Film Reviews
Dark River review - haunted rural realismFriday, 23 February 2018
Country darkness falls quickly when Alice (Ruth Wilson) goes back to the farm. She stops before entering to gratefully absorb the Yorkshire countryside’s sunny beauty. Read more... |
DVD/Blu-ray: The PartyFriday, 23 February 2018
Take one of the strongest casts in British cinema and put them in a confined space; it was always going to be fun. Sally Potter’s The Party sets its sights on the duplicitous liberal elite, where venality hides behind paper... Read more... |
I, Tonya review - Margot Robbie shines in over-complicated oddityThursday, 22 February 2018
Tonya Harding and the kneecapping of Nancy Kerrigan – what a story it was, back in 1994. Read more... |
Lady Bird review - Greta Gerwig's luminous coming-of-age movieFriday, 16 February 2018
Greta Gerwig, in her hugely acclaimed, semi-autobiographical directing debut (a Golden Globe for best director, five Academy Award nominations) opens Lady Bird with a Joan Didion quote: “Anyone who talks about California hedonism has never spent a Christmas in Sacramento.” Read more... |
Black Panther review - more meh than marvellousFriday, 16 February 2018
Black Panther arrives with all the critics displaying superhero-sized goodwill for its very existence. It’s a big budget mainstream Marvel movie that not only features a nearly all-black cast, but it also has an African-American writer director (Ryan Coogler) and co-screenwriter (Joe Robert Cole). Read more... |
The Shape of Water review - love in a Cold War climateWednesday, 14 February 2018
Guillermo del Toro has laid down markers as a wizard of the fantastical with such previous works as Pan’s Labyrinth and Crimson Peak (though we’ll skate nimbly around Pacific Rim), and now he has brought it all back home with The Shape of Water, as its 13 Academy Award... Read more... |
Loveless review - from Russia, without loveFriday, 09 February 2018
After the anger, the emptiness… Russian director Andrey Zvyagintsev’s Loveless is his fifth film, and harks back to the world of complicated, somehow unelucidated family relationships that characterised his debut, The Return, the work that brought Zvyagintsev immediate acclaim back in 2003. His previous film, the tempestuous Leviathan from four years ago, was... Read more... |
The Mercy review - Colin Firth's leaking vesselThursday, 08 February 2018
Fakery is promised in the opening image of The Mercy. A smiling beauty water-skis over sunny seas, only for the camera to pull away and reveal she is part of a maritime expo in a vast exhibition hall. One of the other exhibitors is an inventor called Donald Crowhurst (Colin Firth), who enlists his beaming sons to demonstrate his Navicator, a simple tool to guide sailors on the high seas.... Read more... |
Makala review - capturing human spirit on filmSaturday, 03 February 2018
We follow Kabwita Kasongo on his morning routine, lingering over the shoulder as he treks through the village. A pastel sunrise greets vast landscapes, the morning breeze visible for miles around. He heads to a tree at the edge of a mountain, and begins a day’s work chopping it down. Read more... |
Phantom Thread review - Daniel Day-Lewis bows out in styleFriday, 02 February 2018
A perfectionist says goodbye to an art form he has done so much to nourish by playing – you guessed it – a perfectionist. Read more... |
Journey's End review - requiem for the poor bloody infantryTuesday, 30 January 2018
With Dunkirk and Darkest Hour threatening to storm the Oscars, it seems there’s suddenly plenty of mileage in portraits of the British at war. Read more... |
Last Flag Flying review - Richard Linklater on the lies of warFriday, 26 January 2018
This Vietnam vet/road movie is a warm-hearted, meandering piece, but any similarities to Linklater’s Boyhood or the Before…trilogy end there. This is a darker story, but not dark enough, and you wish it could have been less conventional and harder-hitting. Set in 2003, its first scene is in a run-down Virginia bar with Sal, a jaded alcoholic ex-marine (Bryan Cranston in a stand-out performance) at its helm. Read more... |
Early Man review - delight for football fans and kids alikeThursday, 25 January 2018
Nick Park’s utterly charming new animation channels the spirits of so many cinema and comedy ghosts that its originality can be overlooked – but it shouldn’t be. This is a fresh narrative in an era where films aimed at young audiences are dominated by sequels, prequels, remakes, comic... Read more... |
Downsizing review - little things please littleWednesday, 24 January 2018
Alexander Payne’s best-loved film is Sideways but that title may as well work for everything and anything in his oeuvre. In Election, About Schmidt, The Descendants and Nebraska, he puts America and Americans under the microscope from a variety of quizzically oblique angles. There’s another tilt shift in his latest satire. Read more... |
The Final Year review - Greg Barker documents Obama's last year in officeFriday, 19 January 2018
"The Times They Are A-Changin'" has never sounded so menacing. Read more... |
The Post review - Spielberg's glorious paean to printThursday, 18 January 2018
It beggars belief that, from the moment Steven Spielberg took delivery of the script by first-timer Liz Hannah, it took a mere 10 months to get The Post in the can. Its subject being the race to publish, that's a fitting rate of production. Introducing the film at its London premiere, Spielberg stressed the urgency of a story about the media under renewed attack. For Richard... Read more... |
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