tv
The Newsreader, BBC Two review - a drama series of welcome substance from AustraliaMonday, 25 July 2022
Period drama from Australia is something of a rarity on our televisions, so The Newsreader scores for novelty alone. It’s not startlingly innovative in form, but it does what it sets out to do in a highly satisfying way. Read more... |
The Control Room, BBC One review - twisty thriller set in an ultra-noir GlasgowTuesday, 19 July 2022
The BBC publicity department doesn’t want reviewers to reveal too much about this three-parter in advance, so the description of its content here may seem skimpy. If you watch this mini-series, you will sort of understand why – its plot relies on coincidences (or are they?) and unexpected twists (or just implausible ones?), flashbacks to past traumas (are these reliable?) and nightmarish scenes (real or imagined?) Read more... |
Trom, BBC Four review - there's something fishy in the North AtlanticSunday, 17 July 2022
In the middle of a pavement-cracking, railway-melting heatwave, what could be more refreshing than a visit to the bleak but bracing landscapes of the Faroe Islands? This 18-island archipelago midway between Norway and Iceland is where BBC Four’s latest Nordic drama is situated, and its themes of murder, conspiracy and ecological awareness strike a topical note. Read more... |
Freddie Flintoff's Field of Dreams, BBC One review - Lancashire all-rounder adds new strings to his bowWednesday, 13 July 2022
After the sensational reinvention of the England cricket team this summer, with their so-called “Bazball” technique, the second-best thing to have happened to the Summer Game is Freddie Flintoff’s new series. Read more... |
Mick Jagger: My Life as a Rolling Stone review, BBC Two - the rock'n'roll enigma gives little away as the band reaches 60Monday, 04 July 2022
At the beginning of this film, Mick Jagger says: “What most documentaries do is repeat the same thing over and over… all the mythology is repeated until it becomes true.” He’s right, as he so often is. This latest attempt to prise open the enigma of the Rolling Stones’ indefatigable frontman reveals nothing a reasonably observant Stones fan won’t already know. Read more... |
The Undeclared War, Channel 4 review - how would the UK cope with a devastating cyber-attack?Friday, 01 July 2022
As the world lurches ever deeper into multiple manifestations of chaos, writer-director Peter Kosminsky’s new drama about cyber-warfare taps into the prevailing climate of unease. Read more... |
Man vs Bee, Netflix review - or should it be Bee vs Bean?Thursday, 30 June 2022
Rowan Atkinson’s strange little comedy (written by Will Davies) is the story of Trevor Bingley, a rather pitiable late-middle-aged man who finds a new job as a house-sitter for a disdainful and ridiculously wealthy couple, Nina and Christian Kolstad-Bergenbatten (Jing Lusi and Julian Rhind-Tutt, pictured below). They live in a high-tech superhome in countless acres of lush green countryside. Read more... |
Suspect, Channel 4 review - a stylised remake of a Danish psychological dramaMonday, 20 June 2022
Suspect has a simple premise: a detective goes on a routine visit to a mortuary where an unidentified young woman has been taken after being found hanged. Suicide is the initial judgment: the cop, Danny Frater (James Nesbitt), grills the pathologist (Joely Richardson, pictured below) about the case and starts to leave. Read more... |
Sherwood, BBC One review - a traumatic journey through a painful pastTuesday, 14 June 2022
Renowned for an impressive body of work that includes This House, Quiz and Brexit: The Uncivil War, playwright and screenwriter James Graham has looked inwards and backwards for his new six-part series Sherwood. Read more... |
Borgen: Power and Glory, Netflix review - Birgitte Nyborg is back, more fascinating than everFriday, 10 June 2022
Has there ever been a smarter television series than DR’s Borgen? It’s regularly compared to The West Wing for its twisty interrogation of government shenanigans – and certainly it pays to get to grips with the coalition-driven political scene at the Castle, seat of the Danish government, just as it did with Aaron Sorkin’s take on the Hill. Read more... |
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