wed 15/01/2025

Film Reviews

It Follows

Emma Simmonds

David Robert Mitchell's second ode to innocence lost is a rather more twisted take on the subject than his first film, The Myth of the American Sleepover. That was a beautifully judged ensemble coming-of-ager which merely teased us with horror tropes. Alongside the titular teen tradition it featured an abandoned warehouse, a Ouija board, a trip down to the basement and a midnight swim.

Read more...

Oscars 2015: Birdman soars, Boyhood plummets

Matt Wolf

I hope someone by now has told Neil Patrick Harris how to pronounce David Oyelowo’s surname, but if anyone wants to see how not to host an Oscars, Harris’s stewardship of the 87th annual Academy Awards can provide that service in spades.

Read more...

The Duke of Burgundy

Graham Fuller

At last, it’s here – the female-friendly BDSM movie that no grownups should restrain themselves from seeing. The one with the designer clothes and kinky accoutrements. The one with the “special” room for thrilling punishments. The one unafflicted by Christian Grey and his assorted neuroses.

Read more...

Cake

Matt Wolf

Jennifer Aniston changes pace without changing any fundamental perception of her skills in Cake, the austerely self-admiring new film that finds the onetime Friends star playing a none-too-friendly sufferer from chronic pain.

Read more...

Maidan

Tom Birchenough

I went into watching Sergei Loznitsa’s documentary Maidan with the highest hopes, and came out, more than two hours later, cold. For a film about a successful national liberation movement, that’s something of a paradox.

Read more...

Blackhat

Adam Sweeting

From Michael Mann, the director of the monumental crime epic Heat and the original and best Hannibal Lecter movie Manhunter, this lumbering saga of cyberhacking is really rather disappointing. Not that it doesn't include several torrid action sequences in exotic locations, while the basic theme is at least urgently topical. It's just that there's little evidence that the project fired Mann's imagination, or inspired him to breathe plausible life into his characters.

Read more...

Fifty Shades of Grey

Jasper Rees

Fifty Shades of Grey is upon us, more or less literally. It's a bit like the clamber-cam POV shot of Jamie Dornan materialising through Dakota Johnson’s spread legs. The teaser campaign has completed its titillating foreplay, and this weekend the fairytale fantasy franchise about fucking and slapping (but please, sir, no fisting) thrusts its entire length into the world’s cinemas. How will it be for you?

Read more...

Love Is All

Tom Birchenough

Among contemporary British documentarists Kim Longinotto has surely travelled the furthest afield internationally – Iran, Japan, Africa – to find her subjects. Love Is All brings her resoundingly back home to Britain, across a timeline that stretches from the very end of the 19th century when the moving image was born, right up to the present day.

Read more...

Love Is Strange

Karen Krizanovich

Ben (John Lithgow) and George (Alfred Molina) are two lucky people. They work in New York City where Ben paints and George teaches music. After they marry, the church school where George works fires him for being openly gay. Their life has come apart with the loss of one income.

Read more...

Dancing in Jaffa

Tom Birchenough

Your initial impressions of Hilla Medalia’s Dancing in Jaffa may be influenced by whether you go into it knowing anything about its central character, Pierre Dulaine. His is a name that needs no introduction to anyone familiar with the world of ballroom dancing: he has been a world star in that field for decades, who together with his dancing partner, Yvonne Marceau, set up the American Ballroom Theatre in New York in 1984.

Read more...

Two Night Stand

Matt Wolf

A New York blizzard so intense that people can't get out the front door traps a random couple who have hooked up online into a rather longer mating dance than they had anticipated. That's the essence of Two Night Stand, the debut film from director Max Nichols (son of the late, great Mike, who died in November) that prolongs a wearyingly cute premise well past breaking-point.

Read more...

The Philadelphia Story

Demetrios Matheou

Cynical writer Macaulay Connor (Jimmy Stewart) and pragmatic photographer Elizabeth Imbrie (Ruth Hussey) are the tabloid team charged with getting the undercover scoop on the society wedding of the year, between old-moneyed Tracy Lord (Katharine Hepburn) and a self-made industrialist. Their way into the party: Tracy’s ex-husband, CK Dexter Haven (Cary Grant). Will Tracy actually marry a social-climbing stiff, or fall for the angry young reporter with an unnatural capacity for champagne?

Read more...

Coherence

Adam Sweeting

This almost-no-budget feature by writer/director James Ward Byrkit was created by gathering eight of his actor-friends in his Santa Monica living room, and giving each of them a daily page of notes about their character on which to base their improvised performance. Five nights of shooting gave Byrkit enough material for the finished product, but questions must be asked about whether the process justified the flick's 88 minute running time.

Read more...

Jupiter Ascending

Adam Sweeting

The Wachowskis' sci-fi blockbuster has been getting a kicking from the Stateside critics, but perhaps that's because it's a bit of a shape-shifter with multiple personalities. Part dystopian fantasy, part fairy tale, part cosmic epic, all rolled up in a whole lot of astonishingly vivid special effects, Jupiter Ascending is like spending a day at Alton Towers with your brain marinating in mescaline.

Read more...

Amour Fou

Kieron Tyler

Bringing a real-life story with a well-known and shocking outcome to the screen has an inherent major difficulty. When the end does come, it won’t shock. Amour Fou dramatises the suicide pact of the German writer Heinrich von Kleist and Henriette Vogel, a woman at the heart of high society who had been diagnosed as terminally ill. They both died on 21 November 1811.

Read more...

Selma

Emma Simmonds

Few modern figures can match the towering legacy of civil rights luminary Martin Luther King, and any filmmaker should be rightly intimidated when approaching a biopic. Undaunted, Ava DuVernay has created something remarkable.

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Oliver!, Gielgud Theatre review - Lionel Bart's 1960 ma...

Into a world of grooming gangs, human trafficking and senior prelates resigning over child abuse cases comes Oliver!, Lionel...

What's the Matter with Tony Slattery?, BBC Two review -...

In the late Eighties and Nineties, Tony Slattery became one of the most ubiquitous faces on television, appearing regularly on Whose Line Is...

Album: Ethel Cain - Perverts

Ethel Cain’s Perverts is a dark and experimental follow-up to her debut album, Preacher’s Daughter. It takes listeners on a...

Leif Ove Andsnes, Wigmore Hall review - colour and courage,...

Forthright and upright, powerful and lucid, the frank and bold pianism of Leif Ove Andsnes took his Wigmore Hall audience from Norway to Poland (...

American Primeval, Netflix review - nightmare on the Wild Fr...

It seems The Osmonds may not have been the worst outrage perpetrated on an unsuspecting public by the Mormons. American Primeval is set...

Chamayou, BBC Philharmonic, Wigglesworth, Bridgewater Hall,...

Top Brownie points for the BBC Philharmonic for being one of the first (maybe the first?) to celebrate the birth centenary of Pierre Boulez this...

The Maids, Jermyn Street Theatre review - new broom sweeps c...

There are two main reasons to revive classics. The first is that they are really good; the second is that they have something to...

Gala Preview Show, De Montfort Hall review - Leicester Comed...

Europe's biggest comedy festival, which showcases established stars,...

Album: Moonchild Sanelly - Full Moon

Rooted in South African electronic styles such as...