Film Reviews
Lies We Tell review - fear and gaslighting in 1860s IrelandSaturday, 14 October 2023
It is 1864 and the lush green lawns of Knowl, the stately home in Ireland that Maud Ruthyn (Agnes O’Casey) will inherit when she reaches the age of 21, are beautifully kept. Everything is in its place. Maud expects deference, especially from the domestic staff. Read more... |
The Miracle Club review - unchallenging but enjoyable Irish dramaFriday, 13 October 2023
If I had to condense the Catholic faith of my upbringing in one sentence, I would say that it essentially comes down to two things: we're all sinners, but we are all capable of redemption. (Theological experts may take a different view.) That boiled-down notion appears to be the takeaway of Thaddeus O'Sullivan's The Miracle Club, set in 1967 working-class Ballygar, just outside Dublin – the kind of place whose residents live there their entire life. Read more... |
Dalíland review - a tidy portrait of a chaotic artistThursday, 12 October 2023
The director Mary Harron is famous for staying classy while tackling blood-splashy topics – notably the attack on pop art’s leader in I Shot Andy Warhol (1996) and whatever the hell was going on in the Bret Easton Ellis novel that became Harron’s American Psycho (2000). Almost any male director would have gone Brian-De-Palma-berserk with the latter, but Harron’s film is more memorable for an OCD Christian Bale handing out his business cards than any ultra-violence. Read more... |
London Film Festival 2023 - a mixed bag of dramas and documentariesTuesday, 10 October 2023
The London Film Festival continues to pull in an eclectic selection of films from all over the world. And it’s from the countries not known for their movie industries that some of the most impressive and engaging films have emerged. Read more... |
London Film Festival 2023 - provocation, celebration and film-buzzing communitySaturday, 07 October 2023
When Kristy Matheson won the job of BFI London Film Festival director, she spoke of the chance afforded by festivals for filmmakers, artists and audiences “to commune on a grand scale – to experience ideas, ask big questions and celebrate together.” Read more... |
20 Days in Mariupol review - carnage in a dying Ukrainian cityFriday, 06 October 2023
Mstyslav Chernov’s 20 Days in Mariupol, which won the World Cinema Documentary Competition at Sundance this year, is an emotionally devastating account of the inhumanity of war. Read more... |
The Great Escaper review - Glenda Jackson takes her final bowFriday, 06 October 2023
This wasn’t a film to go and see with my 94-year-old father and hope I’d come out with my critical faculties intact and my handkerchief dry. The Great Escaper is an old fashioned, old school weepie about ageing, guilt and the horrors of war. Read more... |
BlackBerry review - the nerds versus The ManThursday, 05 October 2023
Nothing goes out of date like new technology. Who now remembers how plain old Alan Sugar brought word-processing to the masses with the Amstrad PCW 8256, or how the Psion 5 was for a moment the last word in personal organisers? Read more... |
The Creator review - bold, beautiful, flawed sci-fi epicFriday, 29 September 2023
It has been seven years since Gareth Edwards directed, for me, the best of the new generation of Star Wars films, Rogue One. Having made Godzilla before that, it’s nice to see him return with a more personal project, a big, bold, beautiful, if flawed sci-fi epic. Read more... |
The Old Oak review - a searing ode to solidarityFriday, 29 September 2023
Ken Loach has occasionally invested his realist TV dramas and movies with moments of magical realism – football inspiring them in The Golden Vision (1968) and Looking for Eric (2009) – but magical spaces in them are rare. In The Old Oak, as affecting a movie as any the veteran director has made and his 14th with screenwriter Paul Laverty, three sacred spaces (but a single church) work on the characters in vital ways. Read more... |
Surprised by Oxford review - wishy-washy romance ticks the sightseeing boxesWednesday, 27 September 2023
The misty streets and lofty spires of Oxford star in this adaptation of Carolyn Weber’s 2011 memoir, Surprised by Oxford, in which she finds God while studying for an MPhil in English literature. Read more... |
Strange Way of Life review - Pedro Almodóvar's queer WesternTuesday, 26 September 2023
Less is more, except when it isn’t. Among the latest batch of overlong Oscar-tipped movies by celebrated auteurs such as Christopher Nolan (Oppenheimer with a running time of 181 minutes) and Martin Scorsese (Killers of the Flower Moon, 207 mins), it’s a relief to find the iconic Spanish filmmaker Pedro Almodóvar bucking the trend with a 31-minute short that doesn’t test the audience’s mental and physical stamina. Read more... |
The Nettle Dress review - a moving story exquisitely toldMonday, 25 September 2023
Lasting just over an hour, The Nettle Dress is like a fairy story. It builds very slowly, each beautifully framed shot contributing toward a perfect little gem that tells a moral tale. Read more... |
Expend4bles review - last ride for the over-the-hill gang?Friday, 22 September 2023
Thanks to numerous arguments and disagreements over script, casting etc, nine years have elapsed since Expendables 3 hit the multiplexes, and Sylvester Stallone and his mercenary crew were perilously close to being over the hill even then. In Expend4bles, age has duly withered them even further, a fact wryly acknowledged by director Scott Waugh and his screenwriting squad. Read more... |
R.M.N. review - ethnic cleansing in rural RomaniaThursday, 21 September 2023
If you think we’ve got culture wars, then welcome to Transylvania. This rugged Romanian region is home to a bewildering overlap of ethnicities and tongues – Hungarian, a bit of German and Romanian itself – such that Cristian Mungiu’s new movie offers subtitles in different colours to get the idea across. Read more... |
A Year in a Field review - exemplary eco-docThursday, 21 September 2023
A shot of a dead field mouse sets the tone for this sobering “slow cinema” documentary, narrator-director Christopher Morris’s response, simultaneously aghast and philosophical, to the looming environmental catastrophe. Read more... |
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