Film Reviews
Murina review - her father, her jailerWednesday, 13 April 2022
Murina, the suspenseful first feature written and directed by the Croatian filmmaker Antoneta Alamat Kusijanoviće, depicts a cruel dance that three of the four participants can't or won't stop. Its instigator, a father and husband in thrall to his ruinous machismo, is clueless. The steps – based on love, desire, avarice, jealousy, manipulation and anger – make for a discomfiting coming-of-age drama that won the Camera d’Or at Cannes last year. Read more...
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The Outfit review - threadbare tailor-gangster yarnSaturday, 09 April 2022
“A man walks in,” Leonard (Mark Rylance) begins. “What about him can you observe? What does a man like to be? Read more... |
Compartment No. 6 - strangers on a Russian train sweetly connectFriday, 08 April 2022
Juho Kuosmanen’s Cannes Grand Prix-winner observes two strangers on a train, taking the arduous journey from Moscow to Arctic Murmansk in 1998. Laura (Seidi Haarla) is a Finnish student hoping to study ancient rock paintings, Ljoha (Yuriy Borisov) a skinhead Russian miner. Read more... |
DVD Special Feature: Abel Ferrara returns to the undergroundWednesday, 06 April 2022
Zeros And Ones’ poster alludes to Gerard Butler blockbusters (“The Vatican Has Fallen”), but Abel Ferrara’s name guarantees grungier fare. The sleaze of old Times Square still clings to the director, though he’s now a 70-year-old avant-pulp eminence living in Rome. Read more... |
The Audition review - love and hate at music schoolSaturday, 02 April 2022
If Roman Polanski had directed Whiplash, something like this study of music’s psychological cost might have resulted. Ina Weisse’s film is more incremental and naturalistic, as violin teacher Anna (Nina Hoss) gives special attention to teenage protégé Alexander (Ilja Monti), to the jealous resentment of son Jonas (Serafin Mishiev), while nervously returning to the stage herself. Read more... |
Morbius review – not so superFriday, 01 April 2022
Following the much-maligned Venom (2018) and Venom: Let There Be Carnage (2021), the third film in Sony’s Spider-Man Universe stars Jared Leto as Nobel Prize-winning scientist Dr Michael Morbius. Suffering from a rare blood condition that threatens to take his life, Morbius self-enrols in an experimental cure, combining his DNA with that of a vampire bat and so destining himself for a future as a living vampire. Read more... |
Oscars 2022 - the smack heard around the worldMonday, 28 March 2022
What the [expletive deleted]? Read more... |
Ambulance review – Michael Bay in excelsisSunday, 27 March 2022
Speed in an ambulance? Gone In 60 Seconds meets Heat? Read more... |
The Worst Person in the World review - confusion becomes herSaturday, 26 March 2022
Some British TV viewers who were in junior school in the mid-1960s will recall the imported Australian kids’ show The Magic Boomerang. When the adolescent hero, a sheep farm kid, threw the eponymous piece of wood, he stopped time and was able to thwart crimes and right other wrongs as long as it was airborne; once he caught it, life continued as before in his corner of the Outback. Read more... |
The Tinderbox review – a call for peaceFriday, 25 March 2022
The beginning of the Israeli-Palestine conflict is officially dated to 7 June 1967, the occasion of the Israeli occupation of the West Bank, including East Jerusalem, during the Six-Day War, but its origins stretch back further. Read more... |
X review - sex and the bloody American dreamMonday, 21 March 2022
Ti West’s slyly self-referential horror film about a Texan porn shoot subverts expectations. Read more... |
Three Floors review - nothing like good neighboursSunday, 20 March 2022
A speeding drunk driver arrows down a silent street into a Roman block of flats. Read more... |
River review – gorgeous visuals and a timely message: so what’s not to like?Saturday, 19 March 2022
I would suggest watching River on the largest possible screen, so you can bask in the breathtaking beauty of the visuals. Read more... |
Paris,13th District review - millennial merry-go-roundFriday, 18 March 2022
Having established his world-class reputation with gritty crime thrillers, notably A Prophet, Jacques Audiard is clearly on a mission to branch out: after his terrific, revisionist western The Sisters Brothers, comes this ambling, sexy, millennial story about love, friendship, and the complicated areas in between. Read more... |
Deep Water review - not even laughably badFriday, 18 March 2022
Patricia Highsmith must be spinning in her grave. This ridiculously incompetent adaptation of her 1957 crime novel lacks all suspense or credibility. It’s hard to believe that Adrian Lyne, responsible for huge box-office hits like the provocative thriller Fatal Attraction and the dodgy but watchable 9 ½ Weeks and Indecent Proposal, could make something quite so feeble as Deep Water. Read more... |
The Phantom of the Open review - charmingly incompetent golfer channels EalingThursday, 17 March 2022
“No one can say you didn’t try,” shipyard worker Maurice Flitcroft (Mark Rylance) is told, shortly before bluffing his way aged 46 into the 1976 British Open, having never played golf before. Read more... |
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