nonetheless Tarzan is back yet again (more than 200 Tarzan movies have been made since 1918), and Warner Bros are doubtless hoping to kick off a new big-budget franchise. Read more... |
Maggie's PlanMonday, 04 July 2016
Rebecca Miller’s fiction and her previous films’ manifestly ambitious visual style and narrative structures led to high expectations from Maggie’s Plan. As a movie, it may appeal to audiences craving the kinds of films that Woody Allen, Noah Baumbach and Richard Curtis make – talky comedies revolving around middle-class professionals chewing over their relationship crises with their friends.... Read more... |
Notes on BlindnessSaturday, 02 July 2016
Notes on Blindness is an extraordinary film that wears its original genius lightly. The debut full-length documentary from directors Peter Middleton and James Spinney, it may seem complicated in its assembly, but has a final impact that is luminously simple. And to speak of a film whose immediate subject is the loss of sight – and by extension, of the visual element that comprises cinema itself – in terms of luminousness is finally no paradox at all. Read more... |
The ColonyWednesday, 29 June 2016
The last film to feature the Chilean coup was No from 2012, which explored the referendum that finally rid the country of General Pinochet and returned the country to democracy. There a genius adman plotted a brilliant campaign to get the right answer. Perhaps worthwhile viewing for those planning referendums? Read more... |
Adult Life SkillsFriday, 24 June 2016
There are often times as adults, that we feel ill-prepared for dealing with situations that arise. There is no equivalent of a Brownie’s badge for “taking responsibility” “progressing the career ladder”, “finding your life partner” or “coping with grief”. But by age 30, somehow, inexplicably, we’re supposed to have it all under control. Rachel Tunnard’s debut feature film departs from this social norm, and takes a look at what happens when the dream is derailed. Read more... |
Elvis & NixonThursday, 23 June 2016
Shamed and reviled, Richard Nixon had the misfortune (albeit self-authored) to be the star of one of the murkiest chapters in American Presidential history. It's not much compensation for him now, but he has become something of a goldmine for film-makers. Read more... |
The MeddlerTuesday, 21 June 2016
Susan Sarandon's natural radiance papers over a considerable number of cracks in The Meddler, writer-director Lorene Scafaria's loving, largely autobiographical tribute to the kind of mum you might want on occasion to throttle but in the end adore beyond all words. Read more... |
SuburraMonday, 20 June 2016
An underage prostitute dies from a drug overdose at a mini “bunga bunga” party with a high-ranking politician. When that’s one of a film’s less shocking moments, you know you’re in for a bumpy ride. With its steady stream of killings, maimings, kidnap and a frothing-mouthed killer canine, Stefano Sollima’s brutal crime thriller exploring corruption and violence among... Read more... |
Tale of TalesFriday, 17 June 2016
The earliest known versions of Rapunzel and Cinderella appeared in an Italian compendium of fairytales known as the Pentamerone. They were collated by Neapolitan courtier Giambattista Basile and published in the 1630s after his death. The 50-strong anthology also includes versions of Puss in Boots, Sleeping Beauty and Hansel and Gretel. None of these familiar stories has made it into Tale of Tales, Matteo Garrone’s cinematic sampler of Basile’s collection. Read more... |
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