wed 15/01/2025

Theatre Reviews

Exit the King, National Theatre review - vivid, brilliant production that somehow leaves you feeling empty

Rachel Halliburton

The image of a raging, narcissistic tyrant, convinced that he can crush even death into oblivion, has all too many resonances these days.

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Spamilton, Menier Chocolate Factory review - fun if overstuffed

Matt Wolf

If it's possible to have somewhat too much of a good thing, that would seem to be the case with the British premiere at the Menier Chocolate Factory of Spamilton.

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Pity, Royal Court review - whacked-out and wearing

Matt Wolf

The apocalypse arrives as a series of collegiate sketches in the aptly-named Pity, the Rory Mullarkey play that may well prompt sympathy for audiences who unwittingly find themselves in attendance.

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Allelujah!, Bridge Theatre review - hilarious but dark, darker, darkest

aleks Sierz

The NHS is us. For decades our national identity has been bandaged together with the idea, and reality, of a health service that is free at the point of delivery.

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A Monster Calls, Old Vic - wild, beautiful theatre that beguiles and bruises

Rachel Halliburton

A raw pagan vitality animates this extraordinary story about a teenage boy wrestling with tumultuous emotions in the face of his mother’s terminal illness.

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End of the Pier, Park Theatre review - thought-provoking play about comedy and race

Veronica Lee

Les Dennis was once a marquee name on Saturday night television as host of Family Fortunes, but since giving up the light entertainment lark he now plies his trade as an actor, and a very good one at that. If you've not seen it, give yourself a treat and watch his bang-on-the-nose performance as “Les Dennis”, a delusional, whinging has-been, in Ricky Gervais and Stephen Merchant's Extras.

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The Lehman Trilogy, National Theatre review - an acting tour de force

Matt Wolf

There's surprising and then there's The Lehman Trilogy, the National Theatre premiere in which a long-established director surprises his audience and, in the process, surpasses himself. The talent in question is Sam Mendes, who a quarter-century or more into his career has never delivered up the kind of sustained, smart, ceaselessly inventive minimalism on view here.

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Alkaline, Park Theatre review - faith, friendship and failure

aleks Sierz

Britain is rightly proud of its record on multiculturalism, but whenever cross-cultural couples are shown on film, television or the stage they are always represented as a problem. Not just as a normal way of life, but as something that is going wrong. I suppose that this is a valuable corrective to patting ourselves on the back about how tolerant a society we are, but do such correctives make a good play?

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As You Like It, Regent's Park Open Air Theatre review - love among the bucolic hippies

Heather Neill

It's been raining in Regent's Park. On a balmy summer evening during a prolonged dry spell – perfect for outdoor theatrics – it seems ironic to tempt fate by creating artificial downpours and thunderstorms.

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The Jungle, Playhouse Theatre review - new territory

Katherine Waters

"I am dead," declares Okot before recounting the horrors he survived to reach Calais. Each time, he says, "I died." How many times can you die before you are truly dead?

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Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


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