Theatre Reviews
King Lear, The Grange Festival review - friendship in adversityFriday, 16 July 2021
Much has been made of the raison d’etre for this King Lear as the slowly gestated, Covid-delayed brainchild of the director Keith Warner, assembling a company of acting singers who have made their names on the opera stage. Read more... |
The Dumb Waiter, Old Vic: In Camera review - more in sorrow than in angerSaturday, 10 July 2021
Pinter wrote The Dumb Waiter in 1957 (although it wasn't seen in London until 1960) the year before The Birthday Party received its notorious première at the Lyric Hammersmith. When a friend described them both as political plays, about power and victimisation, the playwright readily agreed. Read more... |
The Invisible Hand, Kiln Theatre review - balanced on a knife edgeThursday, 08 July 2021
A lot’s changed since Kiln Theatre boss Indhu Rubasingham directed The Invisible Hand’s first UK outing in 2016, not least the theatre’s name (it was known as the Tricycle back then). Read more... |
Pippin, Charing Cross Theatre review - happy-clappy vibeWednesday, 07 July 2021
If Time Magazine’s Man of the Year in 1966 was anyone under the age of 25, why couldn’t a teenage student write a musical in 1967? There are plenty of answers to that question of course, none of which stopped the composer Stephen Schwartz, who conjured Pippin while still at Carnegie Mellon University. Read more... |
Wonderful Town, Quick Fantastic, Opera Holland Park review - everybody's swinging itMonday, 05 July 2021
It’s a wonderful thing to hear a nine-piece Broadway-style band at full pelt, and to see real show dancing – the first time for me, in both cases, since early 2020. Read more... |
Constellations, Vaudeville Theatre review - a starry revivalFriday, 02 July 2021
A cosmologist and a beekeeper walk into a barbecue. Or a wedding. The beekeeper is in a relationship, or married, or just out of a relationship, or married again. The cosmologist shares the secret of the universe with him: it’s impossible to lick the tip of your own elbow, because if you did, you would gain immortality. Somehow, the line works – sometimes. Read more... |
Bach & Sons, Bridge Theatre review - humorous and deeply intelligentWednesday, 30 June 2021
In John Eliot Gardiner’s magnificent wide-ranging biography of Bach, Music In The Castle of Heaven, he tells the story of the composer’s early run-in with a bassoonist with his typical zest for detail. Read more... |
J'Ouvert, Harold Pinter Theatre review - formless yet fabulousTuesday, 29 June 2021
A welcome West End upgrade is the order of the day at J'Ouvert, the debut play from Yasmin Joseph whose 2019 premiere at South London's Theatre 503 additionally marked the directing debut of the actress Rebekah Murrell. Read more... |
Out West, Lyric Hammersmith review – not quite a hat trickMonday, 28 June 2021
It is an index of the ambition of some venues that they are not only reopening their doors, but also staging plays that remind us of the talents of our best writers and actors. Although the stage monologue has recently been almost as infectious as the Delta variant, and as tiresome, the Lyric Hammersmith offers three for the price of one in its reopening programme. Read more... |
Under Milk Wood, National Theatre review - Michael Sheen at his most magneticThursday, 24 June 2021
There's commanding, and then there's Michael Sheen, who sweeps on to the Olivier stage 15 minutes or so into the new National Theatre revival of Under Milk Wood and scoops up the entire production with it. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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