sun 27/07/2025

Film Reviews

Velvet Buzzsaw review - an acerbic takedown of the LA art scene

Joseph Walsh

Sitting somewhere between Ruben Östlund’s The Square and Final Destination, Dan Gilroy’s Velvet Buzzsaw is a satirical supernatural thriller that goes for the jugular of the LA art scene.

Read more...

The Mule review - good ol' boy rides again

Saskia Baron

Baggage can weigh a movie down. The Mule comes with quite a bit of baggage, and not just the kilos of coke stashed in the car’s trunk. Clint Eastwood’s fifty plus years as a screen icon turned director, his dodgy love life and libertarian politics all make it hard to walk into a cinema showing his latest film without dragging along a whole load of preconceptions.

Read more...

Vice review - Christian Bale on surging and satiric form

Matt Wolf

Satire was once thought in America to be that thing that closed on Saturday night. Not here: filmmaker Adam McKay goes the distance with Vice, a hurtling examination of realpolitik that puts Dick Cheney under a spotlight at once satiric and scary. Do we have Dubya's onetime veep to thank for the subsequent rise of Trump and the parlous state of affairs Stateside since then?

Read more...

On Her Shoulders review - half-life of a campaigner

Owen Richards

In September 2014, after three months of captivity, Nadia Murad escaped ISIS control in Mosul, Iraq. Since then, she has dedicated her life to travelling the world and telling everyone who will listen about the plight suffered by her Yazidi people, then and now still.

Read more...

Van Woerkum, BBCPO, Gernon, Bridgewater Hall, Manchester review - a symphony of cinema

Robert Beale

In contrast to a classic film soundtrack played live with the film, the idea in "symphonic cinema" is that the music, and its interpretation, come first. So the conductor is literally setting the pace, and to some extent the atmosphere, while the film is controlled in real time by an "image soloist", and the visuals follow the music’s lead rather than the other way round.

Read more...

Mary Queen of Scots review - Saoirse Ronan and Margot Robbie excel

Graham Fuller

Very much a woman of today, the Catholic Stuart heroine (Saoirse Ronan) of Mary Queen of Scots frequently hacks her way out of a thicket of power-hungry males, enjoys it when her English suitor Lord Darnley (Jack Lowden) goes down on her, and is amused when her gay secretary and minstrel David Rizzio (Ismael Cruz Cordova)...

Read more...

Glass review - shattered Shyamalan sequel

Nick Hasted

M Night Shyamalan is the Orson Welles of twist-ending fantasy, forever condemned to reach back to his first two successes. The Sixth Sense still stands alone, though its haunted chill shivers through much recent horror.

Read more...

Monsters and Men review - an impressive debut

Saskia Baron

This well-crafted addition to the films inspired by the Black Lives Matter movement is subtler and less commercial than last year’s The Hate U Give but covers similar terrain. Write...

Read more...

Beautiful Boy review - well-acted but a slog

Matt Wolf

The tortuous road to addiction and back again – or maybe not  makes for a faintly tedious experience in Beautiful Boy, notwithstanding the committed performances of an A-list cast.

Read more...

Colette review - Keira Knightley thrives in Paris

Owen Richards

In a telling scene midway through Colette, our lead is told that rather than get used to marriage, it is “better to make marriage get used to you.” In this retelling of the remarkable Colette’s rise, it is evident she did much more than that; by the time she was done, all of Paris was moulded in her image, and in Keira Knightley's hands, it’s no mystery why.

Read more...

Life Itself review - epically vapid

Matt Wolf

When life gives you lemons, make lemonade: that bromide is about the only one absent from the astonishingly bad Life Itself, which in actuality might require a stiff drink to make it through the film intact.

Read more...

Welcome to Marwen review - Carell and Zemeckis fail to hit stride

Ralph Moore

In the proverbial melting pot, this film has all the right ingredients.

Read more...

An Impossible Love review - toxic romance across the years

Tom Baily

This is a love that begins sweetly, turns terrible, and is told with unflinching directness.

Read more...

The Favourite review - scintillatingly warped portrait of the court of Queen Anne

Adam Sweeting

It can be fascinating to see ourselves as others see us.

Read more...

Best of 2018: Film

theartsdesk

While the Academy Awards is still searching for a host, theartsdesk's relatively controversy-free 2018 means we're ready for our end of year tributes.

Read more...

Papillon review - a not very great escape

Jasper Rees

The story of Henri Charrière’s gruelling ordeal as a prisoner in French Guiana and eventual escape was a bestseller on everyone’s bookshelf in the 1970s.

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Music Reissues Weekly: The Pale Fountains - The Complete Vir...

The Pale Fountains played their first live show on 12 February 1980 as the support to on-the-up fellow...

Giselle, National Ballet of Japan review - return of a class...

A new Giselle? Not quite: the production that ...

The Waterfront, Netflix review - fish, drugs and rock'n...

You wouldn’t really want to belong to the Buckley family, a star-crossed dynasty who run their fishing business out of Havenport,...

Buxton International Festival 2025 review - a lavish offerin...

The Buxton International Festival this year was lavish in its smaller-scale productions in addition to Ambroise Thomas’s Hamlet, the...

Eddie Pepitone, Special review - return of the curmudgeon

There aren’t many comics like Eddie Pepitone any more – the veteran comic’s shtick harks to back an earlier age, pre-suitable for TV...

Album: Indigo de Souza - Precipice

Indigo de Souza, a singer from North Carolina, has established some reputation, mostly in the States, for combining...

Dying review - they fuck you up, your mum and dad

Despite the title of Matthias Glasner’s award-winning drama, and the death that swirls around its characters, dying isn’t really its subject, but...

Album: Mádé Kuti - Chapter 1: Where Does Happiness Come From...

There can be few musicians on the planet from a more storied musical dynasty than Mádé Kuti. He is the son of Femi, the grandson of Fela. He grew...