sun 22/12/2024

Film Reviews

The Batman review - lean and mean, yet again

Nick Hasted

Robert Pattinson’s Batman is lean and aquiline, his Bruce Wayne an obsessive recluse.

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Rebel Dread review - generous documentary portrait of punk-reggae legend Don Letts

Saskia Baron

Don Letts, the film director, musician and DJ responsible for so many of the iconic images of punk and reggae artists, executive produced this documentary portrait.

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The Duke review - a new feelgood classic

Sebastian Scotney

The Duke, directed by the late Roger Michell (1956-2021), is a delight. At its heart is a towering, defining performance from Jim Broadbent and an unforgettably surprising role for Helen Mirren.

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Cyrano review - a heady cinematic Valentine

Nick Hasted

Edmond Rostand’s familiar story of ventriloquised love becomes a sensual, sacrificial tragedy, in Joe Wright’s heady cinematic Valentine, adapted by screenwriter Erica Schmidt from her own stage musical, with music by members of The National.

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La Mif review - Swiss docu-drama focuses on troubled teens

Saskia Baron

La Mif is French slang for family  - it’s the cool kids practice of reversing key words known as ‘verlan’ (itself l’envers backwards) to create their own language.

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Here Before review - family values under supernatural pressure

Adam Sweeting

You generally find that a movie with Andrea Riseborough in it is worth a look, and so it proves here.

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The Real Charlie Chaplin review - not as revealing as its title suggests

Adam Sweeting

Even today, Charlie Chaplin still earns glowing accolades from critics for his work during the formative years of cinema, though a contemporary viewing public saturated in CGI and superheroes might struggle to see the allure of his oeuvre as the “Little Tramp”.

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Wheel of Fortune and Fantasy review - a trio of tales from Japan

Saskia Baron

With some films it’s all about the editing, a brisk parade of striking images accompanied by a kinetic score.  And then there are films like Hamaguchi Ryusuke’s Wheel of Fortune and Fantasy and the Oscar-nominated Drive My Car, where the camera stays still and watches the performers watching each other talk.

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Marry Me review - Jennifer Lopez vehicle delivers

Veronica Lee

Lots of drama follows well-worn paths; just as we expect that in a tragedy that Chekhov's gun (or variants of it) will deliver the denouement, so we know that in a romcom the two leads will end up together. So – no spoilers, but you know the drill – Jennifer Lopez and Owen Wilson's characters overcome all sorts of obstacles that could thwart their romance.

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Death on the Nile review - Kenneth Branagh flounders again as Poirot

Veronica Lee

Death on the Nile, Kenneth Branagh's second visit to Agatha Christie's oeuvre, was supposed to be released in November 2020 but Covid, a studio sale and some embarrassing revelations about one of its cast members put paid to that. Was it worth the wait? Not really.

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Flee review - award-winning documentary portrays the refugee experience

Saskia Baron

It’s good timing for the release of Flee in UK cinemas. The Danish movie has just made Oscar history by being nominated in three categories – Animated Feature, Documentary, and International Feature and is bound to win in at least one of them. 

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The Souvenir Part II review – the problem with posh realism

Graham Fuller

The Souvenir Part II apparently concludes Joanna Hogg’s fly-on-the-wall drama about a woman film student's emotional evolution as the victim of both her older boyfriend's abuse and the disdain of her male instructors. It’s a psychologically perceptive drama full of acute observations, yet it’s disconcerting in its social complacency.

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The Night Doctor review - down and out in Paris

Markie Robson-Scott

Elie Wajeman’s moodily lit film noir is, among other things, a great advertisement for the French healthcare system. Doctors in Paris do home visits! Even at night, and even for minor troubles such as a painful leg or stomach upset. It costs slightly more than going to the surgery, but t’inquiète pas, you’ll be reimbursed. Just don't lose your insurance card.

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Lingui: The Sacred Bonds review - female love finds a way

Nick Hasted

“Lingui” is the Chadian word for “sacred bonds, the common thread”, a social ideal put to the test here by an illegal abortion.

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Parallel Mothers review - letting the dead speak

Nick Hasted

Almodóvar has rarely returned to the petrified Spain of his youth, flinging off Franco’s oppression by ignoring it in his early films of freewheeling provocation, where anarchic, hot freedom was all of the law. In this sober tale of secrets and lies, though, his nation’s past is literally dug up.

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The Eyes of Tammy Faye review - Jessica Chastain pulls out all the stops

Markie Robson-Scott

US televangelists Tammy Faye and Jim Bakker’s rise and spectacular fall from grace in the Seventies and Eighties has already been covered in a documentary film of the same name, released in 2000 with a voice-over by RuPaul.

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