Theatre Reviews
Asking For It, Birmingham Repertory Theatre review - victim-blaming and abuse in small town IrelandThursday, 06 February 2020
In a world where the contentious report of a young English woman gang raped by teenage boys in Cyprus last year continues to make headlines, Asking For It is more than relevant. Such scenarios are by no means new but are once again making news. Read more...
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Endgame/Rough for Theatre II, Old Vic review - Beckett played for laughsWednesday, 05 February 2020
“Nothing is funnier than unhappiness.” Director Richard Jones has certainly taken Beckett’s words to heart in this vividly comic, star-cast Old Vic double bill, pairing Endgame with a lesser-known short play – which acts as a... Read more... |
Persona, Riverside Studios review - Bergman masterpiece transformed into 'The Mumbling'Friday, 31 January 2020
A work of genius isn't sacred, copyrighted territory. A great film may become a play, a novel a film; the adaptation shouldn't be about fidelity, as Elena Ferrante has written about the latter case, but down to to the director "to find...the language with which to get to the truth of his film from that of the book, to put them together without one ruining the other and dissipating its force". Read more... |
Kunene and the King, Ambassadors Theatre review - a Shakespearean voyage through the legacy of apartheidThursday, 30 January 2020
John Kani’s Kunene and the King is history in microcosm. Read more... |
The Sugar Syndrome, Orange Tree Theatre review - pushing empathy to the limitWednesday, 29 January 2020
Your sweet tooth can get you into trouble. Lots of trouble. Read more... |
Faustus: That Damned Woman, Lyric Hammersmith review - gender swap yields muddled resultsWednesday, 29 January 2020
Changing the gender of the title character “highlights the way in which women still operate in a world designed by and for men,” argues Chris Bush, whose reimagining of Marlowe’s play premieres at the Lyric ahead of a UK tour. Read more... |
Uncle Vanya, Harold Pinter Theatre review - a superlative company achievementFriday, 24 January 2020
Uncle Vanya must surely be the closest, the most essential of Chekhov’s plays, its cast – just four main players who are caught up in the drama's fraught emotional action, and four who are essentially supporting – a concentrated unit even by the playwright's lean standards. Read more... |
The Sunset Limited, Boulevard Theatre review - all talk, no theatreFriday, 24 January 2020
Cormac McCarthy’s two-hander, premiered at Chicago's mighty Steppenwolf Theatre in 2006, has by this point been everything short of an ice ballet: a self-described “novel in dramatic form”, as one might expect from the American author of such titles as All the Pretty Horses and The Road, followed by a film made for TV directed by, and starring, Tommy Lee Jones, opposite Samuel L Jackson. Read more... |
The Welkin, National Theatre review - women's labour is a painThursday, 23 January 2020
History plays should perform a delicate balancing act: they have to tell us something worth knowing about the past, that foreign country where they do things differently, and also something about our current preoccupations. Otherwise, what's the point? Read more... |
Scenes with Girls, Royal Court review - feminist separatism 2.0Wednesday, 22 January 2020
Last night, I discovered the gasp index. Or maybe just re-discovered. The what? The gasp index. It's when you see a show that keeps making you exhale, sometimes audibly, sometimes quietly. Tonight I gasped about five times, then I stopped counting – I was hooked. Read more... |
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Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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