Theatre Reviews
Blithe Spirit, Harold Pinter Theatre review - an amusing, if dated, revival of the Coward classicWednesday, 22 September 2021
We’re in an agreeable drawing room with an author, Charles Condomine, who is looking forward to having a bit of fun with a local spiritualist, Madame Arcati, whom he has invited over for an evening séance. Read more...
|
Black British Musical Theatre 1900-1950, Wigmore Hall review – a disappointing missed opportunityWednesday, 22 September 2021
The Wigmore Hall is a bastion of white musicians playing the music of white composers to a largely white audience and it is to the credit of the management that, in seeking to diversify, it staged this lecture-recital on the history of black musicals in Britain from 1900-1950 in a main evening slot. Read more... |
Camp Siegfried, Old Vic review - the banality of evil, brilliantly served upTuesday, 21 September 2021
A stealthily powerful play gets the production of its dreams in Camp Siegfried, which marks a high-profile UK presence for the American writer Bess Wohl. Read more... |
The Lodger, Coronet Theatre review - underdeveloped family dramaTuesday, 21 September 2021
The Coronet Theatre is a beautiful space – it’s a listed Victorian building, and the bar’s like something out of a film about Oscar Wilde. Read more... |
Is God Is, Royal Court review – blister, flare and burn, baby, burnThursday, 16 September 2021
God is a tricky one. Or should that be One? And definitely not a He. So when she says take revenge, then vengeance is definitely not only hers, but ours too. Read more... |
The Memory of Water, Hampstead Theatre review – uneasy tragi-comedyMonday, 13 September 2021
Memories are notoriously treacherous — this we know. I remember seeing Shelagh Stephenson’s contemporary classic at the Hampstead, when this venue was a prefab, and enjoying Terry Johnson’s racy staging, which starred Jane Booker, Hadyn Gwynne and Matilda Ziegler as the trio of bickering sisters, and then being blown away by his West End version, in which comedy heavyweight Alison Steadman partnered Samantha Bond and Julia Sawalha (with Margot Leicester thrown in for good measure). Read more... |
Frozen, Theatre Royal Drury Lane review - twinkling spectacle with a sincere drama at its heartThursday, 09 September 2021
Let it snow! Read more... |
Leopards, Rose Theatre, Kingston review - a no-thrill thriller about sex and powerThursday, 09 September 2021
Is it a thriller? Is it a character study? Leopards, Alys Metcalf’s two-hander about a middle-aged white charity executive – male – and a young job applicant of mixed race – female – goes under the colours of both, but falls short of either genre. Read more... |
Statements After an Arrest Under the Immorality Act, Orange Tree Theatre review - a blast from the past with lessons for todayTuesday, 07 September 2021
Even if you miss the play’s title and do not recognise the writer’s name with the heft of reputation that comes with it, as soon as you see the black man and the white woman speaking in South African accents, you know that the tension that electrifies the air between them is real. Read more... |
Rockets and Blue Lights, National Theatre review - strong, but inconclusiveFriday, 03 September 2021
For more than three decades, playwright Winsome Pinnock has been at the forefront of new writing, often experimenting with form as well as documenting the lives of black Britons. Read more... |
Pages
Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Russell Howard Live at the Palladium review - feelgood philo...
This special, available for a limited time only, acts as a sort of appetiser for the next leg of a mega tour that started in 2023, and still has...
Album: Bonnie 'Prince' Billy - The Purple Bird
Somewhat astoundingly, The Purple Bird is Will Oldham’s album number 21 using his Bonnie “Prince” Billy alias. A fine set of alt...
Catherine Airey: Confessions review - the crossroads we bear
Anglo-Irish author Catherine Airey’s first novel, ...
theartsdesk on Vinyl 88: Violent Femmes, Ringo Starr, ARXX,...
VINYL OF THE MONTH
Buñuel Mansuetude (Skin Graft/Overdrive)
...
RAM Song Circle, Wigmore Hall review - excellent young music...
After a week of illness, heading out into the Sunday afternoon cold and rain was not something I was overjoyed to undertake. But in the event this...
Album: Gary Kemp - This Destination
If I’d listened to this blind, I would have absolutely no idea who it was by. This isn’t the voice I remember...
Music Reissues Weekly: New York Dolls - Showdown At The Merc...
“A band you’re gonna like, whether you like it or not.” The proclamation in the press ads for the New York Dolls’ debut album acknowledged they...
Flight Risk review - the sky's the limit for Michelle D...
Director Mel Gibson probably made Flight...
Presence review - Soderbergh's haunted camera
The camera is the ghost in Steven Soderbergh’s 35th feature, waiting in a vacant house for its buyers, ambitious Rebecca (Lucy Liu, ...