sat 21/06/2025

Film Reviews

Destination Unknown review - Holocaust survivors go back

Saskia Baron

Destination Unknown is a passion project 13 years in production, a documentary featuring moving interviews with a dozen Jewish survivors of Nazi persecution. Elderly men and women describe what happened to them and their families during the...

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Whitney: Can I Be Me review - tragic account of superstar who fell to earth

Adam Sweeting

The statistics of Whitney Houston’s career are flabbergasting in this post-CD era. Her 1985 debut album sold 25 million copies. “I Will Always Love You” is the best-selling single by a female artist in music biz history. Its parent album, the soundtrack to The Bodyguard, sold more than one million copies in a week. She had more consecutive Number One hits than The Beatles.

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Michelangelo: Love and Death review - how to diminish a colossus

Alison Cole

As perhaps the greatest artist there has ever been – and as one of the most fascinating and complex personalities of his era – Michelangelo should be a thrilling subject for serious as well as dramatic cinematic documentary treatment.

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The Mummy review – please don't let them make a sequel

Adam Sweeting

The best bit is in the trailer. It's the scene where Nick Morton (Tom Cruise) and Jenny Halsey (Annabelle Wallis) are inside a stricken Hercules transport aircraft as it suddenly plunges vertically out of the sky, leaving its occupants in weightless limbo as they struggle frantically to find parachutes so they can bale out. But it's too late – the ground comes screaming up to meet them, and poor Tom can't get out.

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My Cousin Rachel review - du Maurier remake too florid by half

Matt Wolf

From the breathless questions posed at the beginning onwards, My Cousin Rachel charges forward like one of leading man Sam Claflin's fast-galloping steeds. Presumably eager not to let this period potboiler become staid, director Roger Michell swoops in on the characters for close-ups and lets his surging camera duck and dive where it may.

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Norman review - revelatory Richard Gere in mesmerising New York tale

Markie Robson-Scott

“You’re like a drowning man trying to wave at an ocean liner,” says lawyer Philip (Michael Sheen) to his uncle Norman Oppenheimer (Richard Gere as you’ve never seen him before – a revelation). “But I’m a good swimmer,” replies Norman, feverishly making notes on a napkin.

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The Shepherd review - quiet but stirring David v Goliath fable

Jasper Rees

The Shepherd – original title El pastor – is a Spanish film which carried all before it at the Raindance Festival. It’s a very Raindance kind of movie.

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After the Storm review - quietly nuanced and moving Japanese family drama impresses

Tom Birchenough

Japanese director Hirokazu Kore-eda is a master of family drama, carrying on the traditions of his illustrious predecessors Yasujiro Ozu and Mikio Naruse. But these are not films of raised voices or open conflict, rather highly nuanced studies of the emotional dynamics between parents and children – differences across the generations – or partners whose relationships have cooled....

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Dough review - well-intentioned bread-based comedy doesn't rise

Saskia Baron

Oh dear, writing this review is a bit like being mean to a small cuddly animal. Dough has such very good intentions – characters separated by race, religion and age can find common ground in a bakery – it’s a shame that it doesn’t rise into a tasty loaf but instead remains just a bit wholemeal and stolid.   

The excellent Jonathan Pryce plays Nat Dayan, an orthodox...

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Wonder Woman review - Gal Gadot shines in uneven superhero yarn

Adam Sweeting

After dipping a toe in the new-look DC Comics universe to brighten the otherwise leaden Batman v Superman, now Gal Gadot’s Wonder Woman gets a chance to shine in her own Hollywood movie. Gadot makes a pretty fine job of it too, bringing a bit of soul and empathy to the proceedings, but sometimes it’s more despite than because of the production surrounding her.

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The Red Turtle review - Studio Ghibli loses its magic touch

Saskia Baron

A man is caught up in a storm at sea; giant waves like Hokusai crests throw him onto a deserted tropical island. Over the next 80 minutes, his struggle to survive occupies the screen. Curious crabs provide a little company, but not enough to stop him trying to make a raft only to have his attempts at escape thwarted. While he is eventually blessed with some human companionship, there is no dialogue throughout the film, just music and sound effects.The Red Turtle features many...

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The Other Side of Hope review - Aki Kaurismäki at his tragicomic best

Saskia Baron

It takes real skill to make a film about a desperate Syrian refugee and a dour middle-aged Finn reinventing himself and turn it into the warmest, most life-enhancing film I’ve seen this year. But Aki Kaurismäki has form, he’s been making movies which defy genres – are they absurdist or social realist,...

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Sachin: A Billion Dreams review - the incredible feats of cricket's 'Little Master'

Adam Sweeting

There are great sportsmen, and on top of those there’s a handful of phenomena. Sachin Tendulkar is one of the latter, a cricketer of seemingly limitless gifts who’s ranked among such deities as Viv Richards and Brian Lara. Or even Don Bradman, who pops up in an archive clip in this weighty biopic saying that this bloke Tendulkar bats like he used to.

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McLaren review - illuminating portrait of New Zealand's racing ace

Adam Sweeting

We’ve recently seen how Formula One heroes Ayrton Senna, Niki Lauda and James Hunt can become box office gold, in the form of Senna and Rush.

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It Was Fifty Years Ago Today! review - without a little help from their friends

james Woodall

This is the most frustrating film. It’s probably no fault of the makers, but it’s rare to have to assess a documentary for what it doesn’t have. Over nearly two hours of celebrating the Sgt. Pepper’s Lonely Hearts Club Band Beatles period – late 1966 to their record label Apple taking off in 1968...

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Inversion review - acutely observed drama of Tehran family strife

Tom Birchenough

Inversion may not be the catchiest of titles, but in the case of Iranian director Behnam Behzadi’s film its associations are multifarious. On the immediate level it refers to the “thermal inversion” that generates the smogs that engulf his location, Tehran, and also direct his story....

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