Theatre Reviews
Legally Blonde, Savoy TheatreWednesday, 13 January 2010
Audiences genuinely love Legally Blonde, and all but the most churlish of critics should crack plenty a smile, as well. Read more... |
The World's Wife, Trafalgar StudiosTuesday, 12 January 2010
If ever you wanted to understand the art of acting and how it gives life to words on the page, this is a good place to start. Actress Linda Marlowe, under the direction of Di Sherlock, has adapted Poet Laureate Carol Ann Duffy’s 1999 collection, The World's Wife - which gives a wry, subversive and feminist voice to characters (real or imagined) written out of history, mythology and the Bible - and gives the words form on stage. It is an exquisite treat. Read more... |
The Lady or the Tiger, Orange Tree TheatreThursday, 07 January 2010
Endure this bafflingly pointless, sparsely staged and hopelessly dated musical, and you might find that the prospect of bloody death in the jaws of an enraged tiger somewhat loses its sting; you certainly won’t care whether that’s the fate in store for the show’s bland balladeer hero. Read more... |
Theatre 2009-10: Looking Back and AheadSunday, 03 January 2010
How to encapsulate the theatre year just gone, one in which the critics - not always to the benefit of an increasingly imperilled profession - made headlines of their own, whether for being drunk (as if!)... Read more... |
Twelfth Night, Duke of York'sTuesday, 22 December 2009
When I saw Gregory Doran’s production of Twelfth Night for the Royal Shakespeare Company at the Courtyard Theatre in Stratford-upon-Avon in October, I thought it unsubtle and underpowered, but that it would settle in during its run. Apparently not, as, in its transfer to London’s West End, it has gathered neither pace nor depth. That’s a real shame as there are some terrific performances at its heart. Read more... |
Rope, Almeida TheatreThursday, 17 December 2009
A banner year for the Almeida Theatre continues with Rope, director Roger Michell's taut, tense production of the 1929 Patrick Hamilton play better known from the subsequent Hitchcock film, starring a peculiarly cast James Stewart. Read more... |
The Misanthrope, Comedy TheatreThursday, 17 December 2009
She’s the most famous young pout in Hollywood. And her first West End appearance has already sparked a media frenzy, making this contemporary version of Molière’s The Misanthrope the hottest ticket in town, with massive advance bookings already guaranteeing anyone associated with the show a credit-crunch-proof Christmas. Read more... |
Camille O'Sullivan, ApolloWednesday, 09 December 2009
It is telling that there were drama critics at the Apollo to review Camille O’Sullivan’s show, The Dark Angel. The half-French, half-Irish woman is ostensibly a singer, but so unique is her delivery that each song is a piece of theatre in its own right. My companion confessed to being just a little scared of O’Sullivan, who has a distinctive look - part vamp, part cabariste, but... Read more... |
Red, Donmar WarehouseWednesday, 09 December 2009
He was the biggest hitter in an A-team of mid-20th-century American painters: Jackson Pollock, Barnet Newman, Willem de Kooning. Mark Rothko, born Marcus Rothkovitz in what has become Latvia, was Abstract Expressionism's shaman, its restless thinker and febrile poet, an artist who fashioned from an investigation into the power of pure colour a philosophy of art as potent as Crick and Watson's contemporaneous unravelling of the double helix. Read more... |
Darker Shores, Hampstead TheatreTuesday, 08 December 2009
What’s the appeal of the traditional ghost story? Is it the knowledge that while the victims of the tale quake in their boots, you are perfectly safe and grinning like the Cheshire Cat? Or is it because the supernatural gives us a chance to journey into the weird and fearsome corners of our psyche, all the time kidding ourselves that we are just normal human beings? In Michael Punter’s new ghost story, Darker Shores, which opened last night at the Hampstead Theatre, all the rooms of... Read more... |
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Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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