Film Reviews
Trespass Against UsThursday, 02 March 2017
The Cutlers are Pa Larkin's Darling Buds of May clan gone feral, rampaging across the Cotswolds. Read more... |
LoganWednesday, 01 March 2017
The X-Men films have frequently managed to bring a shot of ethical awareness and emotional engagement to the superhero party, but even so this swansong for Hugh Jackman’s Logan (aka Wolverine) is likely to take your breath away. With James Mangold at the helm as director and co-writer, this is a haunting elegy for times past, battles fought and comrades lost, as Logan finds himself grudgingly dragged out of a drink-sodden semi-retirement as a limo driver. Read more... |
The StudentTuesday, 28 February 2017
Translating terrorism is tricky. Russian director Kirill Serebrennikov’s The Student is an adaptation of a play by the German writer Marius von Mayenburg which was staged in London two years ago under its original title, Martyr. One exchange in this story (which is set in and around a school... Read more... |
Oscars 2017: Moonlight and La La Land go toe to toeMonday, 27 February 2017
If only the recent American election had been similarly rectified. That was surely the thought on many people’s lips as the 89th Academy Awards ended in confusion with the news that the evening’s expected winner, La La Land, had in fact lost to Moonlight – an upset immediately amplified by easily the biggest cock-up in Oscar history. Read more... |
It’s Only the End of the WorldSaturday, 25 February 2017
French-Canadian director Xavier Dolan leaves the time and place of It’s Only the End of the World (Juste la fin du monde) deliberately unclear: “Somewhere, a while ago already” is the only clue offered by its opening titles. An adaptation of the 1990 play by the French dramatist Jean-Luc Lagarce, its unspoken subject is AIDS (from which Lagarce himself died in 1995), with its story of a lead character, Louis, returning to his family after a long absence to reveal that he is dying.... Read more... |
Patriots DayThursday, 23 February 2017
Patriots Day is a patriots’ film. It dramatises the grievous day on which American values were threatened on American soil like no other time since 9/11. Two bombs were detonated at the Boston marathon in April 2013: two bystanders were killed, 16 lost limbs while two policemen would go on to lose their lives. The two ... Read more... |
Lost in FranceWednesday, 22 February 2017
Pulling together a music documentary strikes me as a simple enough concept. Gather your talking heads in front of a nice enough backdrop, splice with archive footage in some semblance of a narrative order and there you go. There’s no need to, say, hire a minibus and attempt to recreate a near-mythological gig from 20 years ago. Read more... |
Hidden FiguresSaturday, 18 February 2017
Sometimes a film can transcend its formulaic confines. That's triumphantly the case with Hidden Figures, a largely prosaically told reworking of the outsider-versus-the-system paradigm that gains piquancy from the story it has to tell and the vibrant personages at its centre. The chronicle of three black female mathematicians who against all sorts of odds transformed America's space movement in... Read more... |
MoonlightFriday, 17 February 2017
As its title foretells, Moonlight is a luminous film. It shines light on experiences that may be completely different from our own, drawing us in with utter empathy. Director Barry Jenkins shows his lead character finding his way out of darkness, through pain, to attain a tentative revelation of self-acceptance. Yet this is no direct or glaring light: Jenkins shows himself a master of nuance, working with a script that is light on words but speaks... Read more... |
The Great WallFriday, 17 February 2017
The Great Wall is David Icke’s worst nightmare. David Icke (if you weren’t there in the 1980s) was a BBC snooker presenter. After ingesting a brain-rotting anti-elixir, he transmogrified into a doolally conspiracy theorist in a turquoise shell suit. He had a showpiece theory about lizards. Lizards – “tall, blood-drinking, shape-shifting reptilian humanoids,” he specified – were hiding in underground bases and were “a force behind a worldwide conspiracy against humanity”. Read more... |
The FounderWednesday, 15 February 2017
Last year we had Jennifer Lawrence as the queen of the QVC shopping channel in Joy. For 2017, here’s Michael Keaton as Ray Kroc, a struggling travelling salesman who went on to become the driving force behind the McDonald's fast-food empire. I’m looking forward to seeing George Clooney as Colonel Sanders. Read more... |
CasablancaTuesday, 14 February 2017
You must remember this. It’s December 1941, the month of Pearl Harbour. Richard Blaine (Humphrey Bogart), an American, probably a Communist, who fought Franco in Spain and ran guns to Ethiopia when Mussolini invaded, has given up the fight against fascism and become the proprietor of Rick’s Café Américain, a casino-nightclub in Casablanca, in unoccupied French Morocco. Read more... |
LoveTrueSaturday, 11 February 2017
What’s love all about anyway? That’s the almost certainly unanswerable question that Israeli-American director Alma Har’el sets out to tackle in her strange, feverish, at times downright hallucinatory documentary LoveTrue. The problem is, by the end of its alternately entertaining and disconcerting 80 minutes, you’ll almost certainly be none the wiser. And you may even have forgotten... Read more... |
FencesThursday, 09 February 2017
Fences is one of the best-known works by playwright August Wilson, part of his Century Cycle of plays exploring 100 years of black American history, and it won him a Pulitzer Prize and a Tony Award in 1987. Wilson died in 2005, but further gongs greeted the play’s 2010 Broadway revival, including Tonys for its stars Denzel Washington and Viola Davis. Read more... |
Taxi DriverTuesday, 07 February 2017
Travis Bickle’s Manhattan is long gone, and except for those nostalgic for its grindhouses and their exploitation fare, few surely regret its passing. It’s been years since any modern-day Travis could cruise in a yellow taxi along the erstwhile “Deuce” - the squalid stretch of porn emporia and strip clubs on West 42nd Street - turn north up Eighth Avenue to the high forties and accurately observe, “All the animals come out at night - whores, skunk pussies, buggers, queens, fairies, dopers,... Read more... |
Toni ErdmannFriday, 03 February 2017
There aren't many films that at (nearly) three hours in length leave you wanting more. But such is the hypnotic grip cast by Maren Ade's Oscar-nominated Toni Erdmann that its final image seems as much the prelude to something as a closing note on what has come before. Read more... |
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