Theatre Reviews
Twelfth Night, National TheatreThursday, 23 February 2017![]()
Everybody’s a little bit gay in Simon Godwin’s giddy new Twelfth Night at the National Theatre. Read more... |
The Girls, Phoenix TheatreThursday, 23 February 2017![]()
Why? That's the abiding question that hangs over The Girls, the sluggish and entirely pro forma Tim Firth-Gary Barlow musical that goes where Firth's film and stage play of Calendar Girls have already led. Telling of a charitable impulse that succeeded beyond all expectations, the real-life scenario makes for heartening fare in our seemingly heartless times. Read more... |
Low Level Panic, Orange Tree TheatreWednesday, 22 February 2017![]()
The 1980s were a great decade for British women playwrights. Read more... |
School Play, Southwark PlayhouseTuesday, 21 February 2017![]()
Hot on the heels of Katherine Soper's award-winning Wish List, about the UK benefits system in crisis, and John Godber's This Might Hurt, about an NHS in crisis, comes this play about our education system in crisis. Read more... |
The Wild Party, The Other PalaceTuesday, 21 February 2017![]()
The Other Palace’s housewarming party certainly lives up to its billing as a wild one – wet and wild, in fact, as the first three rows are sporadically doused with bathtub gin. Read more... |
See Me Now, Young VicSaturday, 18 February 2017![]()
Sex workers come in all shapes and sizes. Everyone knows that. But why do they do it? Why does anyone take the risk of being intimate with a stranger for money? Read more... |
The Winter's Tale, Royal Lyceum Theatre, EdinburghSaturday, 18 February 2017![]()
In the end, it’s all about Mamillius. It’s he – the young son of Leontes of Sicily – who launches director Max Webster’s really quite magical new production of Shakespeare’s credibilty-busting tragedy-cum-comedy at Edinburgh’s Lyceum Theatre, suggesting it’s all a child’s made-up story in the first place. Read more... |
Richard III, Schaubühne Berlin, BarbicanFriday, 17 February 2017![]()
Hated the Schaubühne Hamlet (same lead actor, same director as this latest Shakespeare auf Deutsch); loved Ivo van Hove's Toneelgroep Kings of War, with Hans Kesting's Richard III on the highest level alongside the Henrys V and VI. Read more... |
A Clockwork Orange, Park TheatreFriday, 17 February 2017![]()
There are few modern literary fables that really resonate in the wider culture. And most that do are dystopias. Think of George Orwell’s Nineteen Eighty-Four, or Aldous Huxley’s Brave New World, or even Philip K Dick’s Do Androids Dream of Electric Sheep? And, of course, Anthony Burgess’s A Clockwork Orange. Read more... |
Travesties, Apollo TheatreThursday, 16 February 2017![]()
Tom Stoppard’s humungously funny play Travesties was born out of a piece of James Joyce doggerel about how a British diplomat sued him for the cost of two pairs of trousers. It’s like this. Read more... |
Pages
Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
latest in today

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...

That friend you have who hates musicals – probably male, probably straight, probably not seen one since The Sound of...

“Be careful what you wish for, you might get it.” The Aesop-ian maxim roughly applies to Jérémie Pastor (Félix Kysyl) in Alain Guiraudie's...

It’s quite ironic that the Royal Northern College of Music should have invited, as director of this,...
Motherhood is a high stress job. Ask any woman and they will tell you the same: sleepless nights, feeding problems and worry. Lots of worry. Lots...

Spring may have sprung, but there’s little in life to truly raise the sprits, so this week’s release of Who Believes in Angels? ...

Is the Royal Ballet a “Balanchine company”? The question was posed at a recent Insight evening to Patricia Neary, the tireless dancer...

Joshua Oppenheimer made his name directing two disturbing documentaries, The Act of Killing (2012) and The Look of Silence (2014...

Russia Starts Here: Real Lives in the Ruin of Empire, the journalist Howard Amos’ first book, is a prescient and fascinating examination...

“I knew I wanted all the effects practical and made for real. The movie is about flesh and bones, about women’s bodies.”
Coralie Fargeat,...