Visual Arts Reviews
Tutankhamun: Treasures of the Golden Pharaoh, Saatchi Gallery review - worth its weight?Saturday, 09 November 2019
In 1922 Hussein Abdel-Rassoul, a water boy with Howard Carter’s archaeological dig in the Valley of the Kings, accidentally uncovered a step in the sand. It proved to be the breakthrough for which Carter, on the hunt for the final resting place of King Tutankhamun, was looking. Read more... |
George Stubbs: 'all done from Nature', MK Gallery review - a glorious menagerieTuesday, 29 October 2019
Artist George Stubbs liked horses. The MK Gallery’s exhibition “all done from Nature” will try to convince you that he also cared about people. He did, to an extent; the commissions came that way. But about half way through the exhibition, the diminutive Study for Three Hunters and Two Grooms Waiting in a Stable-Yard, 1765-70, gives pause for thought. Read more... |
Lucian Freud: The Self-Portraits, Royal Academy review - mesmerising intensitySunday, 27 October 2019
Lucian Freud died in 2011 after a career spanning some 70 odd years. Over the decades, he painted and drew himself repeatedly, creating a fascinating portrait of a man who spent an inordinate amount of time scrutinising himself and others. Read more... |
Bridget Riley, Hayward Gallery review - the thrill of seeingFriday, 25 October 2019
“People collect diamonds because they sparkle; or they sit on a bench in Cornwall and look out to sea”. At the Hayward Gallery for the opening of her retrospective, Bridget Riley speaks of such uncomplicated pleasures with evident delight. Read more... |
Pre-Raphaelite Sisters, National Portrait Gallery review – a fascinating glimpse behind the scenesMonday, 21 October 2019
Focusing on twelve women who played a key role in the lives of Pre-Raphaelite painters like Dante Gabriel Rossetti, John Everett Millais and William Holman Hunt, this timely exhibition begins with a whimper and ends with a bang. First up at the National Portrait Gallery is Effie Gray whose marriage to art critic, John Ruskin was annulled after six years for non-consummation. Read more... |
Rembrandt's Light, Dulwich Picture Gallery review - a film-maker out of time?Friday, 11 October 2019
Among the numerous exhibitions marking the 350th anniversary of Rembrandt’s death, this small show at the Dulwich Picture Gallery stands out. Read more... |
Anna Maria Maiolino: Making Love Revolutionary, Whitechapel Gallery review – a gentle rebellionThursday, 10 October 2019
Now in her mid-seventies, Anna Maria Maiolino has been making work for six decades. Its a long stretch to cover in an exhibition, especially when the artist is not well known. Perhaps inevitably, then, this Whitechapel Gallery retrospective seems somewhat sketchy and opaque, a feeling compounded by having titles in Portuguese. Read more... |
Gauguin Portraits, National Gallery review - me, myself and ITuesday, 08 October 2019
“Gauguin was undoubtedly self-obsessed” begins the National Gallery’s latest dead cert blockbuster, as it cheerfully hijacks a de facto series begun next door at the National Portrait Gallery. Read more... |
Into the Night: Cabarets and Clubs in Modern Art, Barbican review - great theme, disappointing showTuesday, 08 October 2019
The Barbican’s latest offering – a look at the clubs and cabarets set up by artists mainly in the early years of the 20th century – is a brilliant theme for an exhibition. Read more... |
Kara Walker: Fons Americanus, Tate Modern review – a darkly humorous giftThursday, 03 October 2019
Soaring some 40 feet up towards the ceiling of Tate Modern’s vast Turbine Hall, Kara Walker’s Fons Americanus looks ludicrously out of place – like a Victorian interloper within this cathedral to contemporary art. Read more... |
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