thu 28/08/2025

New Music Reviews

British Paraorchestra: The Nature of Why, Brighton Festival 2019 review - it's a happening!

Thomas H Green

The Nature of Why is not so much a concert as a multi-discipline happening. To assess it is to relate a human experience rather than just an aesthetic appreciation of the new orchestral work by Goldfrapp’s Will Gregory which is at its heart.

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Sergio Mendes, RFH review - tight discipline, exceptional musicianship

Markie Robson-Scott

The last time Sergio Mendes, the Brazilian bossa nova legend, played at the Royal Festival Hall was in 1980 when he opened for Frank Sinatra.

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Rokia Traoré: Né So, Brighton Festival review - an Afro-psychedelic head-fry

Thomas H Green

The last thing many were expecting from Rokia Traoré’s opening appearance at this year’s Brighton Festival was an Afro-psychedelic head-fry, yet she and her four-piece band prove thoroughly capable of swirling our minds right off out of it. When she returns at the end of the concert and announces she’s going to play one last song. A voice shouts out, “Make it a long one!” Happily, it is.

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Olly Murs, SSE Hydro, Glasgow - a little cheesy, a little laddish, but sincerely entertaining

Lisa-Marie Ferla

In an alternate timeline, Olly Murs - runner-up on a TV talent show a full decade ago - would have faded into obscurity by now. This, as the relentlessly charming performer on stage delights in reminding us, is not that timeline.

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Reissue CDs Weekly: Bill Evans - Evans in England

Kieron Tyler

The Bill Evans Trio played London’s Ronnie Scott’s from 1 to 27 December 1969 as a co-billing with Blossom Dearie. The season would have remained less than a footnote if it were not for a French fan identified only as ”Jo” in Evans in England’s booklet.

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Jazz FM Awards 2019 - young guard triumphs

peter Quinn

Hosted by Jazz FM presenters Chris Philips and Jez Nelson, and taking place in the historic surroundings of Shoreditch Town Hall, this sixth edition of the Jazz FM Awards celebrated the dynamism, passion and vitality of the UK’s young jazz scene, with SEED Ensemble leader Cassie Kinoshi picking up Breakthrough Act of the Year, rising jazz singer Cherise Adams-Burnett receiving Vocalist of the Year, and the...

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CD: Vampire Weekend - Father of the Bride

Owen Richards

Three albums in, and Vampire Weekend were due a shake-up. Enter Father of the Bride, by far their most ambitious record to date. It’s an 18-track behemoth featuring 14 musicians and six different producers, spanning from folk to jazz. It may be a bit kitchen sink, but it’s also their most exciting release since their eponymous debut.

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Test Dept, Studio 9294 review - still furious after all these years

Chris Harvey

Back in the early Eighties, Test Dept were the most radical musical force in London. Their live sound, never truly captured in its intensity on a series of early cassette recordings, built out of tape cut-ups and pulverising rhythms on salvaged metal objects, could be awe-inspiring.

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Reissue CDs Weekly: Crass

Kieron Tyler

Abbey Road Studios and the anarcho-punk legends Crass seem an unlikely pairing. The new, vinyl-only reissues of The Feeding of the Five Thousand (The Second Sitting), Stations of the Crass and Best Before 1984 each bear a sticker saying “Remastered by Alex Gordon at Abbey Road Studios, as close as possible to the sound of the original

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Hall & Oates, Wembley SSE Arena review - bestselling duo still have the power

Adam Sweeting

Never quite the household names in Britain that they were in their native USA, Daryl Hall and John Oates can nonetheless claim to be the best-selling duo in the history of popular music. With 40 million records sold, six US chart-topping singles and a heap of gold and platinum albums, they come out ahead even of such luminaries as Simon & Garfunkel or the Everly Brothers.

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