tue 28/01/2025

Film Reviews

Fantastic Beasts and Where to Find Them

Jasper Rees

Name seven students in Ravenclaw. Which 14 subjects are on the syllabus at Hogwarts? Create a shopping list of 20 different types of magical sweet. In her Harry Potter stories JK Rowling conjured up an almanack of wizarding facts and figures which, for parents, proved extremely useful during long car journeys or steep mountain climbs (even if this parent didn’t know all the answers). A handy staple was “List 16 magical creatures”.

Read more...

Gimme Danger

Nick Hasted

Jim Jarmusch has made a memorial to the Stooges, more than a celebration of their brutal prime. His Zen rhythms, which roll so movingly through the upcoming Paterson, aren’t entirely equipped for the blunt trauma of Ron Asheton’s guitar, or Iggy Pop’s penchant for sultry chaos.

Read more...

Dog Eat Dog

Saskia Baron

Paul Schrader is one of those filmmakers who critics really want to love. Not only is he responsible as a writer for at least two masterpieces – Taxi Driver and Raging Bull – he’s also the director of such great films as Mishima, American Gigolo and Light Sleeper.

Read more...

American Pastoral

Nick Hasted

Ewan McGregor has been judged unworthy of adapting Philip Roth in the US. But his directorial debut is finely crafted, and powered by visceral emotion embodied in one of his best performances. As Seymour “Swede” Levov, he’s an All-Jewish-American hero, living the 1950s dream, till the 1960s bring it crashing down.

Read more...

Francofonia

Tom Birchenough

The Russian director Alexander Sokurov has never been afraid of tackling weighty, often philosophical issues head on, and his latest film Francofonia is as pioneering – and, some might say, unnecessarily uncompromising – as ever. It’s nothing less than a meditation on civilisation, its potential for preservation or destruction, and history, seen through the prism of Paris's Louvre. Stretching, and evading, the conventions of both documentary and fiction, it’s perhaps best considered...

Read more...

Arrival

Saskia Baron

While the world goes to hell in a handbasket, it’s faintly reassuring to imagine that there might be some intelligent life form out there beyond the stars that’s just waiting to land on our planet and make us all love one another – or swiftly put us out of our squabbling misery, once and for all.

Read more...

Nocturnal Animals

Matt Wolf

Tom Ford steps up to the celluloid big leagues with Nocturnal Animals, a deeply disquieting film that resists classification

Read more...

The Accountant

Adam Sweeting

You could begin to wonder if The Accountant is part of a game of one-upmanship between Ben Affleck and his old buddy Matt Damon. If Matt can strike it big with Jason Bourne, the amnesiac super-lethal assassin, Ben can go one better – Christian Wolff, an autistic accountant and super-lethal assassin!  

Read more...

A Street Cat Named Bob

Jasper Rees

Cats on film. There are plenty of them. Elsewhere on the web you will find loads of listicles featuring top cats, boss pussies, big mogs, killer kitties, whiskers galore and other such. Cats get their biggest billing of all in the wonderful if anthropomorphic world of Walt Disney. It’s rare for a cat to be played by a cat in a film about a cat. Cat people will be purring, therefore, at A Street Cat Named Bob.

Read more...

The Light Between Oceans

Matt Wolf

Michael Fassbender and Alicia Vikander fell in love in real life while making The Light Between Oceans, which lends an extra dimension to a morose period weepie that needs every bit of excitement it can get. Reminiscent of the laboured celluloid romances of a bygone era that could once have starred Robert Taylor, the film is as vacuous as it is pretty, and if director Derek Cianfrance cut some of his stars' lingering glances, it would have the added virtue of being short....

Read more...

DVD/Blu-ray: Paris Blues

Kieron Tyler

The original 1961 poster for Paris Blues trumpeted it as “a love-spectacular so personally exciting you feel it’s happening to you”. Would it were actually thus. Instead, it’s ponderous and features a cast so obviously “acting” that any verve implied by being filmed in Paris and set in the world of jazz is missing in action. Paris Blues is worth seeing, but don’t expect the pulse to quicken.

Read more...

Doctor Strange

Saskia Baron

Aiming for the trippy qualities of The Matrix and Inception, Doctor Strange is possibly the most enjoyable Marvel foundation story since the first Iron Man, mixing wit with visual pyrotechnics.  Benedict Cumberbatch plays supercilious neurosurgeon Stephen Strange (wholly unrelated to the New Romantic singer responsible for “Fade to Grey”). A virtuoso of the scalpel,...

Read more...

I, Daniel Blake

Nick Hasted

Most of the crime Ken Loach investigates with compassion and humour happens off-screen right at the start. As the opening credits roll, a woman’s voice with sing-song affability perhaps appropriate to a child, if not for its bureaucratic, box-tick chill, asks Daniel Blake (Dave Johns) a sequence of questions wholly irrelevant to his problem.

Read more...

Ouija: Origin of Evil

Adam Sweeting

A prequel to Ouija (2014), Ouija: Origin of Evil zooms back to a mid-Sixties Los Angeles that's all miniskirts, white PVC boots, splendid chromed-up Chevrolets and Studebakers and clangy garage-band pop music. Our hosts are widowed mom Alice Zander (Elizabeth Reaser, of Twilight fame) and her daughters Lina (Annalise Basso) and Doris (Lulu Wilson). 

Read more...

Jack Reacher: Never Go Back

Adam Sweeting

Four years on from Tom Cruise's debut as Jack Reacher in Jack Reacher, here he is doing it again. Not a lot has changed. Cruise eerily continues not to age (does the Scientology robotics division know something we don't?), Jack Reacher is still the man from nowhere who mystically materialises when he's needed, and bad guys obligingly queue up to get their asses kicked and their noses broken.

Read more...

LFF 2016: Their Finest / Brimstone

Adam Sweeting

Among the myriad global offerings at the LFF, the resoundingly British Their Finest ★★★★★ , about a group of film-makers working for the Ministry of Information in London in...

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

theartsdesk on Vinyl 88: Violent Femmes, Ringo Starr, ARXX,...

VINYL OF THE MONTH

Buñuel Mansuetude (Skin Graft/Overdrive)

...

RAM Song Circle, Wigmore Hall review - excellent young music...

After a week of illness, heading out into the Sunday afternoon cold and rain was not something I was overjoyed to undertake. But in the event this...

Album: Gary Kemp - This Destination

If I’d listened to this blind, I would have absolutely no idea who it was by. This isn’t the voice I remember...

Music Reissues Weekly: New York Dolls - Showdown At The Merc...

“A band you’re gonna like, whether you like it or not.” The proclamation in the press ads for the New York Dolls’ debut album acknowledged they...

Presence review - Soderbergh's haunted camera

The camera is the ghost in Steven Soderbergh’s 35th feature, waiting in a vacant house for its buyers, ambitious Rebecca (Lucy Liu, ...

Cymbeline, Sam Wanamaker Playhouse review - pagan women figh...

There’s not much point in having three hours worth of Shakespearean text to craft and the gorgeous Sam Wanamaker Playhouse as a...

An Interrogation, Hampstead Theatre review - police procedur...

In a dingy room with dilapidated furniture on a dismal Sunday evening, two detectives prepare for an interview. The old hand walks...

Album: ALT BLK ERA - Rave Immortal

The utopian messiness of 1990s dance music culture is now so far...