Classical Reviews
Louise Alder, James Baillieu, Wigmore Hall review - sensual heat thaws a winter's eveningMonday, 22 January 2018
Rapture, ecstasy, ardour, and a few cheeky fumbles in the bushes – Louise Alder and James Baillieu’s Wigmore recital promised “Chants d’amour” and delivered amply, giving us love in all its bewildering, technicolour variety. Read more... |
Colin Currie Group, Kings Place review - dynamism and detail in Steve ReichMonday, 22 January 2018
Colin Currie is increasingly coming to be seen as Steve Reich’s representative on Earth. His Colin Currie Group was founded in 2006 for a Proms performance of Reich’s Drumming and has gone from strength to strength, now touring the world with Reich’s music. Read more... |
BBCSO, Pons, Barbican review - love hurts in vivid Spanish double billSaturday, 20 January 2018
This was an evening of Iberian highways re-travelled, but with a difference. At the beginning of 2016, the centenary of Spanish master Enrique Granados's untimely death, two young pianists at the National Gallery shared the two piano suites that make up the original Goyescas; finally last night at the Barbican we got the opera partly modelled on their deepest movements. Read more... |
Weilerstein, Platt, Hallé, Elder, Bridgewater Hall, Manchester review - insight and passionFriday, 19 January 2018
Alisa Weilerstein is making two visits to Manchester in just over three weeks. Last night it was with the Hallé, next time she’ll be guesting with the Czech Philharmonic. This one was to play the solo in Shostakovich’s First Cello Concerto, with Sir Mark Elder conducting. Read more... |
Alexander Melnikov, Wigmore Hall review - three pianos, four monsterworksThursday, 18 January 2018
Living-museum recitals on a variety of historic instruments pose logistical problems. Telling The Arts Desk about his award-nominated CD of mostly 19th-century works for horns and pianos, Alec Frank-Gemmill remarked on the near-impossibility of reproducing the experiment in the concert-hall: playing on four period horns would need several intervals, and colleague Alasdair Beatson would hardly be likely to have the four pianos in the same room. Read more... |
Feng, CBSO, Gražinytė-Tyla, Symphony Hall Birmingham review - pulling it out of the hatThursday, 18 January 2018
Say what you like about Mirga Gražinytė-Tyla’s partnership with the City of Birmingham Symphony Orchestra – and plenty has already been written – but sometimes the facts speak for themselves. At the end of this midweek matinee concert, an audience that had presumably been lured by the promise of Haydn and Max Bruch exploded in laughter and cheers at the end of a piece by György Ligeti. Read more... |
Lortie, BBC Philharmonic, Gardner, Bridgewater Hall, Manchester review – whipping up a stormSaturday, 13 January 2018
Edward Gardner was back on familiar ground when he conducted in Manchester last night – his high-profile career began when he was appointed as the Hallé’s first-ever assistant conductor, early in Sir Mark Elder’s era – and his rapport with young audiences and ability to command his players has certainly not diminished. Read more... |
Kožená, LSO, Rattle, Barbican Hall review – springing surprises from Schubert and RameauFriday, 12 January 2018
Cheers and huzzahs greeted the arrival of Sir Simon Rattle on the Barbican stage last night before the London Symphony Orchestra had even played a note. The 10-day festivities to open his tenure as principal conductor evidently worked a treat. The hall was full for a lengthy and – on the surface of it – unlikely splicing of Austrian Romantic angst with Baroque arias and dance. Read more... |
Komsi, BBCSO, Oramo, Barbican Hall review - Sibelius series ends in gloryMonday, 08 January 2018
Twelfth Night, Epiphany, call it what you will, is one reminder that there's continuity after the turn of the year. Read more... |
Breaking the Rules, LSO St Luke's review – music and murder with GesualdoMonday, 08 January 2018
The “concert drama” is on the up, offering audiences a mingled-genre means to experience music and its context simultaneously. Read more... |
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