Film Reviews
IT review - killer clown is kids' stuffThursday, 07 September 2017
Stephen King’s IT attempted ultimate terror, cutting far deeper than a killer clown. Read more... |
God's Own Country review - a raw, rural masterpieceFriday, 01 September 2017
There are many outstanding things in writer-director Francis Lee’s remarkable first feature, and prime among them is the sense that nature herself has a distinct presence in the story. It brings home how rarely we see life on the land depicted in British cinema with any credibility. God's Own... Read more... |
Una review - 'Blackbird' adaptation loses its stage intensityFriday, 01 September 2017
Add Una to the ever-lengthening list of mediocre films adapted from fine plays. In London and New York, David Harrower’s Blackbird was an entirely harrowing two-hander: a symbiotic portrait of the damage wrought by desire that also happened to function as a first-class vehicle for actors as disparate as... Read more... |
The Limehouse Golem review - horrible history with a twistWednesday, 30 August 2017
How many more throats must be slit in 19th-century London before the river of blood starts to clot? The Limehouse Golem follows the gory footprints of Sweeney Todd and various riffs on the Ripper legend. Based on Peter Ackroyd’s 1994 novel Dan Leno and the Limehouse Golem, this belated ... Read more... |
Patti Cake$ review - endearing tale of a big girl with big dreamsTuesday, 29 August 2017
Hearing that a music video director has just made their first feature film generally strikes fear into my heart. But in this instance, Geremy Jasper has done a pretty good job, directing a warm and quirky drama about a young woman from a working-class, chaotic family who dreams of being a famous rapper. Patti Cake$ is an archetypal indie film, the kind that are... Read more... |
Moon Dogs review - gritty, refreshing and very funnyMonday, 28 August 2017
It’s a road movie, a rites-of-passage drama, a romantic comedy (even a teen sex romp at times), by turns whimsical, brooding and downright dark. Moon Dogs seems pulled in so many directions at once that it’s a wonder the film holds together at all. But hold together it does, and it does far more than that. Read more... |
Hotel Salvation review - a moving meditation on the endFriday, 25 August 2017
There’s a rare combination of the sacred and the secular in Shubhashish Bhutiani’s debut feature Hotel Salvation (Mukti Bhawan). The young Indian director developed the film through a Venice festival production support programme awarded on the strength of his short film Kush, a prize-... Read more... |
American Made review - Tom Cruise flies againThursday, 24 August 2017
How funny are gun-running, drug-smuggling and money-laundering? It depends who’s doing them. In American Made none other than Tom Cruise gets behind the controls of a twin-engine plane and flies back to the 1980s, a sepia-tinted yesteryear when all America had to worry about was commies and cocaine. Read more... |
An Inconvenient Sequel: Truth to Power review - Al Gore's urgent updateFriday, 18 August 2017
When An Inconvenient Truth won the best documentary Oscar 10 years ago, the film’s success marked two significant events: a positive turning point in the campaign to avert environmental catastrophe; and the resurrection of the... Read more... |
The Hitman's Bodyguard - potty-mouthed, turgid waste of talentsThursday, 17 August 2017
No cliché is left unturned in this odd-couple action comedy. Ryan Reynolds and Samuel L Jackson are the salt ‘n’ pepper rival bad-boys on the run. Cue shoot outs and high-speed vehicle chases through assorted European cities, interspersed with routine bouts of mutually insulting dialogue before bromance blossoms. Come back, Eddie Murphy/Nick Nolte, Chris Rock/Anthony Hopkins, Will Smith/Tommy Lee Jones, Mel Gibson/Danny Glover, all is forgiven. Ryan Reynolds plays Michael Bryce, a... Read more... |
Quest review - intimate documentary about a north Philly communityTuesday, 15 August 2017
Christopher Rainey, aka "Quest" – his hip-hop name – lives with his wife Christine’a and their young daughter PJ in north Philadelphia. Read more... |
Final Portrait review - utterly convincing portrayal of an artist at workMonday, 14 August 2017
I hate biopics about artists in which the portrayal of “genius” is hyped to the point where it becomes a ludicrous cliché. Although I appreciate that, as far as entertainment goes, seeing pigment brushed onto canvas is on a par with watching paint dry, I still can’t forgive directors who resort to dramatic extremes in the hope of evoking the tribulations of the creative process. Read more... |
A Ghost Story review - spellbinding vision of life, death and timeFriday, 11 August 2017
A Ghost Story must be the first film with a sheet – a very expressive one – in the leading role. Beneath it is C (Casey Affleck), with two holes for eyes. It’s funny at first, but the Halloween cliché is rapidly transcended. C, a musician, haunts the faded ranch house in Texas where he lived with his wife M (Rooney Mara) before his death in a car crash nearby. Read more... |
Tom of Finland review - engaging biopic of gay pioneerFriday, 11 August 2017
Finnish director Dome Karukoski has made a sympathetic and quietly stylish biopic of Touko Laaksonen, the artist who did as much as anyone to define 20th century male gay visual culture. There’s a degree of irony in the fact that we know him by his national pseudonym – he started signing his work “Tom” for anonymity,... Read more... |
Citizen Jane review - portrait of a New York toughieThursday, 10 August 2017
When you’re next strolling through Washington Square Park, or SoHo, or the West Village, you can thank Jane Jacobs that those New York neighbourhoods have survived (though she'd blanch at the price of real estate). Four-lane highways almost dissected and ruined them in the mid-Fifties, but her grass-roots activism saved those higgledy-piggledy streets. Read more... |
Atomic Blonde review - ferocious female action franchiseWednesday, 09 August 2017
Bowie’s “Cat People (Putting Out Fire)” plays as Charlize Theron’s Lorraine Broughton makes her entrance. She’s the last Cold War super-spy, a female Bond sent to Berlin as the Wall crumbles. “Killer Queen”, prominent on early trailers, would have done just as well. Read more... |
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