Classical Reviews
Kim, RSNO, Stockhammer, Usher Hall, Edinburgh review - bold programming survives a replacementMonday, 29 November 2021
What happens in an orchestra when your designated conductor for three gigs at the end of the week phones in with Covid on Monday morning? By Monday afternoon, when he was writing his introduction to the programme notes for this concert, Alistair Mackie, chief executive of the Royal Scottish National Orchestra, still didn’t know. He didn’t know who would conduct or even if the repertoire would change. Read more... |
Scenes from the Wild, Morgan, CLS, Paterson, Southwark Cathedral review - a cornucopia of the seasonsSaturday, 27 November 2021
Dara McAnulty’s Diary of a Young Naturalist (14 at the time of writing) is a total vision, effortlessly poetic where the likes of Rober Macfarlane sometimes seem to strive for effect. Cheryl Frances-Hoad’s 26 songs, with a text drawn from the journal by the late Amanda Holden, offered only a partial panorama at its world premiere. Read more... |
Giltburg, Hallé, Elder, Bridgewater Hall, Manchester review - back to glorious normal?Friday, 26 November 2021
Sir Mark Elder and the Hallé were making something of a statement in this concert. Read more... |
Kolesnikov, Sinfonia of London, Wilson, Snape Maltings review – volcanic Britten and Vaughan WilliamsMonday, 22 November 2021
They’re singing songs of praise in Aldeburgh today – namely Britten’s magical unaccompanied choral setting of Auden’s Hymn to St Cecilia on the composer’s birthday and the annual celebration of music’s martyred patron. And what a right to celebration Britten Pears Arts will have earned after a weekend of concerts from bold John Wilson’s latest super-orchestra, an army of technicolor generals. Read more... |
Soweto Kinch, LSO / 'London Third Stream', London Sinfonietta, EFG London Jazz Festival review - projects from the political to the loop-ySaturday, 20 November 2021
“Take Jazz Seriously,” wrote Maurice Ravel after his American trip in 1928. This past week of the 2021 EFG London Jazz Festival has seen that advice itself being taken seriously, with a bunching of projects and premieres. Jazz musicians have been welcomed in to work with London orchestras. The fruition of months of preparatory work has been on show. Read more... |
Balsom, Daniel, Poster, Britten Sinfonia, Stroman, Milton Court review – kinds of blueFriday, 19 November 2021
Where do you draw – how do you draw? – a credible line between jazz and “classical” music in 20th-century America? With the reliably boundary-busting Britten Sinfonia, trumpeter Alison Balsom mixed and matched works from different formal lineages in her packed programme at Milton Court, “An American Rhapsody”. Read more... |
Die schöne Müllerin and The Alehouse Sessions, Middle Temple Hall review - overflowing musical energy and joyFriday, 19 November 2021
The world of the 17th-century tavern is a long way from the contemporary concert hall. A quick glance at the scene in paintings by Jan Steen or his contemporaries shows us a joyful tangle of men and women, dogs, cats and small children, all engaged in a riot of drinking, dancing, brawling, music-making and love-making (occasionally even napping) while hens stroll officiously across the floor pecking up crumbs. It looks noisy, dirty and a jolly good time. Read more... |
Smetana Trio, Wigmore Hall / Minerva Piano Trio, Christ Church Kensington review - spirits of delightTuesday, 16 November 2021
Comparisons might have been odious between three of the world's most cultured players – pianist Jitka Cechová, violinist Jan Talich and cellist Jan Páleníček of the Smetana Trio – and the young, British-based Minerva Piano Trio (Annie Yim, Michal Ćwiżewicz and Richard Birchall). Read more... |
Coote, Jackson, Drake, Middle Temple Hall review – Mahler's long goodbyesFriday, 12 November 2021
Sometimes you know the quality of music by the depth of the silence when it ends. Last night at Middle Temple Hall – and thank Mahler’s mystical heavens for it – the final ghostly “Ewig” of Der Abschied faded away into a soundless void that lasted just as long as it had to. Read more... |
Takács Quartet, Wigmore Hall review - intimate letters and holy songsTuesday, 09 November 2021
The Takács Quartet is hard to pin down. The group was founded in 1975 in Budapest, but since 1983 has been based in Boulder, Colorado. Cellist András Fejér is the only remaining founding member, and the violist, Richard O’Neill, only joined in 2020. They also have a British first violin, Edward Dusinberre. So what performing tradition can we expect from them? Read more... |
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