tue 19/08/2025

Film Reviews

My Name Is Alfred Hitchcock review - a sly primer

Graham Fuller

Mark Cousins pulled off a coup for his latest film history documentary, My Name Is Alfred Hitchcock, by getting the great director to narrate it. In his catarrhal East London drawl, Hitchcock parses dozens of the brilliant visual techniques he used to elicit emotional responses in his movies' audiences, as Cousins cuts rapidly from one memorable excerpt to another. Quite a feat since Hitchcock died 43 years ago.

Read more...

Oppenheimer review - epic and enthralling study of 'the father of the atomic bomb'

Adam Sweeting

With a track record that includes Memento, Dunkirk, Insomnia and Inception, Christopher Nolan is not a filmmaker who could be accused of a lack of ambition, but even by his standards Oppenheimer is a staggering achievement.

Read more...

Barbie review - uneasy blend of farce and feminism

Helen Hawkins

The prologue to Greta Gerwig’s Barbie augurs well. A gaggle of young girls in a rocky desert are playing with doll-babies while enacting the mind-numbing drudgery of the early 20th century housewife. Then a new godhead arrives, a giant pretty blonde whose stilettoed feet turn slightly inwards. The girls go into a frenzy of old-doll-smashing, Also Sprach Zarathustra swells up and one girl throws her doll high in the air.

Read more...

A Kind of Kidnapping review - claustrophobic class-division satire

Hugh Barnes

A Kind of Kidnapping is a low-budget British comedy with a neat premise and satirical view of class and politics in the midst of a cost of living crisis.

Read more...

Medusa review - stylish, smart, seriously strange Brazilian satire

Demetrios Matheou

“There are sex maniacs out there, sodomites, murderers, suicidal people, and communists on the loose! I vote for a curfew!” 

Read more...

The Damned Don't Cry review - a Moroccan mother and son on the margins

Markie Robson-Scott

British-Moroccan director Fyzal Boulifa’s second feature is a departure from his first, the brilliant and disturbing Lynn + Lucy of 2020. That was set on an Essex housing estate; this one takes place in Morocco.

Read more...

Shabu review - documentary-drama about youngsters in Rotterdam

Saskia Baron

This loose-limbed movie follows Shabu, a 14-year-old boy who is growing up on the public housing estate known as the Peperklip (Paperclip) in Rotterdam. It’s the summer holidays and he’d like to hang out with his girlfriend and his mates, but first he’s got to sort out some trouble. 

Read more...

Mission: Impossible - Dead Reckoning Part One review - buckle up

Demetrios Matheou

After 27 years and half a dozen instalments of a franchise predicated on its ability to up the ante on itself to ever more dizzying heights of ingenious, character-driven, genuinely heart-in-mouth action, the killjoy or cynic may well be lining up an alternative title for the latest: Mission: Impossible – Anti-climax. But they would never get to use it. Not a chance. 

Read more...

Indiana Jones and the Dial of Destiny review - a baggy, finally poignant finale

Nick Hasted

Raiders of the Lost Ark (1981) revived Thirties adventure serials’ simple thrills, a George Lucas notion adrenalised by Spielberg. Its hero Indy Jones wasn’t built for depth or pathos, and the struggle to find reasons for his return notoriously sank Indiana Jones and the Kingdom of the Crystal Skull (2008), and left this final chapter in production purgatory till Harrison Ford was 79.

Read more...

Mother and Son review - 20 years with an erratic ma

James Saynor

In French, this film is called Un petit frère (“A little brother”), and for once it may be that a film’s English title is an improvement on the original. The fitful and fragmented second feature by Léonor Serraille is about a multi-tasking migrant from Ivory Coast and her two sons, whom we drop in on at intervals across 20 years or so, beginning in 1989.

Read more...

La Syndicaliste review - a star outshines her conspiracy thriller script

Helen Hawkins

On the face of it, La Syndicaliste (aka The Sitting Duck) is a conspiracy thriller that runs along familiar tracks: clever woman begins to suspect dirty dealings at a very high level in the high-stakes industry she works for and lands herself in a dangerous mess. There are anonymous phonecalls, menacingly bright headlights behind her… Think Silkwood in stilettos.

Read more...

Hello, Bookstore review - a documentary with shelf life

Sarah Kent

It’s impossible not to fall in love with Matthew Tannenbaum, the man at the centre of this delightful film. Reading books and chatting to people about books are two of his favourite occupations, so running a bookstore is his idea of paradise. His pleasure is so infectious that the independent bookstore he’s run in Lenox, Massachusetts for over 40 years has become a hub of bonhomie.

Read more...

The Super 8 Years review - Nobel laureate’s meditative self-portrait from home movies

Helen Hawkins

The French auto-fiction writer Annie Ernaux, now 82, was awarded the Nobel Prize for literature last year; now a fascinating new facet of her creative life has been released via her home movies.

Read more...

Asteroid City review - desert dreams

Nick Hasted

Multi-media meta-layers land fast in Wes Anderson’s 11th film, overriding reality. Here’s Bryan Cranston’s portentous Fifties TV host (pictured below) in black-and-white, boxed Academy ratio, documenting rehearsals for a televised play, whose fictive reality then becomes a widescreen colour train hurtling through the desert. The latter scene's exhilarating cinema still sweeps you up.

Read more...

No Hard Feelings review - nothing about this queasy comedy feels quite right

Adam Sweeting

Last year Jennifer Lawrence won critical plaudits for her war-trauma drama Causeway, which seemingly signalled a bold new direction for her career, but how she got from there to No Hard Feelings is a bit of a mystery. Nothing about it feels quite right.

Read more...

The Flash review - back to DC, unremarkably

Justine Elias

Superhero movies are the nearest equivalent to American holiday parades: they come along with noisy, bright regularity, and crowds either flock to them, many eager persons deep along the sidewalk, or flee to quieter neighbourhoods.

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Blu-ray: Who Wants to Kill Jessie?

"Crazy comedy" was a recognised subgenre in post-war Czech...

BBC Proms: Le Concert Spirituel, Niquet review - super-sized...

There’s a Proms paradox that’s familiar to Early Music fans....

Gibby Haynes, O2 Academy 2, Birmingham review - ex-Butthole...

Gibby Haynes is the wild-eyed crazy man who used to front the Butthole Surfers back in the 1980s and 1990s. At the time, there was none weirder or...

Edinburgh Fringe 2025 reviews - Cat Cohen / Lachlan Werner /...

Cat Cohen, Pleasance Courtyard ...

Album: Adrian Sherwood - The Collapse of Everything

UK dub maestro and producer, Adrian Sherwood is hardly what...

Oslo Stories Trilogy: Love review - freed love

Love was the Norwegian climax of Dag Johan Haugerud’s Oslo trilogy, the most lovestruck vision of his city and boldest prophesy of how to...

Music Reissues Weekly: The Residents - American Composer...

George & James was originally released in March 1984. Stars & Hank Forever! emerged in October 1986. The two LPs were...

Frang, Romaniw, Liverman, LSO, Pappano, Edinburgh Internatio...

Right from the bracing brass fanfare that began this Sea Symphony, you know exactly where you were: right in the midst of the deck, with...