Theatre Reviews
The Birthday Party, Harold Pinter Theatre review - starry cast create a stunning masterpieceFriday, 19 January 2018
Is modernism dead and buried? Anyone considering the long haul of Harold Pinter’s The Birthday Party from resounding flop in 1958 to West End crowd-pleasing classic today might be forgiven for wondering whether self-consciously difficult literary texts have had their day. Read more... |
All's Well That Ends Well, Sam Wanamaker Playhouse review - feisty, prickly and topical, as wellThursday, 18 January 2018
It's the people who are problematic, not the play. That's one take-away sentiment afforded by Caroline Byrne's sparky and provocative take on All's Well That Ends Well, that ever-peculiar Shakespeare "comedy" (really?) whose title is in ironic contrast to its emotional terrain. Read more... |
Rita, Sue and Bob Too, Royal Court review - iconic 1980s title makes a welcome returnSaturday, 13 January 2018
The revival that almost didn't make it into town has got the Royal Court's 2018 mainstage offerings off to a rousing start. Read more... |
Girl from the North Country, Noël Coward Theatre review - Bob Dylan fuels a dreamlike dramaFriday, 12 January 2018
The rolling stone is now at home in the West End, as Conor McPherson’s inimitable dramatic take on Bob Dylan transfers from the Old Vic, where it premiered last summer. Read more... |
Cirque du Soleil - OVO, Royal Albert Hall review - fantastical creatures, heart-in-mouth thrillsThursday, 11 January 2018
For their eighth debut at the Royal Albert Hall, mesmerising French-Canadian performance art company Cirque du Soleil takes the audience on a journey into the world underfoot. Read more... |
My Mum's a Twat, Royal Court review - Patsy Ferran shines in a solo play that looks back in angerThursday, 11 January 2018
That ages-old dictum "write what you know" has given rise to the intriguingly titled My Mum's a Twat, in which the Royal Court's delightful head of press, Anoushka Warden, here turns first-time playwright, much as the Hampstead Theatre's then-press rep, Charlotte Eilenberg, did back in... Read more... |
Best of 2017: TheatreSaturday, 30 December 2017
Year-end wrap-ups function as both remembrances of things past and time capsules, attempts to preserve an experience to which audiences, for the most part, have said farewell. Read more... |
Hamilton, Victoria Palace review - rich, radical and ridiculously excitingSaturday, 23 December 2017
“Are you aware that we’re making history?” demands Alexander Hamilton in the show that has finally made the lesser-known Founding Father an international household name. And whether its creator, Lin-Manuel Miranda, knew it when he wrote that line or not, making history is, indeed, what Hamilton is doing. Read more... |
Titus Andronicus, RSC, Barbican review - blood will outWednesday, 20 December 2017
Live theatre, eh? It had to happen. On press night a sound of what seemed to be snoring (the production’s really not dull) revealed, in the Barbican stalls, a collapse. About an hour in, a huge amount of blood is smeared over Titus Andronicus’s raped and mutilated daughter Lavinia (Hannah Morrish, pictured below with Sean Hart as Demetrius): hands lopped off, tongue cut out. Read more... |
The Grinning Man, Trafalgar Studios review - cool puppets but too convoluted by halfTuesday, 19 December 2017
These are challenging times for new British musicals. Following quickly on from a Pinocchio that ought to be way more joyful than it is, along comes The Grinning Man, a Victor Hugo-inspired musical first seen in autumn 2016 in Bristol. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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