thu 16/01/2025

Theatre Reviews

Swallows and Amazons, Bristol Old Vic

mark Kidel

Swallows and Amazons is a quintessentially English story: a heart-warming hymn to decent values, the codes of sailing and the youthful spirit of adventure. Set in 1929, at a time when the country faced financial meltdown, it is perhaps not surprising, in our equally uncertain times, that Arthur Ransome’s feelgood Lakeland classic should have been adapted for the stage.

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King Lear, Donmar Warehouse

james Woodall

It's the right season for a frosty Lear. With people being frozen on the open road by temperatures rarely visited upon the land, we're reminded that nature can be our greatest adversary, that we're placed in the universe as much to fight its innate physical savagery as we are to fight each other.

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Aladdin, West Yorkshire Playhouse

graham Rickson

It’s a neat conceit to set this retelling of Aladdin in Leeds’s Kirkgate Market, a short stroll across a dual carriageway from the West Yorkshire Playhouse. It’s still an evocative and atmospheric location, and worth visiting as an antidote to all that’s bland and corporate about modern Leeds.

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Love Story, Duchess Theatre

Matt Wolf

It's not easy these days to stay the course on stage, with one leading female character after another of late failing to make it to the final curtain. I'm thinking of such otherwise diverse heroines as Shakespeare's Juliet and Andrew Lloyd Webber's haunted soprano, Christine, as well as the fraught Fosca of Stephen Sondheim's Passion, who may just remain the last word in women snatched prematurely from the men in their midst. To that list can now be added Jenny Cavilleri, the music-...

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The Three Musketeers and the Princess of Spain, Traverse, Edinburgh

graeme Thomson Porthos, Athos and Aramis: Three Beckettian misfits as bickering, bedraggled heroes

So this is Christmas, a time to seek comfort in traditional nourishment both culinary and cultural. In Edinburgh, the King’s Theatre has been home to mainstream panto - the equivalent of serving up a hearty turkey with all the trimmings – since time immemorial, which leaves the capital’s other theatres jockeying for position. What to do? Hedge all bets and aim for different-but-not-too-different, or raise the stakes and try something more adventurous altogether?

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Romeo and Juliet, RSC/Roundhouse

Matt Wolf

Can you go home again? That's the question that will be hanging over the Royal Shakespeare Company's first residency at the Roundhouse since their "History Play" cycle stormed north London over two years ago, reminding those lucky enough to catch it of the loss to the capital ever since the RSC opted out of a London base of operations.

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Beauty and the Beast, National Theatre

alexandra Coghlan

“You’ve never heard a fairy tale before unless you’ve heard it told by a real fairy. And I am a real fairy.” Festooned with magic, colour and humour, the National Theatre’s Christmas production of Beauty and the Beast is solid-oak tradition gift-wrapped with just enough shiny, iconoclastic naughtiness to sneak it past the children.

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My Dad's a Birdman, Young Vic

joe Muggs 'My Dad's a Birdman': "Dad" and "Mr Poop"

There's a kitchen-sink feel to this children's play by David Almond – indeed, nine-tenths of it takes place in a Newcastle kitchen – which adds a certain edge to it. Even though the broad, cartoonish comedy is signalled from the off, there's an initial hint of real-life grimness in the scenario of a little girl trying to care for her unkempt father who won't eat properly, emits abrupt shrieks and is convinced he is a bird. There's an engagement with loss that runs through the play too, a...

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Les Parents Terribles, Trafalgar Studios

Veronica Lee Smotherly love: Frances Barber and Tom Byam Shaw

This is the final production in the Donmar Warehouse’s 12-week season at Trafalgar Studios (which showcases the work of its resident assistant directors) and is a revival of Jeremy Sams’s translation of Jean Cocteau’s play - first seen in Sean Mathias’s acclaimed production at the National Theatre in 1994, with a cast that included Jude Law, Alan Howard and Sheila Gish.

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Alan Bennett and The Habit of Art, More4

Matt Wolf

Few theatrical collaborations have been as successful as that achieved over five plays, two films, several decades, and numerous awards by the playwright Alan Bennett and the director Nicholas Hytner, who had jointly made a habit of art well before Bennett decided to write a play of that very name, premiered in November 2009 at the National Theatre. Now, More4 has come along with a documentary chronicling the two men's collaboration on a work that is itself about a collaboration. And if Adam...

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★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


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