Theatre Reviews
Heather, Bush Theatre review - Harry Potter satire burns brightFriday, 03 November 2017
Harry Potter has a lot to answer for. The phenomenal success of JK Rowling’s books, and of their film versions, and of the stage play (now set to remain in the West End for all eternity), has created a template of extravagant cultural impact that must still be bewitching prospective authors of the next big thing, as well as their prospective publishers and prospective readers. Read more... |
Romantics Anonymous, Shakespeare's Globe review - box of delightsThursday, 02 November 2017
It’s all a bit Dairy Milk. That was, to wrap it in purple foil, the critical reaction to Les émotifs anonymes when it was released in 2011. Not in the UK, though, where Jean-Pierre Améris’s romantic comedy never made it to cinemas. Read more... |
The Exorcist, Phoenix Theatre review - see the movieWednesday, 01 November 2017
Although playwright John Pielmeier, who has written this stage adaptation of The Exorcist, reckons that “I adapted the novel, not the film,” the indelible images from William Friedkin’s 1973 movie were always bound to define an audience’s expectations. Read more... |
The Slaves of Solitude, Hampstead Theatre review - crude, over-dramatic and under-motivatedTuesday, 31 October 2017
The Second World War is central to our national imagination, yet it has been oddly absent from our stages recently. Not any more. Read more... |
Insignificance, Arcola Theatre review - once-iconic play feels overwroughtMonday, 30 October 2017
Terry Johnson's award-winning 1982 play Insignificance hasn't been seen in London since the playwright directed a 1995 revival at the Donmar (though Sam West staged his own production a decade later in Sheffield). Read more... |
Young Marx, Bridge Theatre review - fast-moving but over-complicatedFriday, 27 October 2017
Given the rather uneven record of the National Theatre at the moment, there’s already a certain nostalgia for the days, which came to an end two years ago, when it was run by the two Nicks: Nick Hytner and Nick Starr. Together, they transformed this flagship theatre, offering the world some gloriously entertaining and mega-successful plays, from War Horse to One Man, Two Guvnors. Read more... |
The Lorax, Old Vic Theatre review - a sage tale for young theatre goersWednesday, 25 October 2017
With mentions of Theresa May, cricket jumpers and DMs, Trump slurs and a host of characters with Northern accents, The Old Vic's return version of Dr Seuss' The Lorax, proves itself to be poles apart from the recent, popular Universal Pictures movie. Read more... |
Witness for the Prosecution, London County Hall review - favourable verdict on Agatha Christie classicTuesday, 24 October 2017
Some site-specific theatre feels like a really good fit. You could say, in this case, that it seems like poetic justice. Read more... |
Of Kith and Kin, Bush Theatre, review - comic but confused gay surrogacy dramaSaturday, 21 October 2017
A new baby is like an alien invasion: it blows your mind and it colonises your world. For any couple, parenthood can be both exalting and devastating, with the stress hugging the relationship so tightly that eventually all its lies pop out. Read more... |
The Lady from the Sea, Donmar Warehouse review - Nikki Amuka-Bird luminous in a sympathetic ensembleThursday, 19 October 2017
What a profoundly beautiful play is Ibsen's The Lady from the Sea. It stands in relation to the earlier, relatively confined A Doll’s House, Ghosts and Rosmersholm as Shakespeare's late romances do to the more claustrophobic tragedies. And with what apparent ease, art concealing art, do director Kwame Kwei-Armah, the Young Vic’s next Artistic Director, and the diamantine new... Read more... |
Pages
Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Oliver!, Gielgud Theatre review - Lionel Bart's 1960 ma...
Into a world of grooming gangs, human trafficking and senior prelates resigning over child abuse cases comes Oliver!, Lionel...
Album: Ethel Cain - Perverts
Ethel Cain’s Perverts is a dark and experimental follow-up to her debut album, Preacher’s Daughter. It takes listeners on a...
Leif Ove Andsnes, Wigmore Hall review - colour and courage,...
Forthright and upright, powerful and lucid, the frank and bold pianism of Leif Ove Andsnes took his Wigmore Hall audience from Norway to Poland (...
American Primeval, Netflix review - nightmare on the Wild Fr...
It seems The Osmonds may not have been the worst outrage perpetrated on an unsuspecting public by the Mormons. American Primeval is set...
Chamayou, BBC Philharmonic, Wigglesworth, Bridgewater Hall,...
Top Brownie points for the BBC Philharmonic for being one of the first (maybe the first?) to celebrate the birth centenary of Pierre Boulez this...
The Maids, Jermyn Street Theatre review - new broom sweeps c...
There are two main reasons to revive classics. The first is that they are really good; the second is that they have something to...
Gala Preview Show, De Montfort Hall review - Leicester Comed...
Europe's biggest comedy festival, which showcases established stars,...
The Second Act review - absurdist meta comedy about stardom
Can any line from The Second Act be taken at face value? Not really. “I should never have made this film,” confides Florence (the starry...