Film Reviews
LFF 2017: The Shape of Water review – outsider s.f. and inter-species sex from del ToroWednesday, 11 October 2017
Fish out of water come in various guises in Guillermo del Toro’s Cold War fable, shown at London Film Festival. Read more... |
LFF 2017: Last Flag Flying review - anti-war film without a biteTuesday, 10 October 2017
Richard Linklater’s sort-of sequel to one of the great American films of the Seventies, shown at London Film Festival, stars Bryan Cranston, Steve Carell and Laurence Fishburne as old Vietnam buddies reunited as America is embroiled in another futile war... Read more... |
LFF 2017: Good Time review - heist movie with standout performance by Robert PattinsonMonday, 09 October 2017
This is not a movie to see in the front row – intrusive close-ups, hand-held camerawork, colour saturated night shots and a relentless synthesiser score all conspire to make Good Time, shown at London Film Festival, a wild ride. An unrecognisable Robert Pattinson plays Connie Nikas, a nervy con artist who enlists his intellectually disabled brother Nick in a bank robbery... Read more... |
LFF 2017: Journey's End review - classic play becomes cracking filmSaturday, 07 October 2017
There have been several film and TV versions of RC Sherriff’s World War One play since it debuted on the London stage in 1928, but Saul Dibb’s new incarnation, shown at London Film Festival, is testament to the lingering potency of the piece. Read more... |
On the Road review - engrossing music documentary with a sly B-sideFriday, 06 October 2017
Michael Winterbottom has always been a mercurial director, moving swiftly between genres, fiction and documentary, keeping us on our toes. But with On the Road it’s time to mark the tiniest of trends. 24 Hour Party People is one of the best films about the... Read more... |
The Glass Castle review - Woody steals the film by a wide marginFriday, 06 October 2017
People who live in glass castles might be wary of throwing stones. That clearly was not the case with American magazine journalist Jeannette Walls, who made of her often harrowing childhood a best-selling memoir that has found its inevitable way to the screen. A would-be Daddy Dearest with a hefty dollop of Captain Fantastic thrown into the mix, what would seem to be a star vehicle... Read more... |
LFF 2017: Breathe review - overdosing on good intentionsThursday, 05 October 2017
The curtain-raiser for the 61st London Film Festival was Breathe, not only Andy Serkis’s debut as a director, but also a film based on the family experiences of its producer, Jonathan Cavendish. Read more... |
Blade Runner 2049 review - powerful but needs more soulThursday, 05 October 2017
Ridley Scott’s original Blade Runner from 1982 stands as an all-time sci-fi classic, so anybody trying to make a sequel (even 35 years later) needs galaxy-sized vision, an army of high-powered collaborators and balls of steel. Is director Denis Villeneuve the man for the job? Read more... |
The Reagan Show review - engaging but frustratingMonday, 02 October 2017
The Reagan administration produced as much video content as the previous five administrations combined. That’s the claim early on in The Reagan Show, an engaging but ultimately frustrating documentary compiled entirely from archive footage by co-directors Sierra Pettengill and Pacho Velez. Read more... |
Goodbye Christopher Robin review - no escape for a boy and his bearFriday, 29 September 2017
“Isn’t it funny/How a bear likes honey?/Buzz! Buzz! Buzz!/I wonder why he does.” Those immortal words, said by the bear of very little brain in chapter one of Winnie-the-Pooh, don’t sound quite the same after watching a shell-shocked AA Milne (Domhnall Gleeson) react to bees buzzing when out for walk in the Hundred Acre Wood with his son (Will Tilston, making his debut, pictured below... Read more... |
Home Again review - Reese Witherspoon romcom is divorced from realityFriday, 29 September 2017
A charming assemblage of performers are left pretty much high and dry by Home Again, an LA-based romcom so determinedly glossy that each frame seems more squeaky-clean and unreal than the next. Intended as a star vehicle for Reese Witherspoon, this debut effort from filmmaker Hallie Meyers-... Read more... |
Zoology review - the tale of a tailTuesday, 26 September 2017
Russia has its own rich traditions of satire and the grotesque, but at first glance we may wonder whether in his new film Zoology Ivan I Tverdovsky, a director who, still to turn 30, certainly belongs to the new generation of that country’s filmmakers, has borrowed a leaf from another master of such forms, Franz Kafka. Not unlike the change experienced by Josef K in the Czech writer’... Read more... |
On Body and Soul review - terrible beauty, and beastsSaturday, 23 September 2017
Hungarian director Ildiko Enyedi’s On Body and Soul (Testrol es lelekrol) opens on a scene of cold. It’s beautiful, a winter forest landscape, deserted except for two deer: a huge stag and a small doe react to one another in the snow, a tentative interaction of eyes and noses, nothing more. There’s a tenderness to what we see, the vulnerability of the female set against the power of the... Read more... |
Borg/McEnroe review - Wimbledon face-off is entertaining if incompleteThursday, 21 September 2017
A spate of tennis-themed films gets off to a vivid if incomplete start with Borg/McEnroe, which recreates the run-up to the Wimbledon Men's Final in 1980 with often-thrilling clarity and (as much as is possible for those who will of course recall the outcome) suspense. Read more... |
Kingsman: The Golden Circle review - too much of everythingWednesday, 20 September 2017
Take one off-the-wall spoof spy thriller that becomes an unexpected hit. Add a bunch of gratuitous guest stars (mostly American). Stretch formula to 140 minutes. Stand clear and wait for the box office stampede. Read more... |
mother! review - Darren Aronofsky dares, frustrates and boresFriday, 15 September 2017
Breathing through an oxygen mask with a busted diaphragm and rib after shooting a single scene in mother!, Jennifer Lawrence had rarely suffered more for her art. Nor have we. Read more... |
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