Theatre Reviews
Edinburgh Festival 2019 reviews: Enough / SplicedMonday, 05 August 2019
Enough ★★★★ Read more... |
Mr Gum and the Dancing Bear the Musical, National Theatre review – gleefully subversive family musicalThursday, 01 August 2019
A great hunk of rotting meat hangs centre stage, suspended over a rusty wheelbarrow. A figure in a bloody butcher’s apron picks through the stalls, searching for cans of ‘xxxtra cheap lager’. From the direction of the band, sinister Wurlitzer sounds begin to stir the air. Read more... |
The Girl on the Train, Duke of York's Theatre review - boozy psycho-thriller rolls clunkily into townWednesday, 31 July 2019
It may help if you love the book. It was a runaway bestseller, so fans must be legion, but a suspenseful story which depends on memories being obscured by prodigious boozing, and featuring a trio of women best described as "flaky", all defining themselves too much by their relationships with unreliable men, is not to everyone's taste. Read more... |
Peter Pan, Troubadour White City review - off to a flying startMonday, 29 July 2019
London’s Troubadour White City theatre has got off to a, literally, flying start. Read more... |
Barber Shop Chronicles, Roundhouse review - riotous theatre at its bestThursday, 25 July 2019
Emmanuel (Anthony Ofoegbu) runs Three Kings Barbers in London. His assistant, Samuel (Mohammed Mansaray), is the son of his erstwhile business partner, who is currently in jail. Emmanuel is boss, surrogate father and — occasionally — verbal punching bag: Sam is a whizz with the shears and just as cutting with his tongue. Read more... |
Blues in the Night, Kiln Theatre review - hard times, hot tunesThursday, 25 July 2019
It’s too darn hot, BoJo is in Downing Street, and we’re all going to Brexit hell – so we might as well sing the blues. Read more... |
The View UpStairs, Soho Theatre review - well-intentioned but needs a rewriteWednesday, 24 July 2019
If good intentions were all, The View UpStairs would be Gypsy. Read more... |
The Bridges of Madison County, Menier Chocolate Factory review - Iowan romance fizzlesWednesday, 24 July 2019
Robert James Waller’s bestselling, though critically panned, 1992 romance novel was reincarnated in the Clint Eastwood and Meryl Streep-starring film, and then again in Jason Robert Brown and Marsha Norman’s Tony-winning 2013 musical – both adaptations wisely sloughing off some of the original’s schmaltz and sappiness. Read more... |
The Night of the Iguana, Noël Coward Theatre review - Clive Owen and Lia Williams burn brightWednesday, 17 July 2019
One of the glories of contemporary London theatre is its revivals of classic American drama. Year after year, audiences are able to revisit and enjoy the great landmarks of postwar American playwriting from greats such as Arthur Miller, Tennessee Williams, Sam Shepard and David Mamet (recently joined by the likes of Lynn Nottage). Read more... |
Equus, Trafalgar Studios review - passionate intensityTuesday, 16 July 2019
When he gave Martin Dysart, the troubled psychiatrist protagonist of Equus, a line in which he speaks about “moments of experience” being “magnetised”, Peter Shaffer might almost have been talking about theatre itself. Read more... |
Pages
Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Simón Bolívar Symphony Orchestra, Dudamel, Barbican review -...
Gustavo Dudamel and the Simón Bolívar Symphony Orchestra of Venezuela took the Barbican by storm last night with a thrilling account of Mahler’s...
Jenůfa, Royal Opera review - electrifying details undermined...
This was always going to be Jakub Hrůša’s night, his first at the...
German National Orchestra, Marshall, Cadogan Hall review - s...
This concert was an effusion of pure joy. Billed as the German National Orchestra, the Bundesjugendorchester (Federal Youth Orchestra), all of...
Chris McCausland, Winchester Theatre Royal review - Strictly...
By all accounts Chris McCausland had to be persuaded to take part in the most recent series of Strictly Come Dancing, which he won with...
Album: The Weather Station - Humanhood
Four of Humanhood’s 13 tracks are short, impressionistic mood pieces. Between 48 seconds and just-over a minute-and-a-half long, they...
Oliver!, Gielgud Theatre review - Lionel Bart's 1960 ma...
Into a world of grooming gangs, human trafficking and senior prelates resigning over child abuse cases comes Oliver!, Lionel...
What's the Matter with Tony Slattery?, BBC Two review -...
In the late Eighties and Nineties, Tony Slattery became one of the most ubiquitous faces on television, appearing regularly on Whose Line Is...
Album: Ethel Cain - Perverts
Ethel Cain’s Perverts is a dark and experimental follow-up to her debut album, Preacher’s Daughter. It takes listeners on a...
Leif Ove Andsnes, Wigmore Hall review - colour and courage,...
Forthright and upright, powerful and lucid, the frank and bold pianism of Leif Ove Andsnes took his Wigmore Hall audience from Norway to Poland (...