Theatre Reviews
Edinburgh Fringe 2022 reviews: Ode to Joy / WilfFriday, 19 August 2022
Ode to Joy (How Gordon Got to Go to the Nasty Pig Party), Summerhall ★★★★★ |
The Trials, Donmar Warehouse review - chillingly compellingThursday, 18 August 2022
Dystopian theatre takes many forms – but this is the first which is a jury-room drama. Dawn King has previously explored the world of double-think and the use of fear and fake news by oppressive regimes in her 2011 drama, Foxfinder, and now turns her attention to climate change litigation. With a twist. In The Trials, a jury of young people must deliver verdicts on the role of older individuals in contributing to the climate change. Read more... |
Wonderville Magic and Cabaret review - fast-paced show delivers the promised wonderWednesday, 17 August 2022
There’s nothing quite like magic, live, up close and personal. Sure there are the TV spectaculars, the casino resort mega-shows and even The Masked Magician to pull back the curtains, but there’s a frisson in the air when the card that’s in your head appears in the conjuror’s hand. Read more... |
Room, Edinburgh International Festival 2022 review - decadent, extravagant, and somewhat mystifyingTuesday, 16 August 2022
"I feel I owe you an explanation." That much James Thierrée concedes partway through his sprawling, freewheeling, dream-like, hallucinatory Room in Edinburgh’s King’s Theatre. By which stage, most of the audience was probably in agreement. It’s a proposal he comes back to again and again during the rest of the show – but, of course, no explanation ever materialises, save a few strangulated noises, which seem about the best Thierrée can manage. Read more... |
Counting and Cracking, Edinburgh International Festival 2022 review - ambitious, powerful, but sadly under-attendedSaturday, 13 August 2022
First, a bit of housekeeping. Maybe it was the three-and-a-half-hour duration, or maybe the unfamiliar Sri Lankan subject matter, or maybe even the very un-festival-like hot weather that put people off an evening inside Edinburgh’s Lyceum Theatre. Or maybe (very possibly) continuing Covid concerns. Read more... |
Edinburgh Fringe 2022 reviews: Temping / Work.txtFriday, 12 August 2022
Temping, Assembly George Square Studios ★★★★ |
Edinburgh Fringe 2022 reviews: Afghanistan Is Not Funny / Yippee Ki Yay / Eh Up, Me Old Flowers!Friday, 12 August 2022
Afghanistan Is Not Funny, Gilded Balloon ★★★★
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Edinburgh Fringe 2022 reviews: Every Word was Once an Animal / Tim Crouch: Truth’s a Dog Must to KennelThursday, 11 August 2022
Every Word was Once an Animal, Zoo Southside ★★★★ |
All of Us, National Theatre review - revelatory, but problematicWednesday, 10 August 2022
Has the pandemic made us more angry? Although Francesca Martinez’s debut play, which is at the National Theatre, was programmed before COVID, its belated opening has not dampened the playwright’s fiery criticism of the effects of Tory government austerity on the lives of people with disabilities. Read more... |
Edinburgh Fringe 2022 reviews: The Last Return / Psychodrama / ExodusTuesday, 09 August 2022
The Last Return, Traverse Theatre ★★★★★ |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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