Film Reviews
The TribeWednesday, 13 May 2015
In The Tribe, his feature debut, Ukrainian director Myroslav Slaboshpytskiy has created something totally unexpected, and viscerally powerful to boot. This dark tale of life among inmates of a Kyiv institution for the deaf avoids spoken language completely, leaving viewers to assemble the narrative for themselves: communication is only in sign language, heralded consciously in an opening screen-title as presented without translation, subtitles or voiceover. Read more... |
Lambert & StampTuesday, 12 May 2015
“I fell in love with both of them immediately,” says Pete Townshend of Kit Lambert and Chris Stamp, the managers who took his band The Who to world-wide success. An hour into Lambert & Stamp, a documentary on the duo, the depth of that bond is belatedly seen in a touching clip of Townshend demonstrating one of his new songs. Singing with acoustic guitar, Townshend tries a tentative run-through of “Glittering Girl”. Read more... |
RosewaterFriday, 08 May 2015
Jon Stewart’s Rosewater falls into the micro-genre of films about foreign correspondents struggling with the moral imperative to move from observer to participant, not a question that keeps most viewers up at night. But where Peter Weir’s The Year of Living Dangerously engaged us through a stirring romance and Oliver Stone’s Salvador through a stirring bromance, Stewart takes a more austere approach. Read more... |
Phoenix reviewFriday, 08 May 2015
Although the shadows of the Holocaust and German guilt hang over Christian Petzold’s sixth outing with his formidable muse Nina Hoss, Phoenix is more concerned with the essence of female identity. Read more... |
Spooks: The Greater GoodThursday, 07 May 2015
The idea of a movie spin-off from BBC One's spy show Spooks has been lurking with intent ever since the tenth and final series ended in 2011. Finally it's here, helmed by director Bharat Nalluri (who shot the first and last episodes for TV) and with Peter Firth's Sir Harry Pearce at its centre. Where, as the Spookfather-in-chief, he had to be. Read more... |
GirlhoodThursday, 07 May 2015
Confounding expectations from the first frames, Girlhood is the endearingly scrappy and staggeringly beautiful third film from French writer-director Céline Sciamma (Tomboy) and no relation to Boyhood. Intimate and exuberant, it's a coming-of-age story that takes us into the company and confidences of a quartet of teenage girls. Read more... |
Stray DogsTuesday, 05 May 2015
Whatever you make of Taiwanese director Tsai Ming-liang’s Stray Dogs (Jiao you), it’ll likely have you looking at your watch. If you’re hypnotized by its almost narrative-free, stretched naturalism – stretched so far as to become effectively stylization – part of the interest will be in knowing just how long the director holds some of his crucial scenes; the closing one, wordless and virtually still, must come in at almost a quarter of an hour. Read more... |
Far From the Madding CrowdFriday, 01 May 2015
The arrival of Thomas Vinterberg's new treatment of Thomas Hardy's novel has triggered a retro-wallow in John Schlesinger's 1967 version, but happily, that was long enough ago to allow Vinterberg's vision to resonate in its own space. My expectations weren't high, but more fool me. This Madding Crowd rocks. Read more... |
SambaThursday, 30 April 2015
A French romantic comedy about immigration? Seeing Samba in election week may not be on Nigel Farage’s to-do list, but that should not deter anyone else. Based on a novel by Delphine Coulin, this is an affectionate and touching look at the absurdities of life as an illegal, and at its heart are two charming performances. Read more... |
Stonehearst AsylumSunday, 26 April 2015
Stonehearst Asylum is bookended by classic Hammer horror scenes. Within minutes of Dr Edward Newgate (Jim Sturgess) being dropped off at the titular, fog-bound mansion by a swiftly exiting coach and horses, he meets a full-blooded Gothic gang: stiff-backed asylum overlord Dr Lamb (Ben Kingsley), his leering henchman Mickey Finn (David Thewlis), and beautiful, sexually terrified Eliza Graves (Kate Beckinsale). Read more... |
Avengers: Age of UltronFriday, 24 April 2015
Joss Whedon’s Avengers sequel loses much of the original’s exhilarating freshness. It begins in the middle, doesn’t really end, and regularly makes you wonder just how long the Marvel box-office bonanza can continue. The moment when its Cinema Universe’s exponentially growing complexity slams into entropic reverse, as happened to Stan Lee and Jack Kirby’s original comic-book vision, is plainly visible on the horizon. Read more... |
A Pigeon Sat on a Branch Reflecting on ExistenceThursday, 23 April 2015
If A Pigeon Sat on a Branch Reflecting on Existence induces reflections on the nature of existence, the resultant mood could initially be very glum indeed. Swedish director Roy Andersson’s meditation is the self-declared “final part of a trilogy about being a human being”. It opens with three vignettes focusing on unexpected deaths and is, overall, grey in tenor. Read more... |
Three Tales, Ensemble BPM, IMAX Science MuseumThursday, 23 April 2015
Poised vibrantly enough between the buried-alive monotony of Philip Glass and the dynamic flights of John Adams, Steve Reich’s Three Tales deserves a special place in music-theatre history ("opera" it is not). Read more... |
The FallingWednesday, 22 April 2015
The pupils at a girl’s school are afflicted by fainting. It’s spreading. A teacher is affected too. The epidemic began after Lydia and Abbie's friendship has irrevocably ended. Lydia became the first to faint. The school’s headmistress, Miss Alvaro, is determined to ignore what’s going on and ascribe it to baseless hysteria. The stern teacher Miss Mantel is equally unyielding. When medical examinations are finally undertaken, no causes are determined. Read more... |
ExitMonday, 20 April 2015
Taiwanese director Chienn Hsiang has given his lead actress Chen Shiang-chyi a role of rare complexity in Exit, and she dominates this bleakly naturalistic slice-of-life film completely. Read more... |
The Decent OneSaturday, 18 April 2015
Remember the Hitler diaries? Stern and the Sunday Times were so eager for them to be true they went ahead and published even after historian Hugh Trevor Roper had changed his mind about their authenticity. Such was the hunger for stories about Nazis. It’s still there, but Die Welt was on firmer ground when – to accusations of sensationalism – last year it published extracts from the cache of letters, diaries and memos in the hand of Heinrich Himmler. Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Music Reissues Weekly: The Hamburg Repertoire
The blurb on the front of the double-CD set The Hamburg Repertoire says it collects “The original recordings of songs...
Philharmonia, Alsop, RFH / Levit, Abramović, QEH review - mi...
“Let the music guide your imagination” was never going to be the slogan of the Southbank Centre’s Multitudes festival. Its 13 events...
Ben and Imo, Orange Tree Theatre review - vibrant, strongly...
Back in 2009, there were Ben and Wystan on stage (Alan Bennett’s The Habit of Art). Last year came Ben and Master David Hemmings (Kevin...
The Great Gatsby, London Coliseum review - lavish and lively...
In 2012, an eight-hour long version of F Scott Fitzgerald’s The Great Gatsby...
Stelios review - Athenian rhapsody in blues
The English title of a new film about the legendary singer-guitarist Stelios Kazantzidis, who popularised rebetiko, which is often called “the...
Album: Dr Robert & Matt Deighton - The Instant Garden
There’s this mod milieu, harking back to the Eighties. Weller at the forefront; Dr Robert and his Blow Monkeys; all righteously hate Thatcher;...
The Accountant 2 review - belated return of Ben Affleck...
It’s been nine years since Ben Affleck’s original portrayal of Christian Wolff in The Accountant, who’s not only an accountant but also a...
The Inseparables, Finborough Theatre review - uneven portrai...
The Finborough has once again performed the miracle of creating a whole world in its intimate space: this time, inter-war France, where...
The Ugly Stepsister review - gleeful Grimm revamp
Although both of the Brothers Grimm died around 1860, they still insist on getting dozens of film and TV credits in each decade of our...