Film Reviews
See How They Run review - a whodunit pastiche set in Fifties LondonFriday, 09 September 2022
A starry cast headed by Saoirse Ronan and Sam Rockwell doesn’t quite manage to bring this lavish, light-hearted period pastiche to life, though it looks good – nice cars, lovely costumes, a quasi-Wes Anderson vibe – and there are mild chuckles to be had. Read more... |
Blu-ray/4K Ultra HD: The PianoTuesday, 06 September 2022
Jane Campion’s enigmatic, triple-Oscar-winning film looks as beautiful as it did when it was released almost 30 years ago. Holly Hunter (you can’t help thinking she’s been underused ever since, give or take her performance in Campion’s Top of the Lake) is magnificent as the black-haired Ada, a mysteriously mute Scot who is sold by her father to frontiersman Alisdair Stewart (Sam Neill) and joins him as his wife in the wilderness of 19th-century New Zealand. Read more... |
Three Thousand Years of Longing review - be careful what you wish forSaturday, 03 September 2022
Before there was cinema, there was story-telling around the fire with those who could spin the best yarns, conjure the most vivid visions, winning the love of their audience. George Miller has been bringing innovative and entrancing stories to the screen ever since his debut with Mad Max in 1979, and has never limited himself to one genre. Read more... |
The Forgiven review - the shelterless skySaturday, 03 September 2022
John Michael McDonagh’s acerbic tragedy of manners and morals sees West meets East, in a literal car crash of sloppy behaviour and messy intentions. Read more... |
Meeting Gorbachev review - Werner Herzog offers a swansong tributeWednesday, 31 August 2022
You react differently to Meeting Gorbachev knowing that the film’s subject was on occasions brought to its interviews from hospital by ambulance; his interlocutor, Werner Herzog, doesn’t mention that fact, of course, anywhere in the three encounters on which this documentary is based, but he has alluded to it elsewhere. Read more... |
Her Way review - turning tricks for her son's sakeSaturday, 27 August 2022
Marie (Laure Calamy), the efficient fortysomething sex worker protagonist of the French drama Her Way, doesn’t have life easy, but she calmly works the badly paid street corners of Strasbourg because she can choose her clients, some of them long-term regulars, and dictate her hours. What Marie doesn’t need is having to find €9,000 euros in a few weeks. Read more... |
Queen of Glory review - carving an identity between two worldsFriday, 26 August 2022
Queen of Glory is a passion project, nurtured for almost 10 years as a script by Nana Mensah, who ended up not only directing the film but taking the lead role as well in order to get it made. Read more... |
Official Competition review - satire served coldFriday, 26 August 2022
There are four main protagonists in Official Competition and they all have one thing in common: an overriding ambition to spend more time with their egos. Read more... |
Anaïs in Love review - she wants what she wantsSunday, 21 August 2022
It’s 2022’s art-house image du jour – a self-absorbed 30-year-old running to get what she wants, irrespective of the long-term consequences to herself or anyone else. Read more... |
The Feast review - slow-cooking folk-horrorSaturday, 20 August 2022
Lee Haven Jones’ Welsh-language folk-horror debut dissects a family’s treachery to the land in eventually apocalyptic fashion. It starts in silent, jagged style, the characters seeming as artificial as their minimalist house, abstract paintings and intensely designed rooms, set down like a lunar outpost in rugged Welsh farmland. Read more... |
My Old School review - a Glasgow schoolboy and his elaborate hoaxFriday, 19 August 2022
Back in 1995, the name Brandon Lee made the headlines. Not the Brandon Lee as in son of Bruce, who’d recently met his death on the set of The Crow, but a schoolboy who’d chosen to use the same name. A strange hoax was uncovered. Lee was, in fact, Brian MacKinnon, and he was not 16 but 32, posing as a fifth-former at the august Bearsden Academy in Glasgow.
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Eiffel review - sensuous secret historyFriday, 12 August 2022
This is a romantic historical epic with elan, giving sensual immediacy to a fanciful secret history of the Eiffel Tower, here inspired by a forbidden, rekindled romance between Gustave Eiffel (Romain Duris) and Arlette Bourgès (Sex Education’s Emma Mackey). Read more... |
Nope review - more a nope than a yepFriday, 12 August 2022
Writer/director Jordan Peele’s first two features were horror films with bells on, their genuinely creepy chills accompanied by sharp, satirical social comment. Both were so good that there seemed absolutely no reason to doubt the next. Read more... |
Nightclubbing: The Birth of Punk Rock in NYC review - cheap thrillsSaturday, 06 August 2022
Bankruptcy, rubble, rape and murder: Manhattan in the Seventies could be grim, as multiple New York punk memoirs make clear. The trade-off was the art, steaming and burning in the stinking, crucially cheap degradation. Punk was just one symptomatic part of a crumbling Lower East Side where old Beats, folkies, jazzers, poets, theatre, film and visual artists also lived. Read more... |
Give Them Wings review - down but not out in DarlingtonSaturday, 06 August 2022
Give Them Wings is the biopic of Paul Hodgson, who seven months after he was born in 1965 was diagnosed with meningococcal meningitis. If that wasn’t bad enough, he survived his precarious childhood to become a devout fan of Durham’s hapless Darlington FC – it’s criminal that this low-budget British indie wasn’t titled Give Them Wingers. Read more... |
Our Eternal Summer review - tragedy taps authentic teenage emotions in MarseilleFriday, 05 August 2022
The French seaside has been the setting for all kinds of summer holiday capers. We are used to the idea that this is a place where young people set about finding out who they are. At the top of the quality spectrum are Éric Rohmer’s well-observed comedies of manners like Pauline at the Beach (1983) and A Summer's Tale (1996). Down at the bottom, there are shockers like Axelle Laffont’s Milf (2018). Read more... |
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