Theatre Reviews
As You Like It, Barbican review – uneven comedy lacks biteWednesday, 30 October 2019
Even the most ardent Bardophile has to admit that most of the time the Fool doesn’t shine in a Shakespeare production. Lamentable wordplay combined with philosophy limper than a dead capon means that with a few honourable exceptions, his interludes feel nasty, a tad brutish, and just not short enough. Read more... |
On Bear Ridge, Royal Court review - Rhys Ifans's tragicomic masterclassTuesday, 29 October 2019
Memory involves places, people, things and words, especially words. Read more... |
Botticelli in the Fire, Hampstead Theatre review - history mash-up burns brightSaturday, 26 October 2019
Botticelli is a household name, but who knows the true story behind his most famous painting? The painter's 1480s masterpiece, The Birth of Venus, is one of the most striking images of Renaissance Florence – and has achieved iconic status. Because it has been minutely dissected by generations of art historians, it takes a bold playwright to smash through the scholarship and give a memorably fresh, in not necessarily accurate, account of its commissioning. Read more... |
Little Baby Jesus, Orange Tree Theatre review - an early play thrillingly alive for nowThursday, 24 October 2019
Time has been not just kind but even crucial to Little Baby Jesus, the 2011 play from the multi-hyphenate talent Arinzé Kene, who since then has gone on become a major name on and offstage: the West End transfer of his self-penned Misty brought him dual Olivier nominations earlier this year as writer and actor, and he segued from that to playing the volatile s Read more... |
Vassa, Almeida Theatre review - delayed opening doesn't landWednesday, 23 October 2019
Even the mighty Almeida is allowed the occasional dud and it’s sure as hell got one at the moment with Vassa. Maxim Gorky’s 1910 play (rewritten in 1935) about a matriarch in extremis some years back proved a stonking West End star vehicle for Sheila Hancock. Read more... |
Lungs, Old Vic review - deluxe casting and slick deliveryTuesday, 22 October 2019
Playing our monarch and her husband in The Crown has made actors Claire Foy and Matt Smith into TV drama royalty, so reuniting the pair onstage guarantees a hot ticket. Read more... |
Translations, National Theatre review - stunning revival of poignant tragicomedyTuesday, 22 October 2019
At a point in history where – yet again – a few misplaced words from English politicians could wreak havoc with Irish lives, this is a welcome revival of Ian Rickson’s stunning production which first played here to... Read more... |
Cyrano, Bristol Old Vic review – comedy with emotional intelligenceMonday, 21 October 2019
Tom Morris’s production of Cyrano starts with a procession of nuns, some of them bearded, chanting verses from the medieval mystic Hildegarde of Bingen. Read more... |
[Blank], Donmar Warehouse review - strong but dispiritingFriday, 18 October 2019
Clean Break, the theatre company that specialises in working with women in the criminal justice system, is doing a lot of celebrating. It's the 40th anniversary of this unique female organisation and already this year they have put on a variety of shows, from Chloe Moss's Sweatbox to the devised piece Inside Bitch. Read more... |
Solaris, Lyric Hammersmith review - moving and finely cerebralTuesday, 15 October 2019
David Greig’s reimagining of Stanisław Lem’s 1961 novel has brought a masterpiece of intellectual science fiction back to its... Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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