Classical Reviews
Rangwanasha, OAE, Fischer, RFH review - Mahler reimaginedWednesday, 09 March 2022
Mahler on modern instruments is ubiquitous these days, so historically informed performance is bound to be revealing. Here, the Orchestra of the Age of Enlightenment brought transparency and focus to Mahler’s often complex textures in his Fourth Symphony. Read more...
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Hough, BBC Philharmonic, Wellber, Bridgewater Hall, Manchester review - Beethoven for todayTuesday, 08 March 2022
There was something extraordinarily powerful and moving about Saturday’s Beethoven commemoration concert by the BBC Philharmonic and its chief conductor, Omer Meir Wellber. Read more... |
Simon Trpčeski and Friends, Wigmore Hall online review – chamber music classics old and newTuesday, 08 March 2022
The main course of this Wigmore lunchtime concert was Brahms but I was lured in by the dessert: a rare chance in this country to hear the music of the French composer Guillaume Connesson. Read more... |
Cooper, Bournemouth SO, Wigglesworth, Lighthouse, Poole review – musical sunburstsMonday, 07 March 2022
With reference to smiles beginning to emerge from behind our masks, Mark Wigglesworth, the Bournemouth Symphony Orchestra’s new Principal Guest Conductor, wrote the most hopeful and optimistic note of welcome in the programme for this concert featuring Mozart’s Piano Concerto No 22, K482 and Schubert's “Great” C major Symphony. Read more... |
SCO, Leleux, Queen’s Hall, Edinburgh review – new concerto for a deepening partnershipSaturday, 05 March 2022
You may well have seen a concerto performance that has been “directed from the keyboard”, or maybe even one that’s “led from the violin”, but have you ever seen a concerto that’s directed from the oboe? Read more... |
Fisher, BBC Philharmonic, Wigglesworth, Bridgewater Hall, Manchester review - war-tinged Vaughan WilliamsMonday, 28 February 2022
There was no overt reference to the world outside in this concert, and yet the poignancy of its content could hardly have been clearer if it had been planned: two symphonies and a song cycle each touched by the tragedy of war. Read more... |
RSNO, Davis, Usher Hall, Edinburgh review – warm Elgar, chilly Vaughan Williams, red hot playingSaturday, 26 February 2022
“You’ll have to forgive me”, said Sir Andrew Davis at the start of this concert’s second half, “but I’m going to sit down.” As he lowered himself onto his podium stool, he let it slip that this was the first concert he had conducted in more than two years. Read more... |
Klieser, Driver, Bournemouth SO Soloists, Lighthouse, Poole review - a celebration of E flatFriday, 25 February 2022
Although the large auditorium of Lighthouse, Poole may not offer the most favourable scale and intimacy for a chamber recital, the high quality of communicative chemistry and performance readily reached out to engage and hold the audience spellbound for the whole evening. |
Rachlin, Oslo PO, Mäkelä, Oslo Konserthus/Perianes, LPO, Berman, RFH review - the best-laid plans…Thursday, 24 February 2022
The headline was never going to be snappy, but “Klaus Mäkelä conducts…” as a start would have pulled it all together. A trip to Oslo last week was not wasted: he did indeed take charge of one of his two main orchestras, in a typically offbeat programme, a total sensation (*****). Read more... |
Kanneh-Mason, LPO, Bloxham, Congress Theatre, Eastbourne review - stark Russian contrastsWednesday, 23 February 2022
With a predictable Sheku sell-out in the hall, the context of post-Eunice clean-up and current teetering on the brink with Russia lent a strangely unsettling and salutary resonance to the programme of Shostakovich’s Second Cello Concerto framed by Mussorgsky and Borodin. Read more... |
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