wed 08/10/2025

Film Reviews

The Outrun review - Saoirse Ronan is astonishing as an alcoholic fighting for recovery

Helen Hawkins

In 2016, Amy Liptrot made a fine publishing debut with a memoir about her alcoholism, The Outrun. Now she has co-written a film based on her book that is a significant achievement in its own right. It’s also the promising debut of Saoirse Ronan and her husband actor Jack Lowden as producers. 

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Notes from Sheepland review - her farm is her canvas

Justine Elias

Orla Barry laughed when she was advised to take up sheep farming, and not just because she had no experience. “Orla with the sheep eyes,” she calls herself and, indeed, in a stylized self-portrait, she does seem to have the placid, watchful gaze of a ewe.

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The Substance review - Demi Moore as an ageing Hollywood celeb with body issues

Markie Robson-Scott

If you like a body-horror movie to retain a semblance of logic in its plot line, then The Substance – grotesque, gory and finally insubstantial – may not be for you.

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Strange Darling review - love really hurts

Harry Thorfinn-

“Are you a serial killer?” asks a woman sitting in a pick up truck with a man she just met at a bar. The neon sign from the motel they are parked outside bathes the couple in cool, blue light. “Do you have any idea of the risks a woman like me takes every time she agrees to have a bit of fun?”

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The Goldman Case review - blistering French political drama

Saskia Baron

It’s a bold move to give a UK cinema release to this fierce courtroom drama about a French left-wing intellectual who was assassinated in1979. Pierre Goldman isn’t exactly a well-known figure on this side of the Channel, but perhaps the distributors hope that after the recent box-office success of Anatomy of A Fall and Saint Omer, there’s a whetted appetite for another forensic examination of the French legal system.

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My Favourite Cake review - woman, love, and freedom

Hugh Barnes

The taxi cab has become a recurring motif in modern Iranian cinema, perhaps because it approximates to a kind of dissident bubble within the authoritarian state, a public space where individuals can have private and often subversive conversations.

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The Critic review - beware the acid-tipped pen

Justine Elias

The setting is the lively 1930s London theatre world, but any sense that The Critic will be a lighthearted thriller should soon be dispelled by a soundtrack featuring “Midnight and the Stars and You,” the song that Stanley Kubrick used to ominous effect in The Shining.

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Lee review - shaky biopic of an iconic photographer

Saskia Baron

Anyone who has seen Lee Miller’s photographs – those taken of her in the 1920s when she was a dazzling American beauty, those she took as a World War Two photojournalist – and read about her extraordinary life will have thought: this will make a great biopic.

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Reawakening review - a prodigal daughter returns, or does she?

Markie Robson-Scott

“I’d know her. Bone of my bone, flesh of my flesh. Would I know her? Would I?” John (a brilliant Jared Harris, who’s also an executive producer) is always looking for his daughter, who ran away from home ten years ago at the age of 14 and hasn’t been seen since.

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Red Rooms review - the darkest of webs

Harry Thorfinn-

A woman sits at her computer. She copy-pastes an address into a search engine. She goes to street view. She zooms in. Click. Opens a new tab. Click. Searches a name. There are no lines of green code on a black screen or indecipherable programmes that we associate with sketchy online activity. Instead the woman is doing the kind of amateur sleuthing that anybody with a computer and internet connection can do. 

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Beetlejuice Beetlejuice review - a lively resurrection

James Saynor

Sometimes love never dies and the dead never rot. A lot of water has flowed down the River Styx since Tim Burton’s first Beetlejuice film in 1988, but the bones of the original have held up surprisingly well, the madcap morbid spoof outliving many of its peers from the “high concept” era.

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Starve Acre review - unearthing the unearthly in a fine folk horror film

Justine Elias

Blame the high cost of city housing, or killer smog. What else can explain a bright young couple’s move from 1970s Leeds to Starve Acre, an isolated, near-derelict farm in rural Yorkshire that has to be the spookiest back-to-the-land setting since The Wicker Man.

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Firebrand review - surviving Henry VIII

James Saynor

Life in Tudor times is a gift that keeps giving to film and TV people, even if the history has to be bent a little for things to make sense to contemporary audiences – Elizabeth (1998) and A Man for All Seasons (1966) being two of the more successful examples of such retrofitting of the past.

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Paradise Is Burning review - O mother, where art thou?

Saskia Baron

Paradise Is Burning is one of those films that appears to be designed to convince the outside world that Sweden isn’t all IKEA interiors and ABBA sing-alongs. There are blissful long summer days spent in pine forests and plenty of lithe-limbed girls, but the focus here is on a social underclass that Ingmar Bergman rarely filmed.

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Sing Sing review - prison movie with an abundance of heart

Demetrios Matheou

Every actor has their own take on what acting means to them, which will include the chance to occupy personalities more interesting than their own, or to shed their inhibitions, or simply the pleasure of ‘play’. 

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Black Dog review - a drifter in China

James Saynor

We root for the rootless Outsider in classical western cinema because the places the Outsider fetches up in are scary dumps of the first order – maybe a medieval grub-hole, a Wild West deadfall or some cantina full of aliens that Harrison Ford drops in on.

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