Film Reviews
The Iron Claw review - pancakes and beefcakesFriday, 09 February 2024
The Iron Claw is the sort of solid, mid-market Hollywood “programmer” that is often said to no longer exist on the big screen, and this family saga set in the world of Texas wrestling certainly has the feel of a museum piece. Many have warmed to it, perhaps for that nostalgic reason. Read more... |
The Settlers review - a western populated only by anti-heroesFriday, 09 February 2024
From its opening shot – of a flock of sheep backlit by the sun’s rays – The Settlers is visually stunning. But the beauty ends there; as the narrative unfolds, it becomes clear that everything else about this episode in Chile’s history is cruel and ugly. Read more... |
The Zone of Interest review - garden gates of deathFriday, 02 February 2024
The jokey serious point in Mel Brooks’s The Producers is that you shouldn’t be able to make a musical set among Nazis. But if you shouldn’t make a musical, can you make any fiction? Read more... |
Argylle review - Matthew Vaughn's secret agent fantasy dares you to deny itFriday, 02 February 2024
Mystery surrounds the provenance of Matthew Vaughn’s new spy fantasy, Argylle. Allegedly, it’s based on the debut novel of the same name by Elly Conway, with Bryce Dallas Howard playing a novelist called Elly Conway in the film. But evidence of the existence of a real-life Conway is hard to find, though there was a rumour that it was a pseudonym used by Taylor Swift (who denies it). Read more... |
This Blessed Plot review - a right old English carry onSunday, 28 January 2024
The hefty Essex builder Keith Martin, who plays a version of himself, as do most of the non-professional actors in Mark Isaacs' comic docufiction This Blessed Plot, is no Olivier or Branagh. But he puts brio and a touch of bombast into the dying John of Gaunt’s famous monologue lauding his ailing England in Richard II. Read more... |
The Color Purple review - sensational second time round for Alice Walker's novel on screenSaturday, 27 January 2024
How many re-tellings can Alice Walker's The Color Purple take? A helluva lot, as the candid Sofia, one of the work's seminal characters, might put it. Read more... |
All of Us Strangers review - a haunting story about the power of love, masterfully toldFriday, 26 January 2024
Andrew Haigh’s films come at you like stealth bombers, presenting everyday scenes in a spare narrative style, and then using them to blitz you with unexpected emotions. His latest is no exception. Read more... |
The End We Start From review - watery apocalyptic drama with star turnFriday, 19 January 2024
The End We Start From couldn’t be more timely, opening in cinemas after weeks of heavy rain and flooding dominated UK news. But the film’s release has also coincided with the ITV police drama After the Flood and it’s too tempting to compare the two. Read more... |
The Holdovers review - a perfectly formed comedy that wears its perfection lightlyFriday, 19 January 2024
Twenty years ago Alexander Payne put Paul Giamatti on the map in Sideways; here he is again, as another punctilious expert, this time not in the field of viniculture but plain old culture, of the old-fashioned classical kind. And his adversary is not a roguish friend but a spiky pupil at the boys’ school in New England where he teaches classics. Read more... |
Werner Herzog: Radical Dreamer review - the visionary director's extraordinary careerFriday, 19 January 2024
“It’s an injustice of nature that I haven’t become an athlete and it’s an injustice of nature that we do not have wings,” says German director Werner Herzog, aged 81, sounding characteristically intense. Read more... |
The Disappearance of Shere Hite review - the rise and fall of a woman who dared to explore female sexualityFriday, 12 January 2024
When it was published in 1976, “The Hite Report” caused such a sensation that it was translated into 19 languages and flew off the shelves in 36 countries to become the 30th best selling book of all time. Yet it’s author, Shere Hite was treated as Public Enemy Number One. Read more... |
The Boys in the Boat review - a Boy’s Own true story told in formulaic styleFriday, 12 January 2024
Seabiscuit, Creed, Rocky, The Full Monty, Chariots of Fire… George Clooney’s latest directorial project is in the same vein as these earlier films, but swap Seabiscuit et al for a rowing eight. Read more... |
Poor Things review - other-worldly adaptation of Alasdair Gray's novelThursday, 11 January 2024
Following their award-scooping collaboration on 2018’s The Favourite, Emma Stone and director Yorgos Lanthimos return with this mind-bending adaptation of Alasdair Gray’s eponymous novel. Also on board is screenwriter Tony McNamara, who wrote (with Deborah Davis) The Favourite’s screenplay. Read more... |
Scala!!! review - a grindhouse cinema remembersMonday, 08 January 2024
This week, the makers of Scala!!! threw a party in what remains of its subject – a notorious, beloved repertory cinema in then sleazy King’s Cross, born 1981, dead 1993, and now a dowdier music venue. Read more... |
Night Swim review - hardly immersive horror flickMonday, 08 January 2024
The water is wild in Night Swim, the weirdly wet horror debut from director Bryce McGuire, in which a backyard bathing pool becomes the locus of all things supernatural. Read more... |
Priscilla review - Bluebeard suede shoesTuesday, 02 January 2024
Sofia Coppola knows a thing or two about teenage girldom. Like many of her other characters – in The Virgin Suicides, Lost in Translation, Somewhere and Marie Antoinette – the subject of her latest film, Priscilla Presley, is an ingenue living in a gilded cage and surrounded by lavish boredom. It hardly matters whether the setting is actually the Park Hyatt Tokyo, Chateau Marmont, the Palace of Versailles – or Graceland, in this case. Read more... |
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