Theatre Reviews
£¥€$ (LIES), Almeida Theatre review - financial frolics at the gaming tableMonday, 06 August 2018
Theatre critics tend not to experience an 140 percent increase in their financial assets within 21 minutes. So on that remarkable front alone, the London premiere of the Belgian £¥€$ (LIES) is giddily immersive fun, at least up until such time as the Ontroerend Goed production shifts gears and sends the financial world, and our momentary prosperity, crashing down. Read more... |
Edinburgh Festival 2018 reviews: Ulster American / Cold BloodMonday, 06 August 2018
Ulster American ★★★★★ Read more... |
The Importance of Being Earnest, Vaudeville Theatre review - Sophie Thompson triumphantly tackles the handbag challengeFriday, 03 August 2018
Any actor playing Lady Bracknell must dread the moment when she (or, indeed, he) has to deliver that unforgettable line about a significant piece of hand luggage. Since Edith Evans's wavering, vibrato, multi-syllable version of "a handbag?", audiences have waited to see how it will be dealt with this time. Read more... |
Othello, Shakespeare's Globe review - André Holland shines, Mark Rylance pursues laughsThursday, 02 August 2018
Claire van Kampen has a history of providing roles for her husband, Mark Rylance. He starred in her critically acclaimed Farinelli and the King three years ago, and now she directs him as Iago in the Globe's production of Othello, with Moonlight actor André Holland as the eponymous general. Read more... |
Home, I'm Darling, National Theatre review - Katherine Parkinson in career-best formWednesday, 01 August 2018
Add Katherine Parkinson to the top rank of theatre performers in a town where talent abounds. Read more... |
King Lear, Duke of York's Theatre, review - towering Ian McKellenFriday, 27 July 2018
Jonathan Munby's production starring Ian McKellen, first seen last year in Chichester and now transferred to the West End, reflects our everyday anxieties, emphasising in the world of a Trump presidency, the dangers of childish, petulant authoritarianism. And while King James I was keen to... Read more... |
Exit the King, National Theatre review - vivid, brilliant production that somehow leaves you feeling emptyThursday, 26 July 2018
The image of a raging, narcissistic tyrant, convinced that he can crush even death into oblivion, has all too many resonances these days. Read more... |
Spamilton, Menier Chocolate Factory review - fun if overstuffedThursday, 26 July 2018
If it's possible to have somewhat too much of a good thing, that would seem to be the case with the British premiere at the Menier Chocolate Factory of Spamilton. Read more... |
Pity, Royal Court review - whacked-out and wearingSaturday, 21 July 2018
The apocalypse arrives as a series of collegiate sketches in the aptly-named Pity, the Rory Mullarkey play that may well prompt sympathy for audiences who unwittingly find themselves in attendance. Read more... |
Allelujah!, Bridge Theatre review - hilarious but dark, darker, darkestFriday, 20 July 2018
The NHS is us. For decades our national identity has been bandaged together with the idea, and reality, of a health service that is free at the point of delivery. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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