Film Reviews
Ray & Liz review - beautifully shot portrait of povertyWednesday, 06 March 2019
Ray’s world has shrunk to a single room in a council flat. His life consists of drinking home-brew, smoking, gazing out of the window, listening to Radio 4 and sinking into an alcohol-induced stupour. There’s no need ever to leave his bedroom because his neighbour Sid does all the necessaries. Read more... |
The Hole in the Ground review - parental horror stays on the surfaceMonday, 04 March 2019
Mothers’ fears for and of their children are primal horror material: The Babadook and Under the Shadow set recent standards for exploring its emotional terror. Read more... |
Serenity review - a game of two ill-fitting halvesSaturday, 02 March 2019
You’d expect the man who created Peaky Blinders and the ingenious one-man-and-his-car drama Locke to have his ducks in a row and his feet planted securely on terra firma, but in Serenity Steven Knight seems to have permitted himself a leisurely mental vacation. It’s a tale of love, loss, multi-dimensional weirdness and a very large fish. Read more... |
Hannah review - Rampling's restrained passion burns brightFriday, 01 March 2019
Hannah is a vehicle for Charlotte Rampling, and it's no wonder she won the Best Actress Award for her role at Venice in 2018. The film follows her as she gradually falls to pieces, without a trace of hysteria, slowly and surely, with her husband in prison for reasons that are never clear. Read more... |
The Aftermath review - it looks great but it lacks biteThursday, 28 February 2019
Is it time for the rebirth of the old-fashioned wartime weepie? If so, this time next year The Aftermath will be dragging a clanking heap of statuettes round Hollywood, attached to the rear bumper of its 1940s army staff car. If not… Read more... |
Foxtrot review – controversial movie dances to an ugly tuneThursday, 28 February 2019
Israeli filmmaker Samuel Maoz’s Foxtrot uses irony and visual poetry to condemn his nation’s militarism. Twenty months after the movie won the Grand Jury Prize at Venice, it opens in the UK trailing a divisive history. Read more... |
Oscars 2019: Olivia Colman crowned queen of HollywoodMonday, 25 February 2019
The 91st Academy Awards began with a rousing concert appearance from Queen to kick off a show from which Bohemian Rhapsody led the field with four trophies. Read more... |
Old Boys review - short but not especially sweetSaturday, 23 February 2019
How does the ever cherub-cheeked Alex Lawther keep getting served in pubs? That question crossed my mind during the more leisurely portions of Old Boys, an overextended English schoolboy revamp of Cyrano de Bergerac that flags just when it most needs narrative adrenaline. Read more... |
Capernaum review - sorrow, pity and shame in the Beirut slumsThursday, 21 February 2019
An angry little boy, in jail after stabbing someone, stands in a Beirut courtroom and tells the judge that he wants to sue his parents. Why? For giving birth to him when they’re too poor and feckless to care for him. And he wants them to stop having children. Read more... |
On the Basis of Sex review – real-life legal dramaWednesday, 20 February 2019
When the world is as crazy as it is right now, its political life dominated by dolts and villains, it needs a new kind of hero. That’s why Americans are embracing an octogenarian woman with more guts and integrity than virtually anyone at her level of public life, and why in quick succession we’ve had two films about her. Read more... |
69th Berlin Film Festival round-up - what a banal BerlinaleTuesday, 19 February 2019
As journalists and critics were enjoying the unseasonably balmy weather in Berlin at the 69th Film Festival, all were wondering – where are all the good films? Read more... |
A Private War review - Rosamund Pike burns with passion in well-meaning biopicSaturday, 16 February 2019
The Sunday Times war correspondent Marie Colvin lived such a fearless life that it's a shame this celluloid biopic isn't correspondingly brave. Read more... |
Mektoub, My Love: Canto Uno review - cold carnal overdose from KechicheSaturday, 16 February 2019
Abdellatif Kechiche, the Tunisian-French director, is perhaps best known for the lengthy and explicit sex scenes in La vie d’Adèle (Blue is the Warmest Colour). Read more... |
The Kid Who Would Be King review - a timeless charmerFriday, 15 February 2019
The Arthurian legend’s tight fit as a Brexit allegory perhaps proves how timeless it is as, buried and bound in the earth by Merlin, Morgana (Rebecca Ferguson) senses the land above is “lost and leaderless”, and ripe for her apocalyptic return. Read more... |
Jellyfish review - life on the edge in MargateWednesday, 13 February 2019
Oh I do like to be beside the seaside – well perhaps not, if Jellyfish is anything to go by. Set in Margate, this independent feature paints a picture of a town and people that have been left behind. Read more... |
All Is True review - all's well doesn't end well in limp Shakespeare biopicSaturday, 09 February 2019
All may be true but not much is of interest in this Kenneth Branagh-directed film that casts an actor long-steeped in the Bard as a gardening-minded Shakespeare glimpsed in (lushly filmed) retirement. Read more... |
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