wed 29/01/2025

Theatre Reviews

Walden, Harold Pinter Theatre review – where’s the emotion?

aleks Sierz

There’s something definitely inspiring about producer Sonia Friedman’s decision to reopen one of her prime West End venues with a season, called RE:EMERGE, of three new plays.

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A Midsummer Night's Dream, Shakespeare's Globe review - a blast of colour from our post-vaccine future

Rachel Halliburton

A little less than two years after Sean Holmes’s kick-ass Latin American carnival-style A Midsummer Night’s Dream erupted at the side of the Thames, it has returned to a very different world.

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Harm, Bush Theatre review – isolation, infatuation and intensity

aleks Sierz

After months of watching theatre on screens large, medium and tiny, I definitely feel great about going to see a live show again. Of course, it’s not the usual theatre experience, you know, the one with crowds milling around the bar, people breathing down your neck and elbowing you while you’re watching, but at least it’s three-dimensional.

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Romeo and Juliet, Creation Theatre online review - game version falls between stools

Heather Neill

There is a promising production struggling to get out of this muddled concept. Creation Theatre (here partnered with Watford Palace) is well known for innovative, site-specific pieces, one of which –The Tempest – was adapted for the screen, including interactive elements, last year.

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Being Mr Wickham, Original Theatre Company online review - an uncontroversial apologia

Laura De Lisle

It wasn’t Jane Austen’s subtlest move, naming her roguish soldier George Wickham. As countless GCSE English teachers have patiently read in generations of essays, his surname sounds a lot like "wicked" – and wicked he is...

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Money, Southwark Playhouse online review - ethical dilemmas for the Zoom generation

Rachel Halliburton

To accept or not accept a donation: that’s certainly the burning political question of the moment.

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Tarantula, Southwark Playhouse online review – spine-tingling love and trauma

aleks Sierz

I think I can safely say that polymath playwright Philip Ridley has had a good lockdown.

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The Winter's Tale, RSC, BBC Four review - post-war poise colours a solid production

Tom Birchenough

It has been a hard coming for this RSC Winter’s Tale. Erica Whyman’s production was cancelled by the virus days before its premiere last spring, with plans to stage it in the autumn frustrated by the second lockdown.

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The Importance of Being Earnest online review - Oscar Wilde updated for the Nando's generation

Veronica Lee

Oscar Wilde's fabulous play satirised Victorian England and contained a shedload of quotable quips.

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A Splinter of Ice, Original Theatre Company online review - Graham Greene and Kim Philby are friends reunited

Tom Birchenough

There’s such a genial feel to the pairing of Oliver Ford Davies and Stephen Boxer in Ben Brown’s new play that there are moments when we almost forget the weighty historical circumstances that lay behind the long-awaited encounter between two old friends, this evening of conversation and drinking,...

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Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


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