Film Reviews
TakersThursday, 30 September 2010
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Made in DagenhamTuesday, 28 September 2010
Nigel Cole’s bright and breezy film opens with news footage and advertising reels about the American car giant Ford, which in 1968 had 24,000 men working at its Dagenham plant in Essex and only 187 women. It may have been the decade of the Beatles, the Rolling Stones and David Hockney - all... Read more... |
World's Greatest DadFriday, 24 September 2010
The words “starring Robin Williams” hardly inspire film-goers with confidence these days. After a career that includes the dramatic highlights of Good Morning Vietnam, The Fisher King and Dead Poets Society, and the amenable comedy of Mrs Doubtfire, he has more recently made a slew of films over which it would be kind to draw a veil. Read more... |
Enter the VoidThursday, 23 September 2010
The constant strobing lights us white like we’re watching an Atom bomb test. From its garish credit sequence to the somehow inevitable vagina’s view of a penetrating penis, Enter the Void attempts assaultive cinema. You’d expect no less from Gaspar Noé, whose previous film Irreversible (2002) menaced audiences with the prospect of Monica Bellucci’s character’s real-time rape half-way through. Read more... |
The TownTuesday, 21 September 2010
Welcome to Charlestown, a Boston neighbourhood of just one square mile that has produced more bank robbers than anywhere else in America. Here crime is a “trade” passed down from father to son, and the height of ambition is to serve your inevitable jail time “like a man”. Read more... |
Eat Pray LoveSunday, 19 September 2010
Julia Roberts takes a long time to find her centre in Eat Pray Love, a glossy adaptation of the Elizabeth Gilbert memoir that, while offering a respite from the usual cinematic diet of reboots, remakes and comic-book blockbusters, ends up being just as simplistic and facile as its box-office competition. Read more... |
The Other GuysSaturday, 18 September 2010
No modern comedy worth its salt misses the chance to keep you chortling as the end credits roll. Bloopers, bleeps and assorted outtakes off the cutting-room floor generally provide the fare. In The Other Guys we take a different tack. Whizzy graphics illustrate the extent to which corporate greed has raped the American economy. It’s powerful stuff. The only wonder is what it’s doing bolted onto a film without a serious bone in its body. Read more... |
Winter's BoneWednesday, 15 September 2010
The Ozarks, situated mostly in Missouri, are not on most tourists’ itineraries when they visit the United States. The area is not as pretty or dramatic as the Appalachians or the Rockies, and the mining and backwoods country is considered different, remote even, by many Americans. Read more... |
The KidMonday, 13 September 2010
What a difference the Atlantic makes. An abused, underprivileged boy tries to escape his neglectful mother and through the kindness of an unrelated adult discovers he has a rare talent that - a few ups and downs notwithstanding - eventually brings him a happy and fulfilling life. Read more... |
My Son, My Son, What Have Ye DoneSaturday, 11 September 2010
For 15 years after the death of his demon muse Klaus Kinski, Werner Herzog made documentaries about equally obsessive visionaries, climaxing five years ago with Grizzly Man’s tale of Timothy Treadwell, who loved and was eaten by bears. Though the documentaries continue, Herzog is now finally re-engaging with feature films. Read more... |
CyrusThursday, 09 September 2010
At the same time, those of a certain generation will be curious to see Jonah Hill breaking free from the Judd Apatow stable, playing the overgrown kid, 21-year-old Cyrus, of the title. But outshining both the fellas is Marisa Tomei, who completes the film's sexual and emotional geometry with charm and flair. Read more... |
The RunawaysWednesday, 08 September 2010
A drop of menstrual blood spatters the ground in the opening shot of The Runaways, an insolent enough metaphor for the unstaunchable female energy that drives writer-director Floria Sigismondi’s bracing biopic of the pioneering all-girl teenage 1970s rock band until it heads up a narrative cul-de-sac. Read more... |
Tamara DreweTuesday, 07 September 2010
If Cold Comfort Farm and Hot Fuzz got chatting down their local one night, the conversation might go something along the lines of Tamara Drewe. Putting the “sex” in Wessex, Stephen Frears’s latest film loosens the corsets of the Hardy pastoral, pitting town and country against one another in the dirtiest and most gleefully anarchic of fist-fights. Read more... |
Dinner for SchmucksThursday, 02 September 2010
There's a fascination that comes with films/ plays/ you choose the art form that contain within them their own critique: the sort of thing you find, for instance, in Chekhov done badly when one character or another opines about how "boring" proceedings have become, and you are tempted to nod in assent. Read more... |
Cherry Tree LaneThursday, 02 September 2010
Ever since his award-winning debut From London to Brighton (2006), Paul Andrew Williams has been an exemplary British filmmaker of sparky, low-budget genre tales. Cherry Tree Lane is Straw Dogs in suburbia, a schematic and brutal home invasion film, full of fearsome but unfulfilled ideas on the terrors waiting at your front door. Read more... |
The SwitchMonday, 30 August 2010
Step aside Prince Charming – there’s a new fairy tale in town, and your only substantive contribution fits into a small plastic sample pot. At some point in the last few years the Shangri-La, the unattainable dream of romantic comedies, shifted from man to baby. Read more... |
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