thu 23/10/2025

Film Reviews

West

Tom Birchenough

As its title might suggest, Christian Schwochow’s West (Westen) takes us back to the time of Germany divided. It's almost a chamber piece, catching the very particular experiences of a woman and her young son who leave East Berlin and end up in a refugee centre in the city’s American sector, where they’re forced to reappraise their expectations of what their new life in the West will be.

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Black Coal, Thin Ice

Tom Birchenough

A riddle, wrapped in a mystery, inside an enigma. Winston Churchill’s famous words on Russia serve as a very apt verdict on Black Coal, Thin Ice (Bai ri yan huo), the third film from Chinese director Diao Yinan.

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Queen & Country

Adam Sweeting

In Hope and Glory, John Boorman revisited the Blitz-battered London of his childhood, and managed to find infectious humour and optimism among the wreckage. Now, 28 years later, he travels back to the early Fifties for this belated sequel, depicting a Britain still exhausted from the European war while the conflict in Korea hinted at a different and scary new world.

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Listen Up Philip

Nick Hasted

Artists can be selfish bastards. Yoko Ono didn’t pay her babysitters; Bob Dylan has frozen out nearly all his friends; Norman Mailer stabbed his wife, and William Burroughs shot his. Philp (Jason Schwartzman), the young novelist who sociopathically meanders through Alex Ross Perry’s new film, causes no fatalities. Which is where his positive qualities peter out.

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San Andreas

Matt Wolf

Time gets called on California in San Andreas, a bone-headed disaster movie that sends huge swathes of the West Coast toppling to its doom even as one particular family not only makes it through intact but is even enriched in the process. Who'd have thought that the demise of several cities full of unnamed people would act as a perverse sort of marriage counselling for a couple in nuptial distress?

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Man Up

Katherine McLaughlin

American actress Lake Bell turns in a rather charming performance in a romcom written by newcomer Tess Morris, who handles the insecurities of a thirty-something woman looking for love in a funny and energetic way.

There's a manic screwball edge to the comedy and some witty one-liners but also present are some of the worst pitfalls of this genre. The Inbetweeners director, Ben Palmer, takes the reins in a film which dashes across famous London landmarks and the back roads of...

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Timbuktu

Emma Simmonds

The imposition of a brutal jihadist regime is relayed with formidable articulacy and a surprising lightness of touch in this gut-wrenching drama from Mauritanian director Abderrahmane Sissako. Although its narrative events are as horrifying as those of any thriller Timbuktu avoids the manipulative tricks of genre cinema.

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Danny Collins

Matt Wolf

Al Pacino gives it his barnstorming all as Danny Collins, an ageing, coke-rattled rocker who calls it quits in order to reconnect with his family and recharge his life. Sentimental (but not brazenly so) and buttressed by an ace supporting cast, the film finds Pacino hurtling through his 70s in irresistibly energiser bunny mode. Whereas such contemporaries as Gene Hackman and Jack Nicholson have pretty well faded from view, there's plenty of life in this celluloid mainstay yet.

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The New Girlfriend

Nick Hasted

François Ozon’s sly fascination with radical family units takes another, surprisingly gentle twist here. Based on a Ruth Rendell story but equally inspired by French protests against gay marriage, this is an affecting romcom starring a secret male transvestite and a woman, brought together by their love for the same dead person.

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A Girl Walks Home Alone at Night

Kieron Tyler

A skateboarding female vampire in a striped Brêton top. A James Dean look-alike with a junkie father. A prostitute as confessor. Spaghetti western-influenced music. The black-and-white A Girl Walks Home Alone at Night is a smorgasbord of attention-grabbing elements brought together in what is being promoted as the “first Iranian vampire Western”.

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Only Angels Have Wings

Demetrios Matheou

Howard Hawks and Cary Grant made five films together. Bringing Up Baby, His Girl Friday, I Was A Male War Bride and Monkey Business were all screwball comedies, made by two of the genre’s leading exponents. As an adventure film, Only Angels Have Wings was the odd one out, but certainly no ugly duckling.

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Mad Max: Fury Road

Adam Sweeting

There is still much to be said for George Miller's original 1979 Mad Max, a cheap but ferocious tale of rape, murder and vengeance in a gang-infested dystopia. However, only two sequels later, Mad Max Beyond Thunderdome (1985) found the franchise blimping out into a steroidal freak-show. After a 30-year intermission, Fury Road is much more of the latter, now saturated with digital enhancements while almost dispensing with plot entirely.

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Clouds of Sils Maria

Demetrios Matheou

When Hollywood characters revisit their youth it tends to be through the school reunion, with generally trite results; how typical of a French filmmaker, and of the cerebral, cinephile Olivier Assayas in particular, that his character should be an actress, who is pushed towards midlife crisis by a role.

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A Fuller Life

Graham Fuller

A master of visceral cinema, Samuel Fuller (1912-97) directed 23 features during his exemplary career, writing 21 of them and an unquantifiable number of others.

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A Royal Night Out

Matt Wolf

The ongoing penchant for all things royal reaches a momentary impasse with A Royal Night Out, an eye-rollingly silly imagining of what the young Princesses Margaret and Elizabeth might have got up to on VE Day.

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The Tribe

Tom Birchenough

In The Tribe, his feature debut, Ukrainian director Myroslav Slaboshpytskiy has created something totally unexpected, and viscerally powerful to boot. This dark tale of life among inmates of a Kyiv institution for the deaf avoids spoken language completely, leaving viewers to assemble the narrative for themselves: communication is only in sign language, heralded consciously in an opening screen-title as presented without translation, subtitles or voiceover.

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