Film Reviews
Driving Madeleine review - a Paris taxi ride reveals a harrowing life storyFriday, 17 November 2023
Charles (French comedian Dany Boon), a jaded taxi driver in Paris, is stressed out. He owes money, the points on his license are mounting up, he barely has time to see his wife and daughter. When he gets a booking for a far-flung ride involving an old lady, he’s not enthusiastic even though the pay’s good. All joie de vivre has left him. Read more... |
Peter Doherty: Stranger In My Own Skin review – close-up on chaosSaturday, 11 November 2023
Pete Doherty’s notorious tabloid image as Kate Moss’s junkie rock star boyfriend blessedly faded following that relationship’s end, stopping short of Amy Winehouse territory. Katia deVidas’s documentary focuses on that addiction through his preferred self-image as a latter-day Rimbaud, a punk poet more suited to his current French home. The result is remarkably unvarnished, but narrowly framed. Read more... |
Anatomy of a Fall review - gripping psychological thriller set in the French AlpsFriday, 10 November 2023
There’s a splinter of ice in the heart of a writer, said Graham Greene, and that ice plays a part in French director Justine Triet’s superb fourth feature, which won the Palme d’Or at Cannes. Read more... |
A Forgotten Man review - Switzerland's WW2 record haunts monochrome dramaFriday, 10 November 2023
Switzerland isn’t exactly famous for parading its history during WWII. Remaining neutral from the conflict like its neighbour Liechtenstein, the Swiss benefitted from financial and armament deals with Nazi Germany, turned away Jewish refugees at the border and, post-war, failed to inform the remaining families of Holocaust victims about the deposits left by dead relatives in Swiss banks. Read more... |
Rustin review - a doubly liberated American lifeSunday, 05 November 2023
This is a tribute to a forgotten hero, gay black Quaker Bayard Rustin (Colman Domingo), driving force behind the 1963 March on Washington, the vast peaceful protest that sanctified Martin Luther King as his oratory seemed to lift black America towards a Promised Land. Read more... |
On the Adamant review - moving French documentary focusing on mental healthSaturday, 04 November 2023
On the Adamant is an endearing documentary by the French director Nicolas Philibert, best known here for his 2003 film, Être et Avoir, a portrait of a single-room school in the Auvergne. Read more... |
Dance First - the travails of Samuel BeckettSaturday, 04 November 2023
Dance First takes its title from a line in Samuel Beckett’s most famous work Waiting for Godot. “Perhaps he could dance first and think afterwards,” says the tramp Estragon of Pozzo’s slave Lucky, who then proceeds to do both in a typically absurd Beckettian way. Read more... |
How to Have Sex review - compelling journey of a vulnerable teenFriday, 03 November 2023
Molly Manning Walker surprised herself by winning the Un Certain Regard section at Cannes this year with her rites-of-passage feature, How to Have Sex. Why the surprise? It’s a compelling debut. Read more... |
The Royal Hotel review - sexual malice in AustraliaThursday, 02 November 2023
The jitters-inducing first feature directed on home soil by the Australian filmmaker Kitty Green is named after The Royal Hotel, the only pub in an Outback mining community removed from civilised society. To suggest all the blokes who drink there are potential rapists would be wrong: only 95 per cent of them are. Read more... |
Beyond Utopia review - harrowing escape stories vividly captured with live footageTuesday, 31 October 2023
If Madeleine Gavin’s Beyond Utopia doesn’t make you cry, you’re a hard nut to crack. The film records the fortunes of defectors fleeing North Korea, a hell hole that is more like a prison camp than a country. Read more... |
Typist Artist Pirate King review - shine on, Audrey AmissFriday, 27 October 2023
The stories told by writer-director Carol Morley are poignant reclamation projects that demonstrate empathy for lost or troubled souls but don’t flinch from difficult truths. Read more... |
20,000 Species of Bees review - a marvel of a debutFriday, 27 October 2023
Are we all getting older, or are film award-winners getting younger? Sofía Otero won the Silver Bear for best lead performance at the Berlin Film Festival this year at the age of just nine. To achieve that, it surely needs to be one of the best moppet turns of all time – and I think it quite possibly is. She plays an eight-year-old boy who doesn’t answer to the name of Aitor even when he’s gone missing and dozens of searchers are yelling it out.
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The Killer review - David Fincher's latest cult movie?Thursday, 26 October 2023
Since its release in 1999 David Fincher’s Fight Club has become something of a cult movie with young men who recite lines from the script like mantras. "This is your life, and it’s ending one minute at a time". It seems likely his new film, The Killer, will inspire the same devotion with the same demographic. Read more... |
Cat Person review - the dynamics of dating and bad sexThursday, 26 October 2023
Margot (Emilia Jones; Coda) has made a terrible mistake. She’s landed up in bed with Robert (Nicholas Braun; cousin Greg in Succession) and realises the sex is going to be excruciatingly bad. How to tell him that she’s changed her mind? Can she leave before it’s too late? Or is it easier to get it over with, otherwise he might turn nasty? Read more... |
Our River... Our Sky review - another people's warWednesday, 25 October 2023
The first casualty of war is not truth, as the saying goes, but humanity – and not just in the sense of collateral damage. Media reporting turns victims into news items, along with satellite images of wrecked buildings or tanks crawling through a desert. Read more... |
Killers of the Flower Moon review - the Osage tragedyFriday, 20 October 2023
At the centre of Martin Scorsese’s Killers of the Flower Moon, closely adapted from the 2017 non-fiction book by the investigative journalist David Grann, is the true story of how the white former doughboy Ernest Burkhart (Leonardo DiCaprii) was inveigled into slowly poisoning his Native American wife Mollie (Lily Gladstone) for her share of oil wealth in 1920s Oklahoma. Read more... |
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