Film Reviews
Creature review - Asif Kapadia shines light on a dark dance pieceFriday, 24 February 2023
Filmed ballets involve a different way of watching: you may know a piece well, but you aren’t used to staring into its lead dancers’ eyes as they perform their roles. Not all dancers give good close-up, either. But a new film by the Oscar-winning director Asif Kapadia of Akram Khan’s Creature, made for English National Ballet in 2021, has transformed the original live version into a moving drama. Read more... |
Broker review - baby-selling in South KoreaThursday, 23 February 2023
The Japanese director Hirokazu Kore-eda chose to make Broker in South Korea, with Parasite star, Song Kang-ho. He plays one of two dodgy chaps who make a living selling abandoned babies to desperate couples. Read more... |
Ant-Man and the Wasp: Quantumania review - Marvel head into infinity and beyondSunday, 19 February 2023
We’ve now reached film 31 and Phase Five of the Marvel Cinematic Universe’s increasingly baroque franchise. Four years after Avengers: Endgame’s false finale, Scott Lang aka Ant-Man (Paul Rudd) is still basking in his role in reversing Thanos’s genocidal Blip, and reacting to the MCU’s version of the pandemic by semi-retiring from Avenging for some Me time. Read more... |
Nostalgia review - returning to Naples after 40 yearsFriday, 17 February 2023
“He’s my best friend, a brother,” says Felice Lasco (Pierfrancesco Favino) of his childhood buddy, Oreste Spasiano (Tomasso Ragno). After 40 years away, Felice, a successful, married businessman, has returned to Naples from Cairo to see his aged mother (Aurora Quattrocchi). Read more... |
Marcel the Shell With Shoes On review - small fry with a big heartFriday, 17 February 2023
Marcel the Shell the Shoes On tells the story of a one-eyed little shell who lives with his grandmother Connie in a house that became an Airbnb after its former occupants divorced. The man inadvertently carried away Marcel’s extended family in a drawer when he left. Marcel pines for them, and he tugs at our heartstrings more relentlessly than should be allowed by a one-inch carapace animated by stop motion. Read more... |
The Son review - is each unhappy family unhappy in its own way?Wednesday, 15 February 2023
The Son is one of those movies where everyone is acting their socks off, exhibiting their range and sensitivity to the point where one can imagine there was a bucket on the set positioned to drop in the expected awards. It may well work for Florian Zeller’s theatre fans used to a lot of intense anguished dialogue, but it’s very claustrophobic as a film and lacks the tricksy double casting of key characters that made The Father intriguing. Read more... |
Magic Mike's Last Dance review - ludicrous and radical gyrationsSaturday, 11 February 2023
Magic Mike began as a cautionary tale rooted in Channing Tatum’s spell as a teenage stripper, then morphed into a franchise of reality and theatre shows. Now this second sequel brings original director Steven Soderbergh back, and leaps into pure fantasy. Read more... |
Women Talking review - abused Mennonite women find their voiceFriday, 10 February 2023
Women Talking is very powerful. It was adapted by writer-director Sarah Polley from the novel that Miriam Toews, raised a Mennonite in Canada, based on terrible events that took place in an isolated Mennonite community in Bolivia between 2005 and 2009. Read more... |
Town of Strangers review - a whimsical foray into the meaning of homeWednesday, 08 February 2023
“They say there are only two stories,” explains director Treasa O’Brien. “A person goes on a journey and a stranger comes to town.” O’Brien was born in Dublin to a naval family that had to up sticks and move every two or three years. Her first school was in Malta, where the other kids would neither speak to her nor play with her since she was an outsider. Read more... |
Saint Omer review - exile and erasureMonday, 06 February 2023
Saint Omer is a psychological and sociological mystery, unpicking the enigma of Laurence (Guslagie Malanda), a French Senegalese woman who drowned her 15-month-old daughter in the ocean. Read more... |
Puss in Boots: The Last Wish review - thrilling adventure with Antonio BanderasSaturday, 04 February 2023
The Shrek universe expands a little more with Puss in Boots: The Last Wish, another computer-animated family film from DreamWorks, with Antonio Banderas and Salma Hayek Pinnault reprising their roles as Puss and his frenemy Kitty Softclaws. Directors Joel Crawford and Januel Mercado serve up a treat, one worthy of its Oscar nod for best animated feature. Read more... |
The Whale review - Brendan Fraser stars in a fat suitFriday, 03 February 2023
Yes, Brendan Fraser gives a fine, Oscar-nominated performance as a morbidly obese man in director Darren Aronfsky’s mawkish, voyeuristic The Whale. Best known for Gods and Monsters, George of the Jungle and the Mummy trilogy, and more recent TV roles in The Affair and Trust, it’s Fraser’s first lead in a film for 12 years. Read more... |
EO review - lyrical tale of a donkey's odysseyFriday, 03 February 2023
It’s been a good year for donkeys at the cinema. Not only did Martin McDonagh make a surprise star out of Jenny the miniature donkey in The Banshees of Inisherin, but she’ll be competing at the Oscars with the title character of EO, Jerzy Skolimowski’s paean to beautiful Sardinian donkeys. The veteran Polish director has crafted a film like no other, weaving together extraordinary images with a devastating score by Pawel Mykietyn. Read more... |
You Resemble Me review - complex portrait of a troubled young womanThursday, 02 February 2023
You Resemble Me is the very definition of a passion project, and all the better for it. First-time director Dina Amer was a journalist working for Vice News. She was sent to Paris to cover the 2015 terrorist attacks that left 130 people dead and hundreds more injured. Amer was on the scene when the police raided a flat where the terrorists were based. Read more... |
January review - the end is nigh in vampirised BulgariaWednesday, 01 February 2023
At their best, horror movies reflect destabilisation caused by cracks in the social fabric. The crack indicated in the documentarist Andrey Paounov’s fiction debut January is the widening abyss that, one character fears, will swallow Bulgaria village by village, town by town; the entire world, he says, will eventually succumb to this state of waking death. Maybe it already has? Read more... |
The Fabelmans review - Spielberg remembers with wit and wonderSaturday, 28 January 2023
Spielberg sometimes directed The Fabelmans through a film of tears, as he recreated his cinema’s origins. Lightly fictionalising his own family history, it turns an autobiographical key to previous films, while being fundamentally different to anything he’s made before. Read more... |
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