sat 25/01/2020

Film Reviews

LFF 2018: In Fabric review – Peter Strickland’s horror comedy is dressed to kill

Demetrios Matheou

While much has been said of Luca Guadagnino’s remake of Dario Argento’s cult horror Suspiria, it’s the latest stylishly bizarre confection by British writer-director Peter Strickland – about a demonic dress, no less – that comes much closer to the strange spirit of Italian horror. 

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Science Fair review - big on ambition, light on rigour

David Kettle

More than 1,700 teenage finalists representing 78 countries take part in the annual International Science and Engineering Fair, virtually the Oscars for exceptional young biologists, physicists, chemists, mathematicians, computer scientists, doctors and more.

If they’re selected for ISEF, these young brainboxes get to show the fair’s forbidding judges what contributions they’re planning to make to our futures –...

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LFF 2018: The Ballad of Buster Scruggs review - Wild West tales, and Redford and Jackman

Adam Sweeting

The “portmanteau” form of film-making is almost guaranteed to deliver patchy results, and The Ballad of Buster Scruggs, the Coen brothers’ six-pack of tall tales from the Old West (screened at London Film Festival), can’t quite avoid this age-old trap.

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1945 review - Hungarian holocaust drama

Saskia Baron

Ferenc Török is firmly aiming at the festival and art house circuit with his slow-paced recreation of one summer day in rural Hungary.

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LFF 2018: Colette review - zinging with zeitgeisty relevance

Adam Sweeting

The story of French author and transgressor of social mores Colette has been told before on screen and in song, but this new film version (shown at London Film Festival) from director Wash Westmoreland not only zings with zeitgeisty relevance, but gives each of its stars, Keira Knightley and Dominic West, one of the...

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First Man - Neil Armstrong's giant leap

Adam Sweeting

Echoes of Phil Kaufman’s 1983 classic The Right Stuff resonate through Damien Chazelle’s new account of how Neil Armstrong became the first man to walk on the moon.

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Tehran Taboo review - transgressive animation

Tom Birchenough

For all the bleakness of its subject matter, there’s considerable exhilaration to Ali Soozandeh’s animation feature Tehran Taboo. That’s due, in part, to the film’s breaking of many of the official “rules” of Iranian...

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A Star is Born review - Bradley Cooper and Lady Gaga make a compellingly combustible duo

Matt Wolf

"It's the same old story, told over and over forever": So remarks the redoubtable Sam Elliott late in the most recent reboot of A Star is Born, which itself manages to take an oft-told story and reinvent it very much afresh.

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Kusama - Infinity review - amazing tale of survival against the odds

Sarah Kent

Wearing a red dress covered in black polka dots and a bright red wig, Japanese artist Yayoi Kusama sits drawing, a look of intense concentration on her face. It takes her three days, she says, to finish one of these huge repeating patterns (main picture) and ideas pour out faster than she can realise them, even though she works all day, six days a week. 

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The Wife review - Glenn Close deserves better from her latest Oscar bid

Matt Wolf

Writers need to write, or so goes the unimpeachable argument that underpins The Wife, which is being strongly touted as the film that may finally bring leading lady Glenn Close an Oscar in her seventh time at bat.

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Black 47 review - a gripping and unusual drama

Veronica Lee

Even for those with only a passing acquaintance with Irish history, the Famine – or the Great Hunger – looms large, when British indifference to the failed potato crop in large parts of Ireland resulted in the deaths or emigration of nearly a quarter of the country’s population in the 1840s and 1850s.

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Skate Kitchen review - sisterhood in the skate park

Markie Robson-Scott

“Let’s get a clip, Long Island.” One New York skateboarder encourages another, who’s from the ‘burbs, to show off ollies, pop shuvits and kick-flips for a YouTube video. But hang on: “There are too many penises in the way.” This is a posse of young women, a rare sighting in the male world of the skate park.

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The Little Stranger review - the wrong sort of chills

Jasper Rees

Domnhall Gleeson needs to watch it. In Goodbye Christopher Robin he played AA Milne, the creator of Pooh and co. To achieve the correct level of period English PTSD, it was as if he’d folded himself up into a neat pile of desiccated twigs. And now he’s gone and done it again in The Little Stranger, only more so.

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Matangi/Maya/M.I.A. review - not your average popstar

Owen Richards

Why is M.I.A. such a problematic pop star? Why can't she just shut up and release a hit? Tellingly, this is the very question the singer poses at the start of Matangi/Maya/M.I.A - a question she's been asked throughout her career, from interviewers to management.

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Faces Places review - Agnès Varda's enchanted journey

Tom Birchenough

On the eve of her tenth decade, the marvellous Agnès Varda embarked on the enchanted journey that we see in Faces Places. For admirers of the great French director – of whom there are a great many: indeed, it is hard not to be won over by her resolutely independent, profoundly...

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Never Here review - conceptual art may damage your health

Adam Sweeting

Beware the hidden powers of the cellphone.

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