tue 19/08/2025

Film Reviews

Pretty Red Dress review - not so sparkly British black film

Saskia Baron

Pretty Red Dress opens with a classic Motown-esque girl group belting out a show tune before cutting to Travis (Natey Jones) as he leaves prison. Waiting for him outside is Candice (Alexandra Burke); she’s sitting in her Audi, singing along to the radio.

At home is their teenage daughter, Kenisha (Temilola Olatunbosun), happy enough to have her dad back in their Lambeth flat on a council estate, but facing her own problems at school with both authority and friends.

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Medusa Deluxe review - combing for clues in a stylish murder mystery

Justine Elias

Medusa is having a moment. From Natalie Haynes’ feminist novel to the recent Brazilian horror movie, the beleaguered, beheaded, snake-haired monstress of Greek myth rises again, and again, as a symbol of female rage and resistance.

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Chevalier review - a less than extraordinary film about an extraordinary man

Adam Sweeting

This frothy bio-fantasy about the 18th century composer Joseph Bologne, Chevalier de Saint-Georges and top tunesmith to Marie Antoinette at the French court, could have been a powerful and revealing shout-out to a woefully under-appreciated composer.

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War Pony review - life on the Pine Ridge reservation in south Dakota

Markie Robson-Scott

Set on the lands of the Oglala Lakota in South Dakota, War Pony focuses, in a hazy way, on the lives of 23-year-old Bill (Jojo Bapteise Whiting), who has two toddler sons with two different mothers, and 12-year-old Matho (Ladainian Crazy Thunder) who seems to have no mother at all. Both are struggling to get by. Drugs, violence and chaos rule on the Pine Ridge reservation. The women are mainly exasperated with the men. A poodle called Beast also plays an important role.

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Reality review - Sydney Sweeney excels as a whistleblower

Graham Fuller

The actress Sydney Sweeney’s face in the harrowing docudrama Reality is an ever-evolving map, its contours and pallor altering as it gradually dawns on her character, the real-life American whistleblower Reality Winner, that her conscience has put paid to her freedom for the forseeable future.

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Carmen review - curio from choreographer turned director Benjamin Millepied

Helen Hawkins

The inspirations for the directing debut of Benjamin Millepied, choreographer and dancer in Black Swan, are cited as Merimée’s novella Carmen and Pushkin’s narrative poem The Gypsies, the former better known as an opera guaranteed to raise the emotional temperature. 

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Amanda review - too-intense Gen Z-er seeks a friend, boyfriend, anything

Graham Fuller

Needy, truculent, and aggressive, an in-your-face stick of intensity and guilt-inducing melancholy, privileged young Amanda in Carolina Cavalli’s downbeat comedy is the girl no one wants to end up talking to in the kitchen at parties. 

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Disney 100 - The Concert, OVO Hydro, Glasgow review - a slick tour of the Magic Kingdom

Jonathan Geddes

There are a few perils to saying supercalifragilisticexpialidocious, as Janette Manrara discovered on this opening night of Disney’s anniversary arena jaunt. Trying to divide the Glasgow crowd into sections to sing the song, Manrara tripped over who was to sing what, something only notable because the rest of the evening was possessed of an almost overpowering slickness.

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Mad About the Boy review - entertaining cradle-to-grave Noel Coward documentary

Helen Hawkins

Devoted fans may not learn anything that new about Noel Coward from Barnaby Thompson’s documentary Mad About the Boy, but they will doubtless see some new things. And those who know “the Master” only from his early plays, hardy perennials these days in British theatres, will marvel at the sheer range and volume of his output.

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Master Gardener review - a Paul Schrader perennial

Nick Hasted

Gardener Narvel (Joel Edgerton) sniffs soil the way Blue Velvet’s Frank inhaled gas, finding erasure and release. Following Ethan Hawke’s priest in First Reformed (2017) and Oscar Isaac’s titular job in The Card Counter (2021), Paul Schrader’s latest driven protagonist verges on absurd, finding solace in pruning before deploying his secateurs with a prior, particular set of skills.

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Under the Fig Trees review - a sensual day in the Tunisian sun

Nick Hasted

Tunisian lives unfold over a working day in Erige Sehiri’s debut Under the Fig Trees, with fig-picking the backdrop to furtive, sparking collisions between men and women. Love, liberation and oppression all take their turn under the sun as community is strengthened or challenged, and a society is subtly implied.

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Hypnotic review - a riotously enjoyable thriller

Adam Sweeting

Masterminded by writer-director Robert Rodriguez (Sin City, Spy Kids etc), Hypnotic is a speedy, twisty, riotously enjoyable thriller that seeks to bend your mind into impossible shapes while also delivering more than a few droll wisecracks.

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Full Time review - Laure Calamy as a driven single mother

Saskia Baron

Full Time opens in darkness. All we can hear is the sound of a sleeping woman breathing. It’s one of the few quiet moments in a film that follows Julie (Laure Calamy) as she scrambles to manage her life. Divorced with two young children, she lives in a village and commutes to Paris.

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Inland review - a cracked mosaic of memories, impressions and lurking anxiety

Adam Sweeting

Fridtjof Ryder’s debut feature made a strong impression at last year’s London Film Festival, and its cinema release ought to give the Gloucester-born director’s career a hefty shove in the right direction. Although that doesn’t mean that Inland is an especially easy-viewing experience.

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Beau is Afraid review - life's ordeals in lengthy detail

Matt Wolf

Life's journey is a challenge, and then some, for Beau Wasserman (Joaquin Phoenix), the beleaguered Odysseus/Job  (you choose!) equivalent figure at the savage heart of Ari Aster's new film Beau is Afraid. But imagine surviving unimaginable ordeals on the long road of existence only to be met at the end by the Broadway legend Patti LuPone?

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Moon Is the Oldest TV review - a fitting tribute to a visionary modern artist

Helen Hawkins

Who created the term “electronic superhighway”? First described a system of linked communication that would become the internet? Envisioned a multichannel TV system where viewers chose for themselves what to tune into? Watch Amanda Kim’s excellent documentary Moon Is the Oldest TV and you find that the correct answer to all those questions is Nam June Paik.

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