Classical Reviews
Prom 1, Verdi's Requiem, BBCSO, Oramo review - introspective sorrow and consolation between the blazesSaturday, 16 July 2022
Any sensitive festival planner knows to begin the return to a new normal with something soft and elegiac – reflecting on all we’ve lost and mourned these past two years, as well as what we’re facing in the world now. Just over a fortnight ago, at the East Neuk Festival, the Elias Quartet led us gently by the hand with James MacMillan’s Memento. The 2022 BBC Proms began pianissimo, massed forces at the ready for the intermittent blazes of Verdi’s Requiem. Read more...
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Mad Song, Ballance, High Barnet Chamber Music Festival review - Reich towers over the restSaturday, 16 July 2022
Perhaps 2021 was not the most propitious time to launch a new festival, but composer and conductor Josh Ballance did it anyway, and the High Barnet Chamber Music Festival has returned in 2022 – as it will, I hope, in 2023 and beyond. Read more... |
BBC Proms 2022 preview - big is beautiful againThursday, 14 July 2022
Remember how, back in the summer of 2020, we all wondered if large-scale symphonies would be back in the repertoire any time soon? I pessimistically predicted a decade of slow orchestral reconstruction. Read more... |
theartsdesk at the Ravenna Festival 2022 - body and soul in perfect balanceWednesday, 13 July 2022
For once, a festival theme has meaning. “Tra la carne e il cielo”, “Between flesh and heaven”, is how Pier Paolo Pasolini, the centenary of whose birth we mark this year, defined his early experience of hearing the Siciliana movement of Bach’s First Violin Sonata (adding that he inclined to the fleshly). It provided the perfect epigraph to the four Ravenna Festival performances I attended this year, three of them as stunning as any hybrid event I’ve ever witnessed. Read more... |
theartsdesk at the East Neuk Festival 2022 - on Cloud Nine for five days of the greatest music-makingTuesday, 05 July 2022
Last year’s relatively slimline East Neuk Festival felt like a feast in time of plague. This July everything was back to full strength in numerous venues, with the most remarkable line-up, and the greatest single day of concerts, I feel certain, ENF has ever seen. But that was in spite of the apocalyptic signs all around. Read more... |
George Fu, St Martin-in-the-Fields review - high intellect and visceral shocksSaturday, 25 June 2022
Semi-standing ovation at a lunchtime concert in a London church? Predictable, perhaps, from the first recital I heard George Xiaoyuan Fu give at the Two Moors Festival, an avian programme which made me long to hear him play Messiaen’s complete Catalogue d’oiseaux. Yesterday’s “Chopin Revisited” sequence heightened the sense of originality in planning and confidence in presentation. This is one of the most exciting young pianists of our time, no question. Read more... |
Hughes, Manchester Collective, Hallé St Peter’s, Manchester review - new work and stunning singingFriday, 24 June 2022
Manchester Collective were back on home ground last night in the tour of a programme featuring the first performances of a new song cycle by Edmund Finnis, Out of the Dawn’s Mind. Soprano soloist was the amazing Ruby Hughes. Read more... |
Isabelle Faust, Alexander Melnikov, Wigmore Hall review - surprise and spontaneitySaturday, 18 June 2022
Isabelle Faust and Alexander Melnikov concluded their three-concert survey of Beethoven’s violin sonatas on the warmest day of the year. But the Wigmore Hall is always comfortable, and the temperature was well under control. Read more... |
theartsdesk at the Dublin International Chamber Music Festival - extraordinary women to the foreThursday, 16 June 2022
The organisation now proudly and legitimately re-named the Dublin International Chamber Music Festival may be half a century old – of its 52 seasons, those of the two lockdown years can be lopped off the live reckoning – but its outlook is youthful and progressive in so many ways. Read more... |
Hewitt, Concerto Budapest SO, Keller, Cadogan Hall review - magical Mozart and bullish BeethovenTuesday, 07 June 2022
Considering its status as the most famous piece of classical music [citation needed], Beethoven’s Fifth Symphony is actually quite rarely programmed in London. I can’t remember the last time I heard it live before last night, and it took the visiting Concerto Budapest Symphony Orchestra to return it to the repertoire. They played this often stern music with a smile on their faces, as they did the accompanying Mozart and Bartók. Read more... |
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