Film Reviews
The Commuter review - trouble on the main lineWednesday, 17 January 2018
Nobody is more sensitive about the notion of becoming a geriatric action hero than Liam Neeson (“guys, I’m sixty-fucking-five,” as he points out), but he can still punch bad guys and leap off moving trains with the best of ‘em. Read more... |
A Woman's Life review - simple but affectingFriday, 12 January 2018
A Woman’s Life first premiered at the 2016 Venice International Film Festival, alongside the likes of La La Land, Arrival and Jackie. Though it’s taken longer to get to our shores than its contemporaries, the film feels fresh and relevant. Read more... |
Darkest Hour review - Winston airbrushed for the 21st centuryThursday, 11 January 2018
The Great Man theory of history is applied by Darkest Hour director Joe Wright to his star Gary Oldman as much as their subject Winston Churchill. Read more... |
Three Billboards Outside Ebbing, Missouri review - Frances McDormand is on fireWednesday, 10 January 2018
It probably won’t take long for the title to be sawn in half. Three Billboards Outside Ebbing, Missouri will become casually known as Three Billboards and its specific location will drift into a vaguely remembered background. The place name is of a piece with Martin McDonagh’s previous visits to half-mythical places: Inishmore, Inishmaan, Leenane. Ebbing is everywhere and nowhere, a no-account small town in the faceless epicentre of the Midwest where a teenage girl can be... Read more... |
Hostiles review – powerful but preachy Frontier fableFriday, 05 January 2018
The last time we saw Christian Bale in a western, he was playing the downtrodden rancher Dan Evans in James Mangold’s punchy remake of 3.10 to Yuma. Read more... |
Best of 2017: FilmFriday, 29 December 2017
It was the night Faye Dunaway and Warren Beatty, those old robbers on the run, will want to forget. Thanks to a clerical error, the Oscar for Best Picture briefly ended up in the clutch of the overwhelming favourite. Read more... |
Molly's Game review - Jessica Chastain gets her poker face onTuesday, 26 December 2017
After her brittle and unloveable turn in John Madden’s Washington-lobbyist drama Miss Sloane, Jessica Chastain gets the chance to do it again, properly. This is thanks to Aaron Sorkin, whose directing debut Molly’s Game is. Read more... |
The Greatest Showman review - the great huckster as song and dance manWednesday, 20 December 2017
The real-life PT Barnum was a mixture of impresario, hustler and exploiter, and Elvis Presley’s huckstering manager Colonel Tom Parker would surely have viewed him approvingly. However, he also was also a temperance campaigner and a reforming politician who battled against slavery and supported health and educational projects. Read more... |
Star Wars: The Last Jedi - a bold new chapterSunday, 17 December 2017
It’s impossible to view The Last Jedi independently from its predecessors. It’s the second instalment of the third trilogy of cinema’s greatest space opera. And it’s very much a product of what came before, but not in the way you might expect. Read more... |
The Prince of Nothingwood review - come for the man, stay for the countryTuesday, 12 December 2017
In the most unlikely of places, there is one of the world’s most prolific directors. Read more... |
Stronger review - Oscar-worthy straight talk and tough loveSaturday, 09 December 2017
There are many obvious Hollywood responses to someone losing their legs in the Boston Marathon bombing. Director David Gordon Green waits his whole film to make one. Read more... |
Brigsby Bear review - the healing power of fantasyFriday, 08 December 2017
Like a bizarro-world echo of Lenny Abrahamson’s Academy-titillating Room, Dave McCary’s endearing indie feature takes a potentially hideous tale of abduction and control and transforms it using the amazing healing powers of fantasy and creativity. Read more... |
Menashe review - Yiddish-language film with a heart of goldThursday, 07 December 2017
On paper this film sounds so worthy: a widowed Orthodox Jewish father struggles to convince the Hassidic community elders that he can raise his young son alone after the death of his wife. But it’s the opposite of worthy on screen – Menashe is utterly absorbing, deeply charming, and very funny. It’s an impressive first narrative feature by documentarian Joshua Z Weinstein, who... Read more... |
Human Flow review - two hours of human miseryTuesday, 05 December 2017
Soaring over an expanse of blue sea, a white bird traverses the screen diagonally. Gliding unhindered through the air, it is the embodiment of freedom; by contrast, the movement of people down below is constrained by border crossings and passport controls. The perfect tranquility of this opening shot is the calm before the storm; prepare to spend the next two hours witnessing extremes of human misery and, by turns, feeling horrified, angry and deeply depressed. Read more... |
Happy End review - grimly compelling but to what end?Friday, 01 December 2017
No movie that folds Toby Jones of all people into a Gallic entourage headed by Isabelle Huppert and Jean-Louis Trintignant, the two as formidable as one might wish, is going to be without interest. Read more... |
Love, Cecil review - poignant, inspiring, and very sadFriday, 01 December 2017
It’s shameful to admit it, but it’s perhaps rather surprising that a film about a fashion photographer and designer should end up being so profoundly moving and inspiring. Read more... |
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